A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action, while attempting to liberate a twelve-year-old prostitute.
Robert De Niro,
A tale of greed, deception, money, power, and murder occur between two best friends: a mafia enforcer and a casino executive, compete against each other over a gambling empire, and over a fast living and fast loving socialite.
When Jake LaMotta steps into a boxing ring and obliterates his opponent, he's a prizefighter. But when he treats his family and friends the same way, he's a ticking time bomb, ready to go off at any moment. Though LaMotta wants his family's love, something always seems to come between them. Perhaps it's his violent bouts of paranoia and jealousy. This kind of rage helped make him a champ, but in real life, he winds up in the ring alone.Written by
A rubber tube, to carry fake blood, is visible behind Janiro's nose as Jake punches it. See more »
Jake La Motta:
I remember those cheers / They still ring in my ears / After years, they remain in my thoughts. / Go to one night / I took off my robe, and what'd I do? I forgot to wear shorts. / I recall every fall / Every hook, every jab / The worst way a guy can get rid of his flab. / As you know, my life wasn't drab. / Though I'd much... Though I'd rather hear you cheer / When you delve... Though I'd rather hear you cheer / When I delve into Shakespeare / "A horse, a horse, my kingdom for a ...
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The film is in black and white, but during the opening credits, the title is in red letters. See more »
Jake La Motta's story is no doubt the best movie about boxing of all times together with Robert Wise's The Set-Up. Besides the legendary performance of Robert De Niro, there are many things in this film that will remain in my heart forever: the splendid black & white, the contrast between the slow moving scenes and the frenetic ones, the choice of the music and the sense of loss which entangles the whole movie. De Niro faces another "born loser" role (after Travis Bickle, John Rubin, Johnny Boy) and strikes again; Martin Scorsese is the most poetic director of the last 30 years.
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