Sydney Schanberg is a New York Times journalist covering the civil war in Cambodia. Together with the local journalist Dith Pran, they cover some of the tragedy and madness of the war. When the American forces leave, Dith Pran sends his family with them, but stays behind himself to help Schanberg cover the event. As an American, Schanberg won't have any trouble leaving the country, but the situation is different for Pran; he's a local, and the Khmer Rouge are moving in.Written by
Murray Chapman <firstname.lastname@example.org>
Actor Bruce Robinson penned a screenplay which he brought to producer David Puttnam, wanting his opinion on the 300 page draft he had written. Puttnam went off to talk to some directors about it and was particularly intrigued by Roland Joffé's take on the screenplay. Joffe maintained that it wasn't a war story but actually a love story between Dith Pran and Sidney Schanberg. This was enough for Puttnam to offer the project to Joffe. See more »
Boom mic appears from behind the corner briefly during the shot where Sydney speaks to Pran's son in San Francisco. See more »
Cambodia. To many westerners it seemed a paradise. Another world, a secret world. But the war in neighboring Vietnam burst its borders, and the fighting soon spread to neutral Cambodia. In 1973 I went to cover this side-show struggle as a foreign correspondent of the New York Times. It was there, in the war-torn country side amidst the fighting between government troops and the Khmer Rouge guerrillas, that I met my guide and interpreter, Dith Pran, a man who was to change my life ...
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Based on the Khmer Rouge revolution in Cambodia, this is an excellent tale of hardship and friendship. Basically director Roland Joffe` did an wonderful job in exposing the detailed facts so simply in the film that you believe that you are in that time in person. The two actors, Sam Waterson and Haing Ngor both displayed godlike pieces of acting. It's unfortunate Waterson couldn't join Ngor in Academy Awards. In addition, the director's credit is to highlight both the characters' points of view. That's why the movie became so interesting to watch. John Malkovich brought out a fine performance as a photographer.
In the course of the story of adventures of the two men, the film also has vivid descriptions of the public life during the war. Several detailed scenes of war violence are presented here so indifferently that you are bound to be convinced about its historical accuracy. Here we find the magical cinematography of Chris Menges. Again, during the time of Dith Pran's suffering, it never seemed that the director is showing too much.
One of the most important, and my favorite, aspects of the film is its ending. You cannot imagine of a better alternative of this happiest ending possible in a war drama. And with the fantastic use of Lennon's "imagine", it has got to an enormous height of perfection. 5/5.
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