3 of 4 models, who had plastic surgery done by Larry after a computed list, are dead. Neither the cops nor Larry believe it's suicides. Larry investigates and stays with the 4th model. Who's behind the lists and murders?
Full, crescent, quarter - each is a Bad Moon for Ted Harrison. By day, he's a photojournalist visiting family in the Pacific Northwest. By night, he transfigures into a horrific half-human - a werewolf.
NYPD detectives Shepard and Powell are working on a bizarre case of a ritualistic Aztec murder. Meanwhile, something big is attacking people of New York and only greedy small time crook Jimmy Quinn knows where its lair is.
A city cop is assigned to solve a bizarre set of violent murders where it appears that the victims were killed by animals. In his pursuit he learns of an Indian legend about wolf spirits.Written by
K. Rose <firstname.lastname@example.org>
When the doctor is riding his motorbike through the tunnel and spots the wolf, he is mouthing "Help me," repeatedly, but we don't hear his voice. At the end, he says, "Oh my god," but is still mouthing, "Help me." See more »
A cameo (about 15 seconds) by Tom Waits as a bar owner playing the piano and singing his song "Jitterbug Boy" was included in theatrical prints and early TV versions, but had to be removed from the film for video and DVD releases due to copyright reasons. See more »
Unusual film that takes a very different path from the traditional werewolf movie. Low budget in feel, which is good, this starts incredibly well with horror, gore and bewilderment. The use of the negative image when we see through the eyes of the wolves is great, its less plastic than ordinary SFX and far more realistic than CGI, its also cheap (I've used it myself!) but the best thing about it is that it is literally an inversion of reality, which is just what you want here. Finney is fine but maybe should have been encouraged to put a little more effort in. As for his co-star, Diane Venora, in her first film, her lack of presence is worrying. I guess first time director (apart from Woodstock work) Michael Wadleigh was not used to getting the best out of his actors and indeed never made another film. Not to take away from this little gem though, not perfect by any means but different enough and occasionally startling enough to make at least one viewing essential.
5 of 5 people found this review helpful.
Was this review helpful to you?
| Report this