An unknown killer, clad in World War II U.S. Army fatigues, stalks a small New Jersey town bent on reliving a 35 year-old double murder by focusing on a group of college kids holding an annual Spring Dance.
A decades-old folk tale surrounding a deranged murderer killing those who celebrate Valentine's Day turns out to be true to legend when a group defies the killer's order and people start turning up dead.
The film begins with the return home of a wwII veteran who was the recipient of a "Dear John Letter". After swiftly dispatching a courting couple in a Gazebo we leap to present day where a college celebration becomes the hunting ground for a uniform clad killer.Written by
Barry Wall <Barry@Mage.demon.co.uk>
The house used for Major Chatham's house was actually a museum. The furniture in the house was all antique and the owners would only allow a skeleton crew to shoot inside the location. See more »
The camera's shadow can be seen during the POV shot of one of the girls' getting out of the pool when encountering the killer. See more »
[Mark and Pam are at the darkened and empty police station discussing their next move]
I want to check out the dorm again.
[referring to the Prowler]
You really think he might still be there.
Right now, that's all we have to do on.
[they attempt to leave but are stopped when a drunk Kingsley walks in]
Well... looke here.
[referring to the sheriff]
George left you in charge here! Can't you keep those damn kids under control?
What're you doing here, Kingsley?
It's... that damn graduation thing. We ...
[...] See more »
The color of the closing credits turns from blood red to yellow. See more »
The 2008 Australian DVD, released by Universal Studios under the title Rosemary's Killer, is complete and uncut. See more »
Rosemary sends a "Dear John" letter to her boyfriend while he is serving in WWII then is mysteriously slaughtered with her new beau at a graduation dance. Flash-forward to 1981 and the current class of graduating collegiates are throwing the first dance in many moons and a killer pops up looking like a storntrooper from hell and dropping roses everywhere. 80's slashing is in the house.
This rather predictable and slow slasher is saved by the gore set-pieces by effects maestro Tom Savini. That really is the only saving grace and highlight of "Prowler". Everything else on display is a bit bland and rather standard.
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