1984 (1984)

In a totalitarian future society, a man, whose daily work is re-writing history, tries to rebel by falling in love.

Director:

Michael Radford

Writers:

George Orwell (novel), Michael Radford

Stars:

John Hurt, Richard Burton, Suzanna Hamilton

Nominated for 1 BAFTA Film Award. Another 5 wins & 1 nomination.

Cast

Cast overview, first billed only:
John Hurt	...	Winston Smith
Richard Burton	...	O'Brien
Suzanna Hamilton	...	Julia
Cyril Cusack	...	Charrington
Gregor Fisher	...	Parsons
James Walker	...	Syme
Andrew Wilde	...	Tillotson
David Trevena	...	Tillotson's Friend
David Cann	...	Martin
Anthony Benson	...	Jones
Peter Frye	...	Rutherford
Roger Lloyd Pack	...	Waiter
Rupert Baderman	...	Winston Smith as a Boy
Corinna Seddon	...	Winston's Mother
Martha Parsey	...	Winston's Sister

Storyline

In the year 1984, rocket bombs and rats prey on the inhabitants of the crumbling metropolis of London. Far away on the Malabar Front, a seemingly interminable war rages against Eastasia. The Ministry of Truth broadcasts ceaselessly to the population via its inescapable network of telescreens. These devices, which pervade all aspects of peoples' lives, are also capable of monitoring their every word and action. They form part of an elaborate surveillance system used by the Ministry of Love, and its dreaded agents the Thought Police, to serve their singular goal: the elimination of 'thoughtcrime'. Winston Smith is a Party worker - part of the vast social caste known as the Outer Party, the rank and file of the sprawling apparatus of government. Winston works in the Records Department of the Ministry of Truth - the section charged with modifying historical news archives for consistency. When by chance Winston uncovers incontrovertible proof that the Party is lying, he embarks on a ...

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Plot Keywords:

bare breasts | female nudity | nudity | dystopia | pneumatic tube | 

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Taglines:

Big Brother is Watching...

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Genres:

Drama | Sci-Fi

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Certificate:

R

Details

Official Sites:

MGM

Country:

UK

Language:

English

Release Date:

22 March 1985 (USA)

Also Known As:

1984

Filming Locations:

RAF Hullavington, Chippenham, Wiltshire, England, UK

Box Office

Budget:

£3,000,000 (estimated)

Opening Weekend USA:

$29,897, 16 December 1984, Limited Release

Gross USA:

$8,400,000

Company Credits

Production Co:

Umbrella-Rosenblum Films Production, Virgin Benelux, Virgin Schallplatten

Technical Specs

Runtime:

113 min

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

1.66 : 1

Did You Know?

Trivia

This was the second consecutive year where Sir John Hurt starred in a "surveillance movie". He appeared in The Osterman Weekend (1983).

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Goofs

When the telescreen is broadcasting the news that Ogilvy has been awarded the order of Conspicuous Gallantry, the announcer says that Ogilvy has received the order for his actions against the forces of Eastasia. However, at that point of the movie Oceania is at war with Eurasia, not Eastasia.

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Quotes

[first lines]
Big Brother: [voice-over] This is our land. A land of peace and of plenty. A land of harmony and hope. This is our land. Oceania. These are our people. The workers, the strivers, the builders. These are our people. The builders of our world, struggling, fighting, bleeding, dying. On the streets of our cities and on the far-flung battlefields. Fighting against the mutilation of our hopes and dreams. Who are they?

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Crazy Credits

The movie begins with the title "Who controls the past controls the future. Who controls the present controls the past."

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Alternate Versions

The UK MGM DVD release (September 2004) features the desaturated color of the original theatrical prints in 1.85: 1 anamorphic widescreen as well as the Eurythmics soundtrack on the original English-language and French-language audio tracks (2.0 MONO).

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Connections

Featured in Eurythmics: Sexcrime (Nineteen Eighty-Four) (1984)

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Soundtracks

Sex Crime
Written & Performed by The Eurythmics

User Reviews

Comments on Comments

I really have only one thing to comment on. Most of the other reviewers have stated just about everything about this wonderfully gritty, dark, foreboding movie that still remains an eerie parallel to our lives today, especially in the last 2 years...

But I'm confused by the number of people who have commented that claim to be put off by "the gratuitous nudity" by the two characters of Winston and Julia. Given the fact that everything in this society--waking up, food, habits, desires, work, workers, even the underwear and overalls--is so uniform, has it occurred to viewers that being nude was the only link to identity that these characters had? Everything in their world depends, thrives on sameness. Without clothes, everyone is unique. The two lovers were already in dire conditions by committing the sin of feeling for another human being, let alone carnally but in the heart. And they had to deceive and pretend and go through the motions of the dutiful cogs in the Big Brother wheel. But their only shared peace and comfort was their sacred time alone, and in love. They had finally found their own identities through loving each other. Their nudity was merely symbolic of that. In that sense, their union and expressions of that union only becomes more fragile, beautiful and honest, in such a heartless, cold, indifferent world.

May that be truly said of us, and all of us...

OK, that out of the way...one of the most gritty, realistic, honest translations ever to grace the screen. Wouldn't have changed a thing. Highly, highly recommended, along with the original 1955 version of "Animal Farm". Perfect double-feature for a somber, thoughtful evening's viewing.