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To make Sidney's slump all the more painful, Clifford Anderson, a student of one of Sidney's writing seminars, has recently sent his mentor a copy of his first attempt at playwrighting for Sidney's review and advice. The play, "Deathtrap," is a five character, two act thriller so perfect in its construction that, as Sidney says, "A gifted director couldn't even hurt it." Using his penchant for plot, and out of his desperate desire to once again be the toast of Broadway, Sidney, along with Myra, cook up an almost unthinkable scheme: They'll lure the would-be playwright to the Bruhl home, kill him, and market the sure-fire script as Sidney's own. But shortly after Clifford arrives, it's clear that things are not what they seem! Indeed, even Helga Ten Dorp, a nosey psychic from next door, and Porter Milgram, Sidney's observant attorney, can only speculate where the line between truth and deception lies.Written by
Craig C. Bailey
Movie posters for the film featured a Rubik's Cube as the key image in the film's promotions as it evoked the idea of a "puzzle", and as such, a mystery. A press release from the Warner Bros. Pictures studio dated 11th February 1982 reported that a gigantic Rubik's Cube, with dimensions measuring twenty-eight feet wide by thirty-four feet high, was being constructed by the studio's Marketing Department to promote the picture, having an estimated practical completion date of 18th February 1982. See more »
When Sidney has the Deathtrap script and threatens to throw it into the fireplace, the fire isn't lit. See more »
[the actor on stage delivers an unintelligible line]
First Audience Member:
It's the worst play I've ever seen.
Second Audience Member:
I can't believe Sidney Bruhl wrote it.
See more »
There are two distinct versions between the theatrical release and the television version. The famous "kiss" between Sidney and Clifford after Myra's death in the theatrical and video release is absent in the television version. See more »
Definitely one of the most witty and twisted who-dunnit I ever seen. Christopher Reeve and Micheal Caine were brilliant and kept me going through the whole affair.
Very classy set pieces and the props really lend a sense of atmosphere to the proceedings. The minimalist feel works for the whole picture.
My only complain isn't with the film itself but the lack of a decent widescreen edition of the movie on DVD. I own the fullscreen version (which proves I love the film enough to endure fullscreen presentation) but a awesome Deluxe or 'special' edition would most surely get my cash.
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