Fritz the Cat may have lost one of his lives in the comics, but in his new movie, he has eight more lives left to go! While his wife screams at him, Fritz lights up a joint and reminiscences about what could have been.
An astronaut brings home a glowing green orb for his daughter. However, the green orb wipes him out and corners the girl for its purposes. Claiming to embody ultimate evil, the malevolent sphere, known as the Loc-Nar, terrorizes the little girl by showing a series of bizarre and fantastic stories it has influenced. The first is "Harry Canyon", a cynical taxi driver in a squalid futuristic New York who finds himself involved with a damsel in distress who is relentlessly pursued by murderous thugs who desire the Loc-Nar her archaeologist father found. The second is "Den", which chronicles the adventures of a nerdish teenager who is thrown into the fantasy world of Neverwhere, where he is transformed into a handsome muscleman, desired by beautiful women, who must get involved in a conflict revolving around possession of the Loc-Nar. The third is "Captain Sternn", where the title character is a handsome but irredeemable scoundrel who stands accused in a trial that the Loc-Nar throws into ...Written by
Kenneth Chisholm <firstname.lastname@example.org>
In the "So Beautiful, So Dangerous" segment, the two Plutonian Nyborg snorting aliens are named Zeke and Edsel. See more »
In the Den segment, when Katherine is first going to be sacrificed, she goes from being tied up to untied and struggling to tied up again. See more »
A shadow shall fall over the universe, and evil will grow in its path, and death will come from the skies.
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The rolling text of the credits stutter upwards in rhythm with the machine sound that opens the song "Working in the Coal Mine" performed by Devo. See more »
The DVD version has rough cut versions of an alternate frame story. This story shows the Grimaldi (the astronaut) bringing his daughter to a carousel. The carousel has the loknar at the center and the horses are replaced by elements of the stories. When Taarna is tortured in the last sequence, the action cuts to the carousel where the girl reacts with pain. The ending is similar, with the girl becoming the new protector. See more »
Sure, it's not the best animation by today's standards. However, for when it was made the animation was top notch. It does have a great voice cast and the music is great. I graduated highschool in 1991 with long hair down my back. I went to my senior prom wearing a Motley Crue t-shirt--so nothing more to be said. I think anyone like me must appreciate Heavy Metal at least on some level. I also appreciate it for the art work and the small details. Watching a beatiful warrior godess slowly don her ridiculously sexy red outfit before wielding a sword to gut a bunch of mutants--it couldn't get any better. The movie as a whole, a conglomerate of strangley unrelated yet joined stories, makes this movie a cult classic--as true as they come. Perhaps that is what is lacking in Heavy Metal 2000--truely a sad attempt as a sequel, with no potential of ever being a worthy classic to sit on a shelf next to the original. The FAKK sword is the coolest thing about the movie, besides the Simon Beasley cover art. At least I think that's Simon's work and not Royo's--perhaps someone could confirm that. Okay, but not to stray from the topic of Heavy Metal (1981)---take it for what it is--don't over analyze it. Sit back, have a few laughs, poke fun at it, and at the end I think it's worth the watch.
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