The thief Gaston escapes dungeon of medieval Aquila thru the latrine. Soldiers are about to kill him when Navarre saves him. Navarre, traveling with his spirited hawk, plans to kill the bishop of Aquila with help from Gaston.
Video game expert Alex Rogan finds himself transported to another planet after conquering The Last Starfighter video game only to find out it was just a test. He was recruited to join the team of best starfighters to defend their world from the attack.
Philipe Gastone, a thief, escapes from the dungeon at Aquila, sparking a manhunt. He is nearly captured when Captain Navarre befriends him. Navarre has been hunted by the Bishop's men for two years, ever since he escaped with the Lady Isabeau who the Bishop has lusted after. Navarre and Isabeau have a curse that the Bishop has placed on them that causes Navarre to be a wolf during the night and Isabeau to be a hawk during the day. Navarre insists that Philipe help him re-enter the city to help him kill the heavily guarded Bishop.Written by
John Vogel <email@example.com>
The breed of horse that Navarre rides is a Friesian stallion that originated in the Netherlands, Rutger Hauer's native country. The breed was popular among medieval knights. The most prominently used horse was a 19 year old stallion called Othello. See more »
When Navarre and Isabeau awaken in the snow, as Navarre changes from a wolf back to a man his eyes are shown as having vertical slit pupils. Canines have round pupils, slit pupils are characteristic of felines. See more »
Impossible. Impossible. Nothing is impossible. Come on, Mouse. Dig! Dig, Mouse. Come on.
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A 2002 European DVD release (DY 01474.1) is 116 minutes, 5 minutes shorter than the original theatrical version. This is due to the 24/film->25fps/PAL speedup process; (24/25)*121 minutes = 116 minutes. See more »
The leads are physically beautiful almost beyond film comparison. Their moral-spiritual characters match, which should make the film corny. The plot is preposterous, but the main characters, Isabeau and Gaston, prosecute their roles with such unfailing intensity you can't help but accept the nonsense. What is Ferris Bueller doing in medieval France, though? Perhaps the film needs some salty leavening, and at least he makes the plot work a little more efficiently. Overall, I don't have a rational judgement to make but a purely emotional one: I can never forget this film. It has haunted me since the first time I saw it. And that is all down to the pure intensity of Hauer and Pfeiffer.
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