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A dethroned goddess-turned-horse gives birth to three superpowered sons who set out to save three princesses from three ancient dragons and reclaim their parents' lost kingdom from the underworld.

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Cast

Credited cast:
... Fanyüvö / Vasgyúró / Kömorzsoló (voice)
Vera Pap ... Aranyhajú Nyárszépe / Ezusthajú Tavaszszépe / Rézhajú Öszszépe (voice)
Gyula Szabó ... Hétszünyü Kaponyányi Monyók / Esökirály (voice)
Ferenc Szalma ... Griffmadár úr (voice)
Mari Szemes ... Fehérló / Hókirálnyö (voice)
Szabolcs Tóth ... Háromfejü sárkány / Hétfejü sárkány / Tizenkétfejü sárkány (voice) (as Dr. Szabolcs Tóth)
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Storyline

A dethroned goddess-turned-horse gives birth to three superpowered sons who set out to save three princesses from three ancient dragons and reclaim their parents' lost kingdom from the underworld.

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22 October 1981 (Hungary)  »

Also Known As:

Hijo de la Yegua Blanca  »

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1.37 : 1
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Did You Know?

Trivia

The movie carries a strong anti-modernity message, most blatantly expressed in the three dragons that symbolize stages of progress: a stone cavemen wielding a primitive club, an industrial war machine firing bullets and bombs, and a computerized, smog-covered, living city. Originally, the last dragon would have had even clearer connotations to modern civilization, but this negative portrayal was rejected by the communist censorship of Hungary. The director came to a compromise by making the dragon look less like a city and more like a video game entity that criticizes computer technology. See more »

Crazy Credits

The credits scroll over a looped animation of Fanyüvö walking amidst a smoggy, polluted cityscape while various eerie, "technological" noises play on the soundtrack. This segment, referencing the 12-headed city dragon Fanyüvö fought in the film, carries an anti-pollution message, and according to the director, it is the most important part of the movie. See more »

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User Reviews

 
Experimental, full-feature, pop-art/folk-art fairy-tale. Yet, a mainstream title at its home!:)
28 August 2007 | by See all my reviews

Alright! We're talking about high-quality movie-making here! Its experimental way is the films strongest feature. Or its keenness about traditionalism? Its up to you, to decide which pars you like better: the funky, vibrant colors, and wacky-trippy movement, or the heavy use of traditional, middle-European folk ornaments?

The white mare give gives birth to a son once again, who grows to be strong enough, to defeat the evil ones, who keep the three beautiful princess' as captives... and even, to find his long lost, and just as powerful brothers on his journey.

The plot for this one has been mixed together, from folktales all around the globe (but mostly, they're from middle-Europe, and eastern, nomad tribes), which makes the story familiar for almost everyone, from everywhere. It reaches back into our most ancient collective memories, and bring up something, that might even be forgotten.

The new-age look of some aspects of this movie, and the respect for folk traditions, surprisingly makes a totally coherent, and unbelievably powerful whole. Which makes it Marcell Jankovics's best directional work ever. This film earned his righteous place, amongst the "world's best fifty animated-films ever", at Los Angeles' animation Olympic.

Anyone, who likes animation, experimental film-making, or just GOOD MOVIES, simply must see this one. No exceptions!


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