In the year 2086, a new generation of Thunderbirds braves earth and space to answer distress calls, resolve crises and disasters, and save lives.In the year 2086, a new generation of Thunderbirds braves earth and space to answer distress calls, resolve crises and disasters, and save lives.In the year 2086, a new generation of Thunderbirds braves earth and space to answer distress calls, resolve crises and disasters, and save lives.
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John Bellucci
• 1982–2008
Earl Hammond
• 1982–2008
Lucy Martin
• 1982–2008
Alexander Marshall
• 1982–2008
Keith Mandell
• 1982–2008
Maia Danziger
• 1982–2008
Laura Dean
• 1982
Featured reviews
So far I have been able to get several videos.
The series got a full showing only in two markets -
The USA and UK
Once it made it to weekday morning TV, it was mostly shown on local stations like the one I watched it on while living in Simi Valley, CA. I got up every morning before school at 6am to watch this show. No wonder shows like this never got good ratings look what time they are on!
It was also shown on Showtime and Los Angele's early cable system Select/ON TV before it was on local TV.
There is limited information out there but most of it can be found searching on TV.com (formally TV Tome) and good Google search.
The videos end up on Ebay usually in PAL format which requires either being converted into the North American video standard (NTSC) or played on a PAL to NTSC VCR. I have had my videos transfered to DVD and I'm currently working on a complete and update site with a lot of information.
As for the series itself, some may find it boring. There isn't a lot of shooting/fighting and there really aren't any villains until "Starcrusher" enters the scene about half way through the series.
It seems they were forced to add a villain to the plot of the series. Most of the episodes are self-contained and there really isn't a cycle to follow, which allows the episodes to be shown in any order and still make sense.
The series is loosely based on Gerry Anderson's Thunderbird marionette series of the 60's which I believe can still be seen on G4 (aka Tech TV)
If not the videos of that series are very easy to find due to its popularity.
I recommend both series
The series got a full showing only in two markets -
The USA and UK
Once it made it to weekday morning TV, it was mostly shown on local stations like the one I watched it on while living in Simi Valley, CA. I got up every morning before school at 6am to watch this show. No wonder shows like this never got good ratings look what time they are on!
It was also shown on Showtime and Los Angele's early cable system Select/ON TV before it was on local TV.
There is limited information out there but most of it can be found searching on TV.com (formally TV Tome) and good Google search.
The videos end up on Ebay usually in PAL format which requires either being converted into the North American video standard (NTSC) or played on a PAL to NTSC VCR. I have had my videos transfered to DVD and I'm currently working on a complete and update site with a lot of information.
As for the series itself, some may find it boring. There isn't a lot of shooting/fighting and there really aren't any villains until "Starcrusher" enters the scene about half way through the series.
It seems they were forced to add a villain to the plot of the series. Most of the episodes are self-contained and there really isn't a cycle to follow, which allows the episodes to be shown in any order and still make sense.
The series is loosely based on Gerry Anderson's Thunderbird marionette series of the 60's which I believe can still be seen on G4 (aka Tech TV)
If not the videos of that series are very easy to find due to its popularity.
I recommend both series
Anime from the early '80s this short lived series (many Japanese animated series are short lived) based heavily on the '60s British children's show "Thunderbirds" about an international rescue organization. The original program used puppets (awful) and models of the equipment and spacecraft (awesome). The plots were silly and the puppets annoying. The producers for this later went on to make a couple of S/F series (U.F.O. and Space 1999) and for some reason they all seemed to involve a character with white-blond hair. Go figure.
Some things CAN be made better. In my humble opinion "Thunderbirds 2086" is much superior to the original series in plot, characters, and technical areas. The Animation is some of the best for the early 1980s, the plots good enough for even adults to enjoy, and the characters and situations they are in believable (As hard as this may seem for Anime). The series has a nice on-going plot but each episode can be enjoyed on it's own without having seen all the previous episodes. Even the dubbing was good at a time when most dubbed Anime was somewhere between poor and unbearable. And NO dumb songs!
To my knowledge it was shown in syndication about 1986 because that's when I was watching it regularly. I don't know about Showtime or anything else, I was watching it on the local FOX affiliate.
Some things CAN be made better. In my humble opinion "Thunderbirds 2086" is much superior to the original series in plot, characters, and technical areas. The Animation is some of the best for the early 1980s, the plots good enough for even adults to enjoy, and the characters and situations they are in believable (As hard as this may seem for Anime). The series has a nice on-going plot but each episode can be enjoyed on it's own without having seen all the previous episodes. Even the dubbing was good at a time when most dubbed Anime was somewhere between poor and unbearable. And NO dumb songs!
To my knowledge it was shown in syndication about 1986 because that's when I was watching it regularly. I don't know about Showtime or anything else, I was watching it on the local FOX affiliate.
One of the formative shows of my childhood, this captivated me thanks to its intelligent, imaginative and optimistic vision of a future world where technology both enriches and expands humanity's reach on earth and the inner solar system, while also opening the door to new dangers and disasters. Fortunately the International Rescue team is on hand, equipped with gigantic combining space vehicles, a rousing orchestral soundtrack, science, and a team of brilliant pilots.
As a kid I had the episodes 'Cloudburst' and 'Nightmare' on VHS, both of which are standouts. Cloudburst is an especially tense example of this show's ability to use thoughtful science to drive compelling plots that slowly ratchet up the tension, as a meteor storm knocks out a weather control satellite, which in turn leads to a disastrous hurricane which threatens inhabited islands.
I didn't know or care that this started out as a heavy Japanese homage to a 60s puppet show (legitimised when it was ported over and translated) because it has enough great ideas to stand on its own. In hindsight some stilted voice acting in the English dub and a few dubious episodes prevent it from fully meeting its potential. But it deserved better than to sink into obscurity and be forgotten.
As a kid I had the episodes 'Cloudburst' and 'Nightmare' on VHS, both of which are standouts. Cloudburst is an especially tense example of this show's ability to use thoughtful science to drive compelling plots that slowly ratchet up the tension, as a meteor storm knocks out a weather control satellite, which in turn leads to a disastrous hurricane which threatens inhabited islands.
I didn't know or care that this started out as a heavy Japanese homage to a 60s puppet show (legitimised when it was ported over and translated) because it has enough great ideas to stand on its own. In hindsight some stilted voice acting in the English dub and a few dubious episodes prevent it from fully meeting its potential. But it deserved better than to sink into obscurity and be forgotten.
It has been years since I saw this show but at the time, I was able to see not only the US version but the original Japanese episodes which were used to make the US version so I was aware of what liberties were being taken to make the US version.
For example, the US version had US 3D footage added (as transition sequences) and had some cuts to remove parts of some of the scenes or other dumb editing that was made since the original was regarded as too sophisticated for the American audience.
An example of the former cutting was a scene where a character was caught in an explosion. The Japanese version showed the flaming gas hitting the character while the US version cut the actual contact.
In the dumb editing area was a sequence of a Spacestation-to-Spacestation shuttle (think of it as an airplane) being boarded by the passengers. They are shown floating (they are "weightless") down the center isle and seating themselves in the seats on the "floor" of the craft. The Japanese version continues with them then using the seats on the "ceiling" - which is cut out from the US version as well as having these seats hidden behind a matt-painting to hide their existence.
The dubbing also took liberties with the Japanese plotline and always had at least one "in-gag" reference per episode such as having one of the characters ask that an airlock on a space ship be opened (so he can enter) with the request "Open the Pod Bay, Hal" [2001 reference] or having a malfunctioning computer claim to be a "Wild and Crazy Computer" in a Steve Martin-like voice [a reference to his "Wild and Crazy Guy" routine].
For example, the US version had US 3D footage added (as transition sequences) and had some cuts to remove parts of some of the scenes or other dumb editing that was made since the original was regarded as too sophisticated for the American audience.
An example of the former cutting was a scene where a character was caught in an explosion. The Japanese version showed the flaming gas hitting the character while the US version cut the actual contact.
In the dumb editing area was a sequence of a Spacestation-to-Spacestation shuttle (think of it as an airplane) being boarded by the passengers. They are shown floating (they are "weightless") down the center isle and seating themselves in the seats on the "floor" of the craft. The Japanese version continues with them then using the seats on the "ceiling" - which is cut out from the US version as well as having these seats hidden behind a matt-painting to hide their existence.
The dubbing also took liberties with the Japanese plotline and always had at least one "in-gag" reference per episode such as having one of the characters ask that an airlock on a space ship be opened (so he can enter) with the request "Open the Pod Bay, Hal" [2001 reference] or having a malfunctioning computer claim to be a "Wild and Crazy Computer" in a Steve Martin-like voice [a reference to his "Wild and Crazy Guy" routine].
I am a fan of "Scientific Rescue Team TechnoBoyger" since it was first broadcast in Japan. I was really jealous when I discovered it would be broadcast overseas as "Thunderbirds 2086."
TechnoBoyger's broadcast in Japan was a huge disaster. The ratings were not commensurate with the Saturday prime-time broadcast, and sadly, the show was cancelled after 18 episodes.
It may be why the storyline was changed from a continuous episodes to one complete episode. The original plan was for a specific country not belonging to the World Federation, which played a dark role. By the way, there are remnants of this in the early episodes.
As a result of multiple scriptwriters writing episodes that were one episode complete and had no continuity, the overall impression was that there was no cohesion.
Akira Nakahara, who enjoyed mountain climbing and depicted the wonders of nature, and Kazuo Yoshioka, who excelled in depicting accidents brought about by advanced science, were responsible for episodes of the top quality. However, the episode of the Spanloader was an unauthorised appropriation of an idea written by Takeshi Shudou for "Thunderbirds," which was planned before "TechnoBoyger." Including that, the anime has been the subject of many problems before it was broadcast and up to the present day.
TechnoBoyger's broadcast in Japan was a huge disaster. The ratings were not commensurate with the Saturday prime-time broadcast, and sadly, the show was cancelled after 18 episodes.
It may be why the storyline was changed from a continuous episodes to one complete episode. The original plan was for a specific country not belonging to the World Federation, which played a dark role. By the way, there are remnants of this in the early episodes.
As a result of multiple scriptwriters writing episodes that were one episode complete and had no continuity, the overall impression was that there was no cohesion.
Akira Nakahara, who enjoyed mountain climbing and depicted the wonders of nature, and Kazuo Yoshioka, who excelled in depicting accidents brought about by advanced science, were responsible for episodes of the top quality. However, the episode of the Spanloader was an unauthorised appropriation of an idea written by Takeshi Shudou for "Thunderbirds," which was planned before "TechnoBoyger." Including that, the anime has been the subject of many problems before it was broadcast and up to the present day.
Did you know
- TriviaSome of the Thunderbird mech pay tribute to the original Thunderbirds (1965) vehicles:
- Thunderbird 2 (TB-2) is a cargo hauler, identical to the original TB-2 but coloured blue instead of green and storing its vehicles inside its cargo bay rather than in hangar pods
- Thunderbird 4 is a yellow submarine like the original TB-4, but larger in scale
- Thunderbirds 5 and 15 are based on the Mole, the pod vehicle seen in the original series
- and Thunderbird 6, like the original TB-5, is a massive space station.
- ConnectionsSpin-off from Thunderbirds (1965)
Details
- Color
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