Following a ghost invasion of Manhattan, paranormal enthusiasts Erin Gilbert and Abby Yates, nuclear engineer Jillian Holtzmann, and subway worker Patty Tolan band together to stop the otherworldly threat.
Peter Venkman, Ray Stantz and Egon Spengler work at Columbia University. where they delve into the paranormal and fiddle with many unethical experiments on their students. As they are kicked out of the University, they really understand the paranormal and go into business for themselves. Under the new snazzy business name of 'Ghostbusters', and living in the old firehouse building they work out of, they are called to rid New York City of paranormal phenomenon at everyone's whim. - for a price. They make national press as the media reports the Ghostbusters are the cause of it all. Thrown in jail by the EPA, the mayor takes a chance and calls on them to help save the city. Unbeknownst to all, a long dead Gozer worshiper (Evo Shandor) erected a downtown apartment building which is the cause of all the paranormal activity. They find out the building could resurrect the ancient Hittite god, Gozer, and bring an end to all of humanity. Who are you gonna call to stop this terrible ...Written by
The producers were prepared to produce a different ending if test audiences didn't react positively to The Stay-Puft Marshmallow Man. See more »
When Peck is approaching the firehouse with the warrants, the door to the firehouse is in shade. When the shot switches to inside the firehouse, however, there is bright sunlight shining on the door. See more »
Dr. Peter Venkman:
All right, I'm gonna turn over the next card. Concentrate... I want you to tell me what you think it is.
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Opening titles give the name of the movie as "Ghost Busters" (two words). But in nearly all media/ads and even packaging/casing for home video releases, it is spelled as "Ghostbusters" (one word). See more »
In addition to the legendary change from Stantz calling Walter Peck "dickless" to "Wally Wick," numerous other scenes were shot in alternate, broadcast-friendly versions for television. As the Ghostbusters emerge from the Sedgewick ballroom after catching the green ghost (Slimer) Venkman's "We came, we saw, we kicked its ass!" line was changed to "What a knockabout of pure fun that was!" Venkman's claim in the mayor's office that Walter Peck "has no dick" was changed to call him "some kind of rodent, I don't know which," Zeddmore's claim to have seen "stuff" rather than "sh*t" that'll turn you white, and Egon's later outburst of "sh*t" at the Keymaster's disappearance was changed to a milder "oh, no!" See more »
What's that you say? Ghostbusters, one of the most financially successful and over-hyped comedies of the eighties, underrated? Yes. Precicely because it was so over-hyped and made so much money, there has been a stigma attached to this film identifying it as a childish FX piece, when it is nothing of the sort. Most of the lines people remember("He slimed me," "OK. So? She's a dog," "When someone asks you if you're a god, you say YES!") are not its funniest or wittiest lines, which often are missed on first or even second viewing. I laugh every time I observe a gag or a quip that I somehow missed the other 20 times I viewed a scene; "Egon, this reminds me of the time you tried to drill a hole through your head, remember that?" "That would have worked if you hadn't stopped me", or, to the driver of a van from a loony bin, "Dropping off or picking up?" Brilliant.
Not only is Ghostbusters funny, it manages to include some truly scary scenes. And not just lose-your-popcorn moments like the fridge from Hell, but also scenes of quiet, thoughtful chill, like Egon's retelling of how the possessed apartment building came into being, or Winston recalling the Book of Revelation. Which other film has managed to combine the Marx Brothers with HP Lovecraft?
The special effects hold up well, besides some obvious studio sets and models, but what really creates this film's world is the stunning cinematography. Manhattan, perhaps the pinnacle of Gothic architectural evolution, is brilliantly utilised here to create a sense of menacing grandeur. After watching "Ghostbusters" I couldn't imagine the realm of the Old Gods opening into our world from anywhere else. The soundtrack is great, not the overrated theme (Which was in fact lifted from Huey Lewis' "I Need a New Drug"), but the wonderfully blusey "Cleaning Up the Town," the creepy proto-techno chiller "Magic" and also the wonderful score by the late and much lamented Elmer Bernstein.
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