A blade runner must pursue and terminate four replicants who stole a ship in space, and have returned to Earth to find their creator.

Director:

Ridley Scott

Writers:

Hampton Fancher (screenplay), David Webb Peoples (screenplay) (as David Peoples) | 1 more credit »
Popularity
249 ( 107)
Top Rated Movies #175 | Nominated for 2 Oscars. Another 12 wins & 17 nominations. See more awards »

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Cast

Cast overview, first billed only:
Harrison Ford ... Rick Deckard
Rutger Hauer ... Roy Batty
Sean Young ... Rachael
Edward James Olmos ... Gaff
M. Emmet Walsh ... Bryant
Daryl Hannah ... Pris
William Sanderson ... J.F. Sebastian
Brion James ... Leon Kowalski
Joe Turkel ... Dr. Eldon Tyrell
Joanna Cassidy ... Zhora
James Hong ... Hannibal Chew
Morgan Paull ... Holden
Kevin Thompson ... Bear
John Edward Allen John Edward Allen ... Kaiser
Hy Pyke ... Taffey Lewis

Remembering Rutger Hauer (1944-2019)

We celebrate the life and legacy of Rutger Hauer, the award-winning actor best known for Blade Runner and The Hitcher.

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Storyline

In the early twenty-first century, the Tyrell Corporation, during what was called the Nexus phase, developed robots, called "replicants", that were supposed to aid society, the replicants which looked and acted like humans. When the superhuman generation Nexus 6 replicants, used for dangerous off-Earth endeavors, began a mutiny on an off-Earth colony, replicants became illegal on Earth. Police units, called "blade runners", have the job of destroying - or in their parlance "retiring" - any replicant that makes its way back to or created on Earth, with anyone convicted of aiding or assisting a replicant being sentenced to death. It's now November, 2019 in Los Angeles, California. Rick Deckard, a former blade runner, is called out of retirement when four known replicants, most combat models, have made their way back to Earth, with their leader being Roy Batty. One, Leon Kowalski, tried to infiltrate his way into the Tyrell Corporation as an employee, but has since been able to escape. ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

A Futuristic Vision Perfected [2007 Final Cut] See more »


Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Did You Know?

Trivia

(at around 13 mins) When Gaff brings Rick Deckard to Blade Runner Headquarters before Bryant, Gaff is seen making a little origami figure of a chicken. The chicken origami suggests that Gaff is calling Deckard a coward because of his refusal to come out of retirement and hunt down Roy Batty and the other replicants. See more »

Goofs

(at around 58 mins) When Deckard shoots Zhora she falls to the ground face-first, with her arms outstretched in front of her head (seen from POV low angle in front of her head looking out towards Deckard). In the next shot (POV above her dead body) her arms are now by her side with her hands beside her head. See more »

Quotes

[first lines]
Female announcer over intercom: Next subject: Kowalski, Leon. Engineer, waste disposal. File section: New employee, six days.
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Crazy Credits

In the "happy ending" Theatrical/International cuts, the credits play over the gorgeous scenery. In later Director/Final cuts, they play over a normal black background. See more »

Alternate Versions

There are reports that when "Blade Runner" premiered on American cable TV, there was an additional line of dialog when Bryant gives Deckard the description, names, and addresses of Tyrell and Sebastian over the radio. In the cable TV version, Bryant adds "...and check 'em out" after he says "I want you to go down there." See more »

Connections

Featured in WatchMojo: Top 10 Philip K. Dick Adaptations (2016) See more »

Soundtracks

Search For Clues
(uncredited)
By James Horner
[Workprint Cut only]
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User Reviews

 
An incredibly beautiful-looking film as one would expect with director Ridley Scott
11 August 2008 | by Nazi_Fighter_DavidSee all my reviews

But it's almost like an art movie, the first science-fiction art film… It's a futuristic film beautifully put together… It's really impeccably made by one of the great visionary directors… And you really saw a future that looked very different from the future you had seen before… A future that looked very believable like the visual-effects shots of the flying car going over a futuristic city… The fight sequence doesn't prepare you for the traumatic emotional side that there is in the film, it leaves you sort of broken…

There is a beautiful, delicate emotional great scene that I remember when I first saw the movie… I'm in the theater and I'm so drawn in what Rutger Hauer's doing… I'm so drawn in by what the theme of the movie has brought us to… The magnificent moment where he is letting go of life… And in those last moments of letting go of life he's really learned to appreciate life to the point where he spares Deckard's life, and where he's even holding a white dove because he just wants to have something that's alive in his hands… It's an amazing sort of crescendo that's going and there's Rutger saying: "I've seen things you people wouldn't believe. All these moments will be lost in time like tears in rain." Hauer puts all the things that are so amazing about people: sense of poetry, sense of humor, sense of sexuality, sense of the kid, sense of soul…

Scott brought out the best qualities in his performers… He coaxed and very gently manipulated performances from his actors that in some instances I think they've rarely topped… You feel the story, you feel the emotions of the characters and you will be lost in the middle of this wild world, you know, it's so rich and it's painful… I mean it's a very bluesy, dark story and told very compassionately…

The overpopulation, the sort of crowd scenes is so rich and varied and there's such an extreme detail designing the magazine covers, designing the look of the punks, the Hare Krishnas, the biological salesman, everything is designed… You have just Piccadilly Circus punks walking by… You have a sense of layers in that society… That is one of those things that you see again and again… The city landscape with the big billboards à la Kyoto or Tokyo… Scott was able to create the look based on what goes on in various cities all over the world… Whether it is Tokyo, Kyoto or Beijing or Hong Kong or whatever, you're right in "Blade Runner" country…

"Blade Runner," to me, embodies the elegance, the power, and the uniqueness of a film experience… It's the most classical, beautiful, purest movie-making writing and then the film-making itself is… The images and the sound and the music, it's pure cinema… Ridley came out with an amazing, brilliantly executed future of an absolute dystopia… The intensity of his perfectionism on "Blade Runner" made the movie… This is a master at his best


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Frequently Asked Questions

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Details

Country:

USA

Release Date:

25 June 1982 (USA) See more »

Also Known As:

Dangerous Days See more »

Filming Locations:

London, England, UK See more »

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Box Office

Budget:

$28,000,000 (estimated)

Opening Weekend USA:

$6,150,002, 27 June 1982

Gross USA:

$32,868,943

Cumulative Worldwide Gross:

$41,676,878
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Company Credits

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Technical Specs

Runtime:

| (Workprint Version)

Sound Mix:

70 mm 6-Track (70 mm prints)| Dolby Stereo | 12-Track Digital Sound (IMAX 12 .0 Surround)

Color:

Color

Aspect Ratio:

2.39 : 1
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