CALIFICACIÓN DE IMDb
7.2/10
8.8 k
TU CALIFICACIÓN
Dos ex amantes terminan viviendo al lado del otro con sus respectivos cónyuges, viendose expuestos a pasiones prohibidas.Dos ex amantes terminan viviendo al lado del otro con sus respectivos cónyuges, viendose expuestos a pasiones prohibidas.Dos ex amantes terminan viviendo al lado del otro con sus respectivos cónyuges, viendose expuestos a pasiones prohibidas.
- Premios
- 2 premios ganados y 6 nominaciones
Catherine Crassac
- Woman in the Hotel's Staircase
- (sin créditos)
Jacques Preisach
- Man in the Hotel's Staircase
- (sin créditos)
Roland Thénot
- Estate Agent
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaFrançois Truffaut decided to write the script of this movie when he saw Gérard Depardieu and Fanny Ardant sit side-by-side at the Cesar's night.
- Citas
[last lines]
Madame Odile Jouve: I suspect that Mathilde and Bernard won't be buried together. if I had to select an epitaph for them it would be, "Neither with you, nor without you.", but I doubt whether I'll be asked.
Opinión destacada
An OK film but the script is never convincing and the characters never seem real
In a small village, two houses face one another across the old village street. In one house lives Bernard Coudray, his wife and his young children, while the other house is empty. When new neighbors move into the house Bernard meets Philippe Bauchard and is polite but later Philippe's wife arrives at the new home and Bernard is shocked to recognise her as Mathilde, a lover from many years ago. Both of them keep this fact from their respective partners and try to keep themselves to themselves as much as they can but it is only a matter of time before repressed passions stir within one another and their hearts are reopened.
I'm not trying to enforce stereotypes here but there is something about this film that is undeniably, well, French. The emotions are destructive, the passion searing, the drama never giving into shouting but always calmly talking about their pain. Unfortunately (for me anyroads) this made the film hard to really get into, because I was never able to identify with their feelings (even if I could with their basic situation) or rather the way they handled them. So the consumed love or the repressed anger never convinced or engaged me. This left the film to just keep moving and keep things happening but, in a very Gaelic fashion, the drama tends to be all in the heart rather than on the screen and it never really is gripping as a story. Towards the end it distinctly slow and made me feel that it should have ended sooner the predictable and cold ending didn't help either.
The direction is good and makes the film feel intimate, but not to the point where it covered for the lack of the same in the script. The cast do well even if I felt they weren't acting like real people would in the same situation. Depardieu works hard to be heart broken and wracked and he does it well despite me feeling like he isn't totally sold on how he is acting. Ardant is also good but again she overplays her actions. Both Garcin and Baumgartner are poor far too stiff and accepting of the adultery and again all part of the film not convincing me.
Overall this is an OK film but it never really convinced me (how many times have I said that now!). It is interesting for the first half and quite engaging but it doesn't really keep in reality and predictably becomes all very tragic and French. The cast try their best and the director adds intimacy but the script is not as good as it should have been and I never felt that I was following real relationship at any point.
I'm not trying to enforce stereotypes here but there is something about this film that is undeniably, well, French. The emotions are destructive, the passion searing, the drama never giving into shouting but always calmly talking about their pain. Unfortunately (for me anyroads) this made the film hard to really get into, because I was never able to identify with their feelings (even if I could with their basic situation) or rather the way they handled them. So the consumed love or the repressed anger never convinced or engaged me. This left the film to just keep moving and keep things happening but, in a very Gaelic fashion, the drama tends to be all in the heart rather than on the screen and it never really is gripping as a story. Towards the end it distinctly slow and made me feel that it should have ended sooner the predictable and cold ending didn't help either.
The direction is good and makes the film feel intimate, but not to the point where it covered for the lack of the same in the script. The cast do well even if I felt they weren't acting like real people would in the same situation. Depardieu works hard to be heart broken and wracked and he does it well despite me feeling like he isn't totally sold on how he is acting. Ardant is also good but again she overplays her actions. Both Garcin and Baumgartner are poor far too stiff and accepting of the adultery and again all part of the film not convincing me.
Overall this is an OK film but it never really convinced me (how many times have I said that now!). It is interesting for the first half and quite engaging but it doesn't really keep in reality and predictably becomes all very tragic and French. The cast try their best and the director adds intimacy but the script is not as good as it should have been and I never felt that I was following real relationship at any point.
útil•2129
- bob the moo
- 29 oct 2004
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- También se conoce como
- The Woman Next Door
- Locaciones de filmación
- Chemin des Batellières, Bernin, Isère, Francia(the two houses)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 509
- Fin de semana de estreno en EE. UU. y Canadá
- USD 11,206
- 25 abr 1999
- Total a nivel mundial
- USD 509
- Tiempo de ejecución1 hora 46 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.66 : 1
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Principales brechas de datos
What is the Japanese language plot outline for La mujer de al lado (1981)?
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