A young psychic on the run from himself is recruited by a government agency experimenting with the use of the dream-sharing technology and is given the inverse task of planting an idea into the mind of the U.S. president.
A government funded project looks into using psychics to enter people's dreams, with some mechanical help. When a subject dies in his sleep from a heart attack Alex Gardner becomes suspicious that another of the psychics is killing people in the dreams somehow and that is causing them to die in real life. He must find a way to stop the abuse of the power to enter dreams.Written by
When Alex Gardner and Dr. Novotny are sitting at the bar with the pitcher of beer, Novotny's glass goes from near empty to full, without being filled. See more »
[opens the elevator door to find Alex there]
How did you get in here?
It was easy!
[Rips his own head in two to reveal a monster inside that bites Blair's head off]
See more »
When reclassified by the BBFC in 2000 the nunchaku weapon was no longer deemed a problem to pass on film following a weapons rethink in 1999. The BBFC waived the 28 seconds of cuts made to previous versions. Dreamscape was cut for the UK cinema upon original release in 1984 and video issues also suffered the same edits. The scene on the train where Alex meets Tommy is shorter as it features the infamous nunchaku, which rarely made it onto the British Screen at this time, and shots of a man's severed heart were also removed by the UK censor. This scene can be seen in the TV version which was shown on BBC1 albeit minus a few "strong" words. When the BBFC reclassified the film in 2000 under newer guidelines the nunchaku was no longer a problem and they waived the aforementioned cuts. See more »
The idea is fantastic. Can you imagine being able to get into other people's dreams, watch them, interact with them. The problem is, the plot is inconclusive and becomes kind of a TV movie along the way. It would make a fantastic remake with a stronger cast and director. However, movies about dreaming are always scary because they touch on something so close and yet inexplicable to all of us. I saw recently a short movie from Italy entitled "Xchange" which is the closest to this one in terms of innovation insofar as the subject is concerned. Not an easy area to tell a long story about. Dreams are often used as omens or hints of psychological discomfort in movies. Instead, it would be great if they could be regarded as something different: a world of their own, a parallel state of mind no less real than real life itself. Someone should redo Dreamscape!
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