After Leonardo Da Vinci arrives at the last supper he holds up his right thumb. Then it cuts to a wider shot and he's holding up his left thumb.
When the caveman throws the spear, is penetrates the abdomen of another caveman. When the spear is pulled out, the is no blood on the blade.
When the nuns line up at the side of the pool there are only 12 of them, but then you see 16 of them swimming in formation.
When Nero hands the medallion to his aide and says "wash this," the aide is seen holding the medallion but when the camera angle changes, he doesn't have it.
In Caesar's palace during the feast, wine is spilled on Nero's
toga but the stain disappears in subsequent shots.
The soothsayer asks for two drachma for payment, but drachma is a Greek currency. The correct term used would have been denarii.
In the prehistoric man segments, the narrator refers to "Homo sapien" instead of "Homo sapiens".
In the beginning of the Roman Empire Segment, one of the running jokes was the use of a V in place of a U. It seems that great care was taken to do this on every sign. Except the Annual Orgy sign which has two Us on it that were not changed to Vs. Us are also visible on the "Equal Opportunity Employer" sign at the Unemployment Office.
The U/V joke wasn't meant to go on forever. They used it for the first part part of the segment, then once the joke had run its course they dropped it for the remainder.
The U/V joke wasn't meant to go on forever. They used it for the first part part of the segment, then once the joke had run its course they dropped it for the remainder.
When Comicus performs a Caesar's Palace, he jokes about the Christians. Since the segment ends with the Last Supper, Christianity did not exist yet.
Despite the title, the film is not meant to be an accurate depiction of human history. Brooks has combined several tropes about this era and combined them to increase the targets for his humor. This should be obvious by things like Josephus showing up during the French Revolution.
Despite the title, the film is not meant to be an accurate depiction of human history. Brooks has combined several tropes about this era and combined them to increase the targets for his humor. This should be obvious by things like Josephus showing up during the French Revolution.
In the segment about the Roman Empire, Nero is the emperor, which would set the story during the years 54-68 AD. However, when arriving in Judea, Jesus is talking about his last supper and the his betrayal, which happened before the year 30/31 AD.
Despite the title, the film is not meant to be an accurate depiction of human history. Brooks has combined several tropes about this era and combined them to increase the targets for his humor. This should be obvious by things like Josephus showing up during the French Revolution.
Despite the title, the film is not meant to be an accurate depiction of human history. Brooks has combined several tropes about this era and combined them to increase the targets for his humor. This should be obvious by things like Josephus showing up during the French Revolution.
When Comicus, Miriam, Swiftus and Josephus reach the river, the tops of the water remover are obviously visible just below the surface. Later, it is obvious that the water is being dumped into a pool-like area in the middle of the river to create their path.
This is deliberate as they are obviously using the "magic of the movies" to escape from their pursuers; this is the same attraction that visitors to Universal Studios for decades will recognize.
This is deliberate as they are obviously using the "magic of the movies" to escape from their pursuers; this is the same attraction that visitors to Universal Studios for decades will recognize.
In the Spanish Inquisition musical number, the nuns do an underwater show that ends with them standing on a menorah. It is clearly visible in the movie that the action is in reverse.
This was done deliberately as a tribute to the Busby Berkeley musical numbers that the scene was paying tribute to - the same technique was used for scenes where performers emerged from water with lit sparklers.
This was done deliberately as a tribute to the Busby Berkeley musical numbers that the scene was paying tribute to - the same technique was used for scenes where performers emerged from water with lit sparklers.
When Josephus slips on the banana peel, his foot misses the peel.
When Comicus, Miriam, Swiftus and Josephus are escaping in the cart, the shots from behind the cart shows the tire tracks from the vehicle the camera is mounted on.
When Comicus and the others are escaping from Rome in a carriage being pulled by Miracle, the carriage has thin narrow wheels, however, the tire tracks it leaves when they're pulling away are wide and have treads like regular car tires.
During the Stone Age segment, a caveman unsuccessfully tries to humor the others with his comic routine before being snatched away by a dinosaur. As the dinosaur snatches the caveman comedian away, you can see the cables used to hoist him.
When Comicus is pulled into the Virgin room by Miriam, one of the virgins says "Who's that?" but her mouth does not match "that".
When the Roman soldiers arrive to present Nero with the spoils of war, a fanfare sounds. However when the shot cuts to the soldiers entering, the heralds (trumpeters) are just starting to bring their horns up to play them.