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1984 (1984)

Nineteen Eighty-Four (original title)
R | | Drama, Sci-Fi | 22 March 1985 (USA)
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In a totalitarian future society, a man, whose daily work is re-writing history, tries to rebel by falling in love.

Director:

Michael Radford

Writers:

George Orwell (novel), Michael Radford
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Popularity
2,465 ( 6)
Nominated for 1 BAFTA Film Award. Another 5 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
John Hurt ... Winston Smith
Richard Burton ... O'Brien
Suzanna Hamilton ... Julia
Cyril Cusack ... Charrington
Gregor Fisher ... Parsons
James Walker James Walker ... Syme
Andrew Wilde ... Tillotson
David Trevena David Trevena ... Tillotson's Friend
David Cann David Cann ... Martin
Anthony Benson Anthony Benson ... Jones
Peter Frye Peter Frye ... Rutherford
Roger Lloyd Pack ... Waiter
Rupert Baderman Rupert Baderman ... Winston Smith as a Boy
Corinna Seddon Corinna Seddon ... Winston's Mother
Martha Parsey Martha Parsey ... Winston's Sister
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Storyline

In the year 1984, rocket bombs and rats prey on the inhabitants of the crumbling metropolis of London. Far away on the Malabar Front, a seemingly interminable war rages against Eastasia. The Ministry of Truth broadcasts ceaselessly to the population via its inescapable network of telescreens. These devices, which pervade all aspects of peoples' lives, are also capable of monitoring their every word and action. They form part of an elaborate surveillance system used by the Ministry of Love, and its dreaded Agents, the "Thought Police", to serve their singular goal: the elimination of "thoughtcrime". Winston Smith is a Party worker, part of the vast social caste known as the "Outer Party", the rank and file of the sprawling apparatus of government. Winston works in the Records Department of the Ministry of Truth, the section charged with modifying historical news archives for consistency. When by chance, Winston uncovers incontrovertible proof that the Party is lying, he embarks on a ... Written by richard.leader@gmail.com

Plot Summary | Plot Synopsis

Taglines:

Big Brother is Watching... See more »

Genres:

Drama | Sci-Fi

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

MGM

Country:

UK

Language:

English

Release Date:

22 March 1985 (USA) See more »

Also Known As:

1984 See more »

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Box Office

Budget:

£3,000,000 (estimated)

Opening Weekend USA:

$29,897, 16 December 1984, Limited Release

Gross USA:

$8,400,000
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

One of numerous dystopian, Orwellian, and Kafaesque movies made during the early to mid 1980s. The others being Terry Gilliam's Brazil (1985), Ridley Scott's Blade Runner (1982), Pink Floyd: The Wall (1982), Halloween III: Season of the Witch (1982), and the 1984 Giorgio Moroder version of Fritz Lang's Metropolis (1927). See more »

Goofs

When the telescreen is broadcasting the news that Ogilvy has been awarded the order of Conspicuous Gallantry, the announcer says that Ogilvy has received the order for his actions against the forces of Eastasia. However, at that point of the movie Oceania is at war with Eurasia, not Eastasia. See more »

Quotes

[first lines]
Big Brother: [voice-over] This is our land. A land of peace and of plenty. A land of harmony and hope. This is our land. Oceania. These are our people. The workers, the strivers, the builders. These are our people. The builders of our world, struggling, fighting, bleeding, dying. On the streets of our cities and on the far-flung battlefields. Fighting against the mutilation of our hopes and dreams. Who are they?
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Crazy Credits

"This film was photographed in and around London during the period April-June 1984, the exact time and setting imagined by the author." See more »

Alternate Versions

From director of photography Roger Deakins: "Be careful which '1984' you watch as some do not have the 'Bleach Bypass' effect built in. As the effect was done on all the prints, the IP and subsequent INs do not reflect the intended look of the film." See more »

Connections

Referenced in The Last Drive-In with Joe Bob Briggs: Demons (2018) See more »

Soundtracks

Oceania,'Tis For Thee
Music by Dominic Muldowney
Lyrics by Jonathan Gems
Sung by the London Voices, directed by Terry Edwards
Soprano soloist: Sally Mates
Contralto soloist: Linda Hirst
Conducted by Dominic Muldowney
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Frequently Asked Questions

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User Reviews

 
Comments on Comments
9 March 2004 | by eadaoin7See all my reviews

I really have only one thing to comment on. Most of the other reviewers have stated just about everything about this wonderfully gritty, dark, foreboding movie that still remains an eerie parallel to our lives today, especially in the last 2 years...

But I'm confused by the number of people who have commented that claim to be put off by "the gratuitous nudity" by the two characters of Winston and Julia. Given the fact that everything in this society--waking up, food, habits, desires, work, workers, even the underwear and overalls--is so uniform, has it occurred to viewers that being nude was the only link to identity that these characters had? Everything in their world depends, thrives on sameness. Without clothes, everyone is unique. The two lovers were already in dire conditions by committing the sin of feeling for another human being, let alone carnally but in the heart. And they had to deceive and pretend and go through the motions of the dutiful cogs in the Big Brother wheel. But their only shared peace and comfort was their sacred time alone, and in love. They had finally found their own identities through loving each other. Their nudity was merely symbolic of that. In that sense, their union and expressions of that union only becomes more fragile, beautiful and honest, in such a heartless, cold, indifferent world.

May that be truly said of us, and all of us...

OK, that out of the way...one of the most gritty, realistic, honest translations ever to grace the screen. Wouldn't have changed a thing. Highly, highly recommended, along with the original 1955 version of "Animal Farm". Perfect double-feature for a somber, thoughtful evening's viewing.


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