Ajouter une intrigue dans votre langueThe actress Coral Browne travels to Moscow and meets a mysterious Englishman. It turns out that he's the notorious spy Guy Burgess.The actress Coral Browne travels to Moscow and meets a mysterious Englishman. It turns out that he's the notorious spy Guy Burgess.The actress Coral Browne travels to Moscow and meets a mysterious Englishman. It turns out that he's the notorious spy Guy Burgess.
- A remporté le prix 7 BAFTA Awards
- 12 victoires et 3 nominations au total
Histoire
Le saviez-vous
- AnecdotesAt the same time in Moscow, Guy Burgess also met with Sir Michael Redgrave, who was playing Hamlet, and whom he had known at Cambridge University. A memo from January 9, 1959, declassified in 2014, described their going to a party together and to Burgess' flat, showing that Redgrave had been under surveillance by MI5 for his alleged Communist sympathies for many years.
- GaffesWhen Coral, in Burgess' flat, says 'The theatre's in a dreadful state', her lips are out of sync.
- Générique farfelu[At end of opening credits] "Although some incidents are imaginary... this is a true story. It happened to Coral Browne in 1958."
- ConnexionsFeatured in Coral Browne: Caviar for the General (1989)
Commentaire en vedette
So much has never been said so powerfully and succinctly.
An Englishman Abroad is, like The Third Man, one of those rarest of moments in cinema in which everything just drops into place, with all from the script to the direction and performances falling into the perfect hands. Coral Browne's recognition that her experiences during (and following) a theatrical tour of Russia, meeting Guy Burgess, were worth making a grand statement on life about was as inspired as the script she made of this. In a running time of just over an hour, exceptional performances by Browne herself and the late lamented Alan Bates, directed by none less than John Schlesinger, make a comprehensive statement about loyalty, betrayal, the cynicism and amorality of all governments across the political spectrum, and personal sacrifice in the cause of what one believes correct. And despite the bleakness with which the British government and establishment are duly portrayed, a wonderful contrast is drawn between truly British democratic values, as voiced by an old British bespoke shoemaker (and reminiscent of the civil service mandarin's words in the car at the end of the also brilliant A Very British Coup), and the foreigner-founded gentlemen's outfitter who merely apes Britishness by pandering to British aristocracy ("By Appointment to Her Majesty"). The cold war settings are very atmospheric, and Bate's role as a man who has sacrificed all the privilege he was born into for the sake of something he believed in paradoxically fits that British value too. His performance as a British establishment in-man of refined tastes, trying to stay sane in the utter impoverishment, loneliness and distrust of his new Soviet circumstance, is profoundly moving even without a hint of self pity or indulgence. And the scene where he, a gay and atheist, attends the Orthodox service for the profound aesthetic experience that it provides, represents - in Bates' peerless hands - an unforgettable portrayal of profound human emotion. Had Schlesinger and Browne padded this film out by a half to reach a respectable feature length, it might not be so obscure but known as one of the elite films of all time.
utile•140
- alexmatte
- 22 avr. 2011
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Ein Gentleman in Moskau
- Lieux de tournage
- Whitehall Theatre, Dundee, Écosse, Royaume-Uni(Moscow theatre)
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
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