A French boarding school run by priests seems to be a haven from World War II until a new student arrives. He becomes the roommate of top student in his class. Rivals at first, the roommates form a bond and share a secret.
Alain Leroy is having a course of treatment in a private hospital because of his problem with alcohol. Although he is constantly distressed, he leaves the hospital and tries to meet good ... See full summary »
As France is nearing the end of the first Indochina War, an open-minded teenage boy finds himself torn between a rebellious urge to discover love, and the ever-present, almost dominating affection of his beloved mother.
Wallace Shawn and Andre Gregory, apparently playing themselves, share their lives over the course of an evening meal at a restaurant. Gregory, a theater director from New York, is the more talkative of the pair. He relates to Shawn his tales of dropping out, traveling around the world, and experiencing the variety of ways people live, such as a monk who could balance his entire weight on his fingertips. Shawn listens avidly, but questions the value of Gregory's seeming abandonment of the pragmatic aspects of life.Written by
Rick Gregory <firstname.lastname@example.org>
In his performance in The Princess Bride, Wallace Shawn is known for a phrase that he uses during the Battle of Wits scene with Cary Elwes "Inconceivable". He uses this word (six years earlier) during his conversation with Andre Gregory, about half way through this film. See more »
In some of the scenes where the back of Wally's head facing the camera, the shadow of the boom mic can be seen reflected on Wally's bald head. See more »
The life of a playwright is tough. It's not easy as some people seem to think. You work hard writing plays and nobody puts them on. You take up other lines of work to try to make a living. I became an actor and people don't hire you. So, you just spend your days doing the errands of your trade.
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For the sake of authenticity here are various reactions from my diary:
An interesting movie, one of the few non-comedies I liked. It consisted of nothing but a two-hour conversation between two friends. The conversation wasn't of very good quality, but infinitely above most of the drivel on TV.
A recreation of a real life dialogue between a playwright and a theatrical producer about life, modern civilization and everything under the sun. I found it very interesting but neither of the characters are first rate-intellects. Andre came off looking kooky.
It is SPELL-BINDING, but ultimately frustrating, like all movies. One is never sure what the writers really believe, and to what degree they believe it. I wish the two would appear on talk shows and carry on the same type of conversation.
I'm afraid what looks like art in a movie would look perfectly banal in real life. If you were overhearing this conversation in a coffee shop, would you pay to listen? I wouldn't, nor would I listen free of charge. But a movie is fascinating, because it is an object, a product. A movie is an event in itself, regardless of content. There is a communal experience of watching what thousands have watched. Without meaning to, this worthy film exemplifies the tragedy of human communication: it is impossible. No one really knows what is being said or why. We are all wrapped up in ego, yet when we strip it away, there is nothing. But talking has a sensuality of its own. It is more intimate than sex.
24 of 44 people found this review helpful.
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