The everyday lives of working-class inhabitants of Albert Square, a traditional Victorian square of terrace houses surrounding a park in the East End of London's Walford borough. The square includes the Queen Vic pub and a street market.
Pam St. Clement
A sitcom about two dreamy London roommate: gay unemployed actor Tom Farrell, whose career is going nowhere; and Linda La Hughes, who is about as attractive as a centenary nun, yet has ... See full summary »
Uniform officers and detectives from Sun Hill police station enforce law and order on a day to day basis. A policeman's job is much more than just catching criminals; in order to survive each day they must deal with frustrating members of the public, and often their own colleagues. From petty thieves to violent drug dealers, life is never easy for the members of the Metropolitan Police Force.Written by
Three different buildings served as the location for the fictional Sun Hill police station, where the series is set. The first - used for seasons one and two (1984-1986) - was in Wapping, East London. Production on season three was halted and the show was forced to move due to a lengthy strike at a nearby newspaper plant, when actors in police uniforms were mistaken for real police. The second location - used for season three (1987) and 1988-89 - was in Barlby Road in West London. The show was forced to move again in 1989 when the owners of the site wanted to redevelop the area. As the show was running continuously at this point production could not stop, and the move was explained in storylines as the station being renovated. The new site was a disused warehouse in Merton, near Wimbledon in South London, which was used for over twenty years until the series ended in 2010. See more »
There were actually three versions of the credits featuring the plodding feet. There was a blue-tint version used in the original episodes in the 1980s, a 1990s fuzzy, overcast version and mid-1990s fine weather version. See more »
The Bill was compulsory viewing for its first decade or so, but its relatively-new executive producer and his team of gossip-writers have conspired to reduce it almost to farce, presumably driven by a desire to attract those who habitually switch off after the serial soaps.
That is sad enough, but even sadder is the fact that even its degraded form, The Bill remains one of the better current offerings on television, purely for the two or three minutes per episode now devoted to the original concept.
Perhaps we should be grateful for those few minutes, which those attracted to the programme for other reasons may ignore while making or taking bets on which of the Sun Hill staff will soon have a child kidnapped, or prove to be corrupt, have a serious problem with alcohol or drug abuse, turn out to be either adopted or the parent of a long-lost illegitimate child, become unfaithful or a bigamist, go mad or murder several colleagues.
If only we'd known.
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