A glowing green orb - which embodies ultimate evil - terrorizes a young girl with an anthology of bizarre and fantastic stories of dark fantasy, eroticism and horror.A glowing green orb - which embodies ultimate evil - terrorizes a young girl with an anthology of bizarre and fantastic stories of dark fantasy, eroticism and horror.A glowing green orb - which embodies ultimate evil - terrorizes a young girl with an anthology of bizarre and fantastic stories of dark fantasy, eroticism and horror.
- Directors
- Gerald Potterton
- John Bruno(segment Soft Landing)
- John Halas(segment So Beautiful and So Dangerous)
- Writers
- Daniel Goldberg(screenplay)
- Len Blum(screenplay)
- Dan O'Bannon(original story)
- Stars
- Richard Romanus(voice)
- John Candy(voice)
- Joe Flaherty(voice)
- Directors
- Gerald Potterton
- John Bruno(segment Soft Landing)
- John Halas(segment So Beautiful and So Dangerous)
- Writers
- Daniel Goldberg(screenplay)
- Len Blum(screenplay)
- Dan O'Bannon(original story)
- Stars
- Richard Romanus(voice)
- John Candy(voice)
- Joe Flaherty(voice)
- Awards
- 4 wins & 2 nominations
Rodger Bumpass
- Hanover Fiste (segment "Captain Sternn")
- (voice)
- (as Roger Bumpass)
- …
- Directors
- Gerald Potterton
- John Bruno(segment Soft Landing)
- John Halas(segment So Beautiful and So Dangerous)
- Writers
- Daniel Goldberg(screenplay) (story) (story)
- Len Blum(screenplay) (story) (story)
- Dan O'Bannon(original story) (story) (segment Soft Landing)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe home video was removed from circulation for several years because of problems with music licensing - with so many bands and artists on the soundtrack, securing rights to the music proved difficult.
- GoofsThe two final scenes of "So Beautiful & So Dangerous" are reversed. The robot and Gloria leave the spaceship onto the space station before the ship lands. If you look closely at the lower right corner of the screen as the ship grinds to a halt in the hangar bay, the escalator ramp used by the robot and the secretary only seconds before is deployed.
- Quotes
Prosecutor: Are you Captain Lincoln F. Sternn?
Stern: [haughtily] I am.
Prosecutor: Lincoln Sternn, you stand here accused of 12 counts of murder in the first degree, 14 counts of armed theft of Federation property, 22 counts of piracy in high space, 18 counts of fraud, 37 counts of rape...
[pauses to check the criminal record]
Prosecutor: ...and one moving violation. How do you plead?
Stern: [haughtily] Not guilty.
- Crazy creditsThe rolling text of the credits stutter upwards in rhythm with the machine sound that opens the song "Working in the Coal Mine" performed by Devo.
- Alternate versionsBecause of time constraints, a segment called "Neverwhere Land (1996)" was deleted; in this film, this would have connected "Captain Sternn" to "B-17". The story follows the influence of the Loc-Nar upon the evolution of a planet, from the Loc-Nar landing in a body of water, influencing the rise of the industrial age, and a world war. This original story was created by Corny Cole. The original rough animatics are set to a loop of the beginning of the song "Time" by Pink Floyd. The 1996 VHS release included this segment at the beginning of the tape. On the DVD release, this segment is included within the bonus features and is dedicated "In memory of Dawn M. Cole - 1931-1985". In both released versions, the sequence is set to the music of "Passacaglia" (from Magnificat), composed and conducted by Krzysztof Penderecki.
- ConnectionsFeatured in Imagining 'Heavy Metal' (1999)
Featured review
Animation is not just for kids and male teens.
I waited a bit before contributing a review for I wanted to read a few reviews to see if what I thought would be true...and it is. So let a lady step in and point out a few things for those who are interested in viewing this film.
This film was actually started in 1978, and finally released in 1981 and I was there to see it. It is based on the adult fantasy sci-fi America version magazine "Heavy Metal". The original origin of the magazine is French, very adult, very graphic, very sci-fi, lotsa nudity BUT excellent and compelling storytelling.
The key phrase is "Adult, Fantasy, Illustrated".
Just because its a 'cartoon', does not mean its for kids.
Looking at the Animation now in 2002, its dated. In the mid-80's Japanese Anime has set and kept raising the bar on this kind of adult anime genre. This early mainstream American attempt was good, for it had a good model, the magazine, Heavy Metal.
If Heavy Metal had waited to be produced until now, with all the advancements on technology, animation, graphics, art we have at our disposal, I only wish that the popular artists and storytellers of the magazine Heavy Metal were involved. It would be a different film indeed, and it would get an NC-17 rating. The only pieces that were trademarks of the Heavy Metal magazine were "Soft Landing"/"Grimaldi" "Den" and "Taarna".
More specifically, "Taarna" WAS exactly what the American Heavy Metal Magazine was all about and uncredited was Jean Giraud who has done a hell of a lot of work in the magazines history....both American and French versions is the cause for that. You may know his work by his other more famous name, "Moebius".
If you ask me, the film could have gone one of two ways: just like the magazine story by story without the silly connector of the green orb, or with just the one story of "Taarna". Back in 1978-1981, I would assume the Studio Executives could not venture into that manner without getting squeamish about box office so what we have is a tip-toe cross blend between the two. On one level it works, on another it does not. Its a viewers decision.
I like this 1981 version of the movie Heavy Metal, although a few stories didn't live up to the level of the magazine content..or were not presented as such. "Neverwhereland" should have NEVER been cut, I would have taken it over "Captain Stern" any day. "Neverwhereland" seemed to be along the lines of the magazines' content, too bad it wasn't included. "Harry Canyon" I could have taken or left, made no difference.
Additionally, I JUST loved "Den" and "B-17". I loved the soundtrack, for Metal is America. But just like the magazine, it was adult, it was fantasy, violent at points and contained nudity. It was early "R" Adult Animation American Style. (I know...Fritz the Cat was an "X" rated Animation that instead of using humans, used felines. Besides, Fritz was Ralph Bakshi's ticket outa Disney Animation and Robert Crumb is the 70's counter culture!)
This film, "Heavy Metal" was also marketed as the male dream: Metal Music, Sci-Fi, Fantasy, Nudity.
But wait...why was I...a woman interested?!?!?
It was "Taarna". This was the first animated woman in an American made mainstream animated adult feature film that the world needed, that the world depended upon, that was tough, that was independent, not a size four but voluptous, and was still very sexy. Nowadays, it may not mean much, but in 1981 when I was a teen and saw this, it meant a lot. Snow White, she wasn't and was she the Wicked Witch of the West either and that is how women were portrayed up till the release of Heavy Metal.
When I read a few stories in the adult magazines Heavy Metal from the late 70's to the early 90's, both American and French versions, the women in the majority of the stories, although drawn by European men and set in uncertain futures, wear...and in many cases...don't wear at all... and involved in explicit sexual situations..the women WERE the heroes!!
All in all, keep in mind Heavy Metal was made for an adult audience, just like the magazine. It's not just for the teenaged guys, its not just for the stoned and metal heads, its not just for the trekies or x-filers. It's a good effort for its time but if you're expectting work like in late 80s/90's Japanese Anime like "Katsuhiro Ôtomo's Akira", etc., or 2001's "Taro Rin's Metropolis" remember its 1981, and American, and NOT quite like its name sake Magazines, but its still good.
This film was actually started in 1978, and finally released in 1981 and I was there to see it. It is based on the adult fantasy sci-fi America version magazine "Heavy Metal". The original origin of the magazine is French, very adult, very graphic, very sci-fi, lotsa nudity BUT excellent and compelling storytelling.
The key phrase is "Adult, Fantasy, Illustrated".
Just because its a 'cartoon', does not mean its for kids.
Looking at the Animation now in 2002, its dated. In the mid-80's Japanese Anime has set and kept raising the bar on this kind of adult anime genre. This early mainstream American attempt was good, for it had a good model, the magazine, Heavy Metal.
If Heavy Metal had waited to be produced until now, with all the advancements on technology, animation, graphics, art we have at our disposal, I only wish that the popular artists and storytellers of the magazine Heavy Metal were involved. It would be a different film indeed, and it would get an NC-17 rating. The only pieces that were trademarks of the Heavy Metal magazine were "Soft Landing"/"Grimaldi" "Den" and "Taarna".
More specifically, "Taarna" WAS exactly what the American Heavy Metal Magazine was all about and uncredited was Jean Giraud who has done a hell of a lot of work in the magazines history....both American and French versions is the cause for that. You may know his work by his other more famous name, "Moebius".
If you ask me, the film could have gone one of two ways: just like the magazine story by story without the silly connector of the green orb, or with just the one story of "Taarna". Back in 1978-1981, I would assume the Studio Executives could not venture into that manner without getting squeamish about box office so what we have is a tip-toe cross blend between the two. On one level it works, on another it does not. Its a viewers decision.
I like this 1981 version of the movie Heavy Metal, although a few stories didn't live up to the level of the magazine content..or were not presented as such. "Neverwhereland" should have NEVER been cut, I would have taken it over "Captain Stern" any day. "Neverwhereland" seemed to be along the lines of the magazines' content, too bad it wasn't included. "Harry Canyon" I could have taken or left, made no difference.
Additionally, I JUST loved "Den" and "B-17". I loved the soundtrack, for Metal is America. But just like the magazine, it was adult, it was fantasy, violent at points and contained nudity. It was early "R" Adult Animation American Style. (I know...Fritz the Cat was an "X" rated Animation that instead of using humans, used felines. Besides, Fritz was Ralph Bakshi's ticket outa Disney Animation and Robert Crumb is the 70's counter culture!)
This film, "Heavy Metal" was also marketed as the male dream: Metal Music, Sci-Fi, Fantasy, Nudity.
But wait...why was I...a woman interested?!?!?
It was "Taarna". This was the first animated woman in an American made mainstream animated adult feature film that the world needed, that the world depended upon, that was tough, that was independent, not a size four but voluptous, and was still very sexy. Nowadays, it may not mean much, but in 1981 when I was a teen and saw this, it meant a lot. Snow White, she wasn't and was she the Wicked Witch of the West either and that is how women were portrayed up till the release of Heavy Metal.
When I read a few stories in the adult magazines Heavy Metal from the late 70's to the early 90's, both American and French versions, the women in the majority of the stories, although drawn by European men and set in uncertain futures, wear...and in many cases...don't wear at all... and involved in explicit sexual situations..the women WERE the heroes!!
All in all, keep in mind Heavy Metal was made for an adult audience, just like the magazine. It's not just for the teenaged guys, its not just for the stoned and metal heads, its not just for the trekies or x-filers. It's a good effort for its time but if you're expectting work like in late 80s/90's Japanese Anime like "Katsuhiro Ôtomo's Akira", etc., or 2001's "Taro Rin's Metropolis" remember its 1981, and American, and NOT quite like its name sake Magazines, but its still good.
helpful•17829
- lambiepie-2
- Oct 8, 2002
Details
- Release date
- Countries of origin
- Language
- Also known as
- Universo en fantasía
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $9,300,000 (estimated)
- Gross US & Canada
- $546,545
- Opening weekend US & Canada
- $204,660
- Mar 10, 1996
- Gross worldwide
- $546,545
- Runtime1 hour 26 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1(original ratio)
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content
