Ran (1985)

In Medieval Japan, an elderly warlord retires, handing over his empire to his three sons. However, he vastly underestimates how the new-found power will corrupt them and cause them to turn on each other...and him.

Director:

Akira Kurosawa

Writers:

Akira Kurosawa (screenplay), Hideo Oguni (screenplay)

Stars:

Tatsuya Nakadai, Akira Terao, Jinpachi Nezu

Top Rated Movies #137 | Won 1 Oscar. Another 29 wins & 22 nominations.

Cast

Cast overview, first billed only:
Tatsuya Nakadai	...	Lord Hidetora Ichimonji
Akira Terao	...	Taro Takatora Ichimonji
Jinpachi Nezu	...	Jiro Masatora Ichimonji
Daisuke Ryû	...	Saburo Naotora Ichimonji
Mieko Harada	...	Lady Kaede
Yoshiko Miyazaki	...	Lady Sue
Hisashi Igawa	...	Shuri Kurogane
Pîtâ	...	Kyoami (as Peter)
Masayuki Yui	...	Tango Hirayama
Kazuo Katô	...	Kageyu Ikoma
Norio Matsui	...	Shumenosuke Ogura
Toshiya Ito	...	Mondo Naganuma
Kenji Kodama	...	Samon Shirane
Takashi Watanabe	...	Fujimaki Clan general
Mansai Nomura	...	Tsurumaru (as Takeshi Nomura)

Storyline

Japanese warlord Hidetori Ichimonji decides the time has come to retire and divide his fiefdom among his three sons. His eldest and middle sons - Taro and Jiro - agree with his decision and promise to support him for his remaining days. The youngest son Saburo disagrees with all of them arguing that there is little likelihood the three brothers will remain united. Insulted by his son's brashness, the warlord banishes Saburo. As the warlord begins his retirement, he quickly realizes that his two eldest sons selfish and have no intention of keeping their promises. It leads to war and only banished Saburo can possibly save him.

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Plot Keywords:

nihilism | wench | whore | father in law daughter in law relationship | shakespeare's king lear | 

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Genres:

Action | Drama

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Certificate:

R

Details

Country:

Japan France

Language:

Japanese

Release Date:

1 June 1985 (Japan)

Also Known As:

Ran

Filming Locations:

Aso, Kumamoto, Japan

Box Office

Budget:

$11,500,000 (estimated)

Opening Weekend USA:

$90,000, 22 December 1985, Limited Release

Gross USA:

$3,522,421

Company Credits

Production Co:

Greenwich Film Productions, Herald Ace, Nippon Herald Films

Technical Specs

Runtime:

162 min

Sound Mix:

Dolby (35 mm prints) 70 mm 6-Track (70 mm prints)

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

The castle destroyed in the middle of the movie was specially constructed on the slopes of Mount Fuji for the film and then burned down. No miniatures were used for that segment, although an optical of another castle being burned at the end was used.

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Goofs

During the battle at the third castle, there is a sequence where Hidetora emerges from the castle at the top of a flight of stairs and confronts enemy soldiers ascending the stairs. When he retreats, his bodyguards suddenly appear and retreat with him, even though they were not present moments earlier.

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Quotes

Kurogane: Saburo is not our only enemy.
Jiro: So what? If they attack, we retaliate. We grab their land and enlarge our own.
Kurogane: Fine words, but words don't win wars.

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Connections

Featured in The 62nd Annual Academy Awards (1990)

User Reviews

Pain and beauty are not mutually exclusive

Ran takes viewers to a place they would rather not explore on their own. In a world of cruelty, Kurasowa has shown how the moments within the horror can have beauty. Shakespeare wrote King Lear as a mirror on the human condition. We do not have to be kings and princesses to identify with the father's desire for the well being of his children, even if his own life was one of cruelty and pain. We see this theme throughout great literature and film. What Ran has done is to provide the viewer with many small moments within the pain to realize the beauty. Even the moment of epiphany for Hidetora, when his actions achieve his madness, is one of surpassing beauty. As the storm rages outside the small house of the prince he blinded, whose parents he killed, whose sister he forcibly married off, the simple sounds of the flute provide an intense focus on the here and now. It is at this moment when Hidetora recognizes that he himself sowed the seeds of his own destruction. There is no dialogue, no swashbuckling, just the terrible beauty of the music. As with many of Kurasowa's films, despite their epic scope, it is the small paint strokes that make up the master's canvas.