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The Ninth Configuration (1980)

A former marine arrives at a mental asylum housed in a remote castle to run it. There he attempts to rehabilitate the patients by letting them act out their craziest fantasies and desires.

Writers:

William Peter Blatty (novel), William Peter Blatty (screenplay)
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Won 1 Golden Globe. Another 2 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Stacy Keach ... Col. Vincent Kane
Scott Wilson ... Capt. Billy Cutshaw
Jason Miller ... Lt. Frankie Reno
Ed Flanders ... Col. Richard Fell
Neville Brand ... Maj. Marvin Groper
George DiCenzo ... Capt. Fairbanks
Moses Gunn ... Maj. Nammack
Robert Loggia ... Lt. Bennish
Joe Spinell ... Lt. Spinell
Alejandro Rey ... Lt. Gomez
Tom Atkins ... Sgt. Krebs
Steve Sandor ... 1st Cyclist (Stanley)
Richard Lynch ... 2nd Cyclist (Richard)
Gordon Mark Gordon Mark ... Sgt. Gilman
William Lucking ... Highway Patrolman
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Storyline

A new commanding officer arrives at a remote castle serving as an insane asylum for mentally ill and A.W.O.L. U.S. soldiers where he attempts to rehabilitate them by allowing them to live out their crazy fantasies while combatting his own long-suppressed insanity. Written by matt-282

Plot Summary | Plot Synopsis

Taglines:

Madness is a soldier's final retreat. See more »


Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

29 February 1980 (USA) See more »

Also Known As:

Twinkle, Twinkle, Killer Kane See more »

Filming Locations:

Vienna, Austria See more »

Company Credits

Production Co:

Ninth Configuration See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (re-issue) | (combined extended) | (1982)

Sound Mix:

3 Channel Stereo (RCA Sound Recording) (5.0) (L-R)

Color:

Color (Metrocolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Believed to be the first appearance of "The Howie Scream", which is most well-known as the scream that is heard in the video game Starcraft when the Terran Academy building is selected. See more »

Quotes

Lt. Frankie Reno: Why are you teaching the dogs Shakespeare?
Colonel Kane: Someone's got to do it.
See more »

Crazy Credits

At the very end of the remastered print of this film, a dedication to William Peter Blatty's son, Peter Vincent Galahad Blatty (May 17th 1987 - November 7th 2006) appears, with the 1971 Lorimar theme playing over it. See more »

Alternate Versions

There are five different versions of this film, with various running times from 99 up to 140 minutes. Director William Peter Blatty disowned all versions except one: his approved cut runs 118 minutes and is the version that was originally released theatrically in the USA. This version is available on DVD. See more »

Connections

References The Strawberry Blonde (1941) See more »

Soundtracks

I'm Confessin' (That I Love You)
Written by Al Neiburg, Doc Daugherty (as Doc Dougherty) and Ellis Reynolds
See more »

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User Reviews

 
A Great Metaphysical Tragicomedy
9 November 2003 | by slokesSee all my reviews

It's rare to find five films that offer as much combined intelligence, passion, visceral excitement, and uncontrolled belly laughs as this. "The Ninth Configuration" is the sort of film people either love or hate. Like many great works of art, it doesn't settle into any middle ground. It's my all-time favorite movie, not perfect but a real screen miracle all the same. This is the sort of movie they don't make any more, because they never really made anything like this. Just this one time. For that, and much else, it is unique.

Scott Wilson plays the despairing Capt. Cutshaw, who believes the universe is a random void based on suffering and cruelty. He is challenged in his atheism by Stacy Keach, a Marine colonel sent to command the institution where Cutshaw and other Army servicemen, many Vietnam War heroes, have been committed to after assorted acts of deviancy. Cutshaw's own madness culminated in his refusal to be launched into space during a final countdown, vividly pictured near the beginning in one of many arresting visuals when the horizon around the launching pad suddenly fills up with the sight of a ferocious, threatening moon, several times bigger than life.

Cutshaw and Keach's Col. Kane duke it out in a serious of probing yet riotous metaphysical dialogues. "I don't belong to the God-Is-Alive-But-Living-In-Argentina club," Cutshaw announces. "But I believe in the Devil alright. And you know why? Because the prick keeps doing commercials!" Kane's counterargument, much weaker at the outset but gaining intensity as Cutshaw's desire to be converted becomes more clear, is that if evil is as powerful and omnipresent as Cutshaw thinks, correctly, than why doesn't he also believe in the real, counterbalancing power of human goodness as something that has its origins beyond humanity?

Meanwhile, the other inmates follow their own neuroses, adapting Shakespeare for dogs and trying to train atoms to allow humans to walk through walls. There's also Neville Brand's Major Groper, a put-upon asylum keeper who finds himself victimized by such pranks as having his name attached to a love letter sent out in a mass mailing addressed to "Occupant." "I got phone call after phone call," he complains, adding bitterly that the female respondents he did contact were "ugly as sin."

People criticize the movie for being filled with such amiable nuttiness, but it relieves the heaviness of the central story and sets the right tone of anarchy and chaos to be sorted out as the picture develops. The third character in this film, after Cutshaw and Kane, is Ed Flanders' Dr. Fell, the medical officer who treats his hangovers with whisky and Alka-Seltzer and observes the lunacy around him with a bemused calm. But he has no small stake in the larger story being worked out between Kane and Cutshaw. In fact, he's more the central figure than anyone, and watching his reactions at key moments is one of the many treats of repeat viewings.

The acting is superb, particularly by the three principals. As we learn in the penetrating director's commentary that accompanies the DVD, the three leads were originally supposed to be Nicol Williamson as Kane, Michael Moriarty as Cutshaw, and Jason Robards as Fell. They would have been good, but not anywhere near as good as the three performances we have. Further proof of God's existence, for anyone who feels the "Ninth Configuration" argument advanced by Kane doesn't hold water, can be found in the fact Wilson and Keach were last-minute replacements in a low-budget film made only to help create a loss-leader for the producers. Unpromising origins to be sure, yet such a brilliant payoff. And how richly perverse: I love the way Kane makes his strongest case for man's goodness while dressed in full Nazi regalia. You don't even notice that the first time you see it, because the power of his words and the questing desperation in his eyes.

I'm dancing around the story itself, because a first-time viewer deserves surprises. Think of C.S. Lewis's "The Screwtape Letters" with a kick-ass bar fight, and you are in the right ballpark. Add to that the moody set design of an old castle in the Pacific Northwest (but actually shot in Hungary), an unobtrusive but powerful score, and surefire direction by screenwriter William Peter Blatty, who sets every scene as a sort of tableau of Cutshaw and Kane's inner turmoil.

Most of all, the film is amazingly quotable, particularly the canine Shakespeare adapter's (Jason Miller, sublime as Reno) unique take on "Hamlet," which takes the story in a whole new direction while offering a brilliant analysis of Shakespeare's great play. Even the little lines resonate with rare power. "Every kind thought is the hope of the world," Fell says at one point. Humble but true, as this film is proof.

You may not be converted into a belief in the divine, and the end does push things a bit harder than many would like (though with a blind courage rarely seen in film), but "The Ninth Configuration" will make you think a little more about the questions of our existence. And you will laugh a lot on the journey. Like I said, they don't make films like this anymore because they never did. This is a one-of-a-kind experience worth seeing.


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