Two young men meet at Oxford. Charles Ryder, though of no family or money, becomes friends with Sebastian Flyte when Sebastian throws up in his college room through an open window. He then ...
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Sebastian's decline continues and there is little anyone seems able to do about it. He is terribly unhappy about his family situation and seems bent on destroying any relationships he may still have ...
Charles and Sebastian return to Oxford but feel old and out of place. Sebastian feels that his mother is constantly watching him through her friends. In particular, both young men have to put up with...
The British Raj: though their position seems secure, thoughtful English men and women know that "their" time in India is coming to an end. The story begins with an unjust arrest for rape, ... See full summary »
The extended Forsyte family live a more than pleasant upper middle class life in Victorian and later Edwardian England. The two central characters are Soames Forsyte and his cousin Jolyon ... See full summary »
Nyree Dawn Porter
Two young men meet at Oxford. Charles Ryder, though of no family or money, becomes friends with Sebastian Flyte when Sebastian throws up in his college room through an open window. He then invites Charles to lunch after his teddy bear Aloysius "refuses to talk to him" unless he is forgiven. Charles becomes involved with Sebastian's family, Catholic peers of the realm in Protestant England. The story is told in flashback as Charles, now an officer in the British Army, is moved with his company to an English country house that he discovers to be Brideshead, Sebastian's family home where Charles has a series of memories of his youth and young manhood, his loves, life, and a journey of faith and anguish.Written by
John Vogel <email@example.com>
Castle Howard, which was used as the location for much of the series, was owned by George Howard, who, at the time, was the Chairman of the BBC, a rival of the network airing the series. He nonetheless agreed not only to allow his castle to be used, but served as a Technical Advisor, and supplied many of the props for the production, while also advising the filmmakers in ways to avoid incorrect portrayals of life in such an environment. See more »
The voiceover in the early Venice sequences was added for the American version after producer Derek Granger saw the initial British broadcast and felt there was not a strong enough sense of the religious feelings evoked while viewing the paintings. See more »
The adaptation is so good that one can read Waugh'...
The adaptation is so good that one can read Waugh's novel while watching and practically not miss a word. The lush prose of the novel is there, as well as perfect visual imagery of the settings, absolutely essential to the integrity of the piece.
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