The prostitute Liz works on the streets of Los Angeles. She recalls her life in flashback, when she marries an alcoholic man. She leaves him with their son. Then she works as waitress in a ... See full summary »
Late on Guy Fawkes Day, 1892, Oscar Wilde arrives at a high-class brothel where a surprise awaits: a staging of his play "Salome," with parts played by prostitutes, Wilde's host, his lover ... See full summary »
In 1926 the tragic and untimely death of a silent screen actor caused female moviegoers to riot in the streets and in some cases to commit suicide - that actor was Rudolph Valentino. ... See full summary »
In 17th-century France, Father Urbain Grandier seeks to protect the city of Loudun from the corrupt establishment of Cardinal Richelieu. Hysteria occurs within the city when he is accused of witchcraft by a sexually repressed nun.
The thirty year-old hard-worker Bobby Grady is married with two children to the frigid Amy Grady and their marriage is in crisis. Bobby is invited to work the night shift at a fashion design studio whose owner believes his talented and introspective designer Joanna Crane is selling his designs to competitors. Bobby accepts the job to make money and please Amy with a bathtub and follows Joanna after hours. He discovers she has a double life, working as a fifty-dollar hooker called China Blue in the red light district and practicing kinky sex with her clients to satisfy their fantasies. Bobby becomes obsessed by China Blue and when the true thief is found, he has sex with her and they have a crush on each other. Meanwhile the insane preacher Rev. Peter Shayne (Anthony Perkins) decides to save Joanna's soul and stalks her everywhere.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
According to film critic Roger Ebert, the picture "required massive cuts in the movie before it could qualify for an R rating" in the USA with studio distributor New World Pictures reluctant to release the film stateside with an X rating. See more »
[to China Blue]
Kill me, you worthless cunt! I'm all the men who ever hurt you, and made you feel like shit! Who stole your self-respect and turned you into China Blue. Kill me! Release the rage! Get it out! Get even!
See more »
Film was heavily cut in the US to avoid an X-rating. The European version, available as an unrated video in the USA, features additional sex scenes. See more »
"Crimes of Passion", an incredibly bizarre, sexually charged drama, provides interesting material with which inimitable filmmaker Ken Russell can work. It's as stylish as anything he's done, and maintains a gritty, fairly sleazy atmosphere and a deliberate pace. Kathleen Turner is striking in the role of "China Blue", a lady with a double life: by day she's a fashion designer (real name Joanna Crane), by night she's a hooker. She fascinates two men, one of them an ordinary guy named Bobby Grady (John Laughlin), the other a fanatical, so-called "preacher" named Peter Shayne (Anthony Perkins) who claims to be out to "save" her. Bobby was hired by Joannas' boss to tail her, and she presents the young man with a fresh view of the world; his relationship with his uptight wife Amy (Annie Potts) has soured after years of marriage, and he's happy to meet somebody who doesn't have any hangups about being intimate. The movie is never quite as outrageous as some viewers may expect, but that doesn't mean that there isn't some explicit imagery here and there. Its few sex scenes are done in a surprisingly tasteful manner, but its dialogue is quite kinky, witty, and delicious; it's amazing to hear ever reliable Perkins, extremely well cast in one of his typical nutty roles, utter lots of obscenities. He's just fantastic as always, and the lovely Turner delivers a multi dimensional performance worthy of some respect. Laughlin and Potts are both fine, and the cast also features people such as Bruce Davison, Stephen Lee, Norman Burton, Peggy Feury, and Gerald S. O'Loughlin, but it's the two leads that truly command your attention. Working from a screenplay by producer Barry Sandler, Russell injects the film with plenty of humour; just the idea of Perkins carrying erotic paraphernalia around with him is a hoot. (There's a vibrator, in particular, that will prove to be a very important prop later on.) It may require a bit of patience on the part of some viewers due to its unhurried nature, and of course some may find the subject matter a turn off. Those who don't will be amused by the sordid story and all of the trappings of the milieu. In the end, this isn't something that can be easily forgotten. Seven out of 10.
2 of 2 people found this review helpful.
Was this review helpful to you?
| Report this