An unknown killer, clad in World War II U.S. Army fatigues, stalks a small New Jersey town bent on reliving a 35 year-old double murder by focusing on a group of college kids holding an annual Spring Dance.
A decades-old folk tale surrounding a deranged murderer killing those who celebrate Valentine's Day turns out to be true to legend when a group defies the killer's order and people start turning up dead.
The film begins with the return home of a wwII veteran who was the recipient of a "Dear John Letter". After swiftly dispatching a courting couple in a Gazebo we leap to present day where a college celebration becomes the hunting ground for a uniform clad killer.Written by
Barry Wall <Barry@Mage.demon.co.uk>
Released internationally as "Rosemary's Killer". See more »
At the end of the movie, Pam returns to her dorm room and sees the bathroom door slightly ajar. Then, there's an angle from inside the bathroom looking out at her, and the door is all the way open. Then, the angle changes back to her heading to the bathroom and the door is only slightly ajar again. See more »
The color of the closing credits turns from blood red to yellow. See more »
The British cinema release, known under the title Rosemary's Killer, was heavily cut by the BBFC with edits to the pitchfork murder, shots of throat and head stabbings, and heavy cuts to the shower murder. The Greek release also carries this title and is uncut. The BBFC cuts were fully waived for the 2007 Optimum DVD release which retains the original cinema title. See more »
"The Prowler" has all the 80s slasher narrative clichés. There's the lackluster love interest, there are the mindless teenagers, the horny exhibitionist girls, and the contrived killings which exist only to showcase the use of a particular weapon. It might for this reason seem like a film to pass over as yet one more negligible film in the pile of giant refuse that is the slasher film catalog. And I wouldn't blame you for feeling that way. All that "The Prowler" has going for it, all that is distinguishable, by most reviewers' estimations, is its ultra-realistic gore effects by the legendary Tom Savini. In fact, Quentin Tarantino himself theorizes that someone had to have gotten a blowjob in order for this film to get released. He's not far off. One can easily imagine not only the producers but the director and the crew themselves utterly shocked by the realism of the carnage. Had the acting and script been worthy of them, the effects might have propelled "The Prowler" into notoriety as one of the more legitimately frightening films in the slasher film catalog. Even the cinematography itself is surprisingly good and goes a long way at evoking the right mood. The technical aspects are therefore covered. However, in the areas where it matters most, "The Prowler" is ultimately a let-down. The characters are wooden and act in one-dimensional ways. The actors themselves seem eager not to play their characters but to await the box office returns. For this reason, it stands out merely as a curiosity and a testament to Tom Savini's abilities, far ahead of their time as they were.
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