A newspaper reporter and a retired, blind journalist try to solve a series of killings connected to a pharmaceutical company's experimental, top-secret research projects and in so doing, both become targets of the killer.
A young man tries to help a teenage European girl who escaped from a clinic hospital after witnessing the murder of her parents by a serial killer and they try to find the killer before the killer finds them.
Riddled with secret but horrid suspicion, the young American poet, Rose Elliot, writes to her brother and musicology student in Rome, Mark, about the startling findings in the dark and dank basement of her New York Art Deco apartment building. Pivoting around the cryptic knowledge hidden in the leather-bound book entitled "The Three Mothers", Rose is convinced that her aristocratic but damned abode is, in fact, an ancient coven for Mater Tenebrarum, the malevolent Mother of Darkness. Little by little, as the siblings delve deeper and deeper into the occult, a mysterious disappearance and an endless string of gruesome killings will bring Mark closer and closer to a surreal nightmare. Where do the long and shadowy corridors of Rose's building lead?Written by
Legendary Italian horror director Mario Bava assisted with the making of the special effects on this film. Bava passed away shortly before its release. See more »
In the scene where Kazanian is investigating a noise in his shop, he is shown reaching towards the table closest to him. As he's reaching down, his right crutch falls from under his arm. However, in the next mid-shot of him backing towards the bookshelf behind him, the right crutch is just starting to fall from under his arm. See more »
Have you ever heard of the Three Sisters?
You mean those black singers?
No, I'm talking about mythology.
Hold on, if you're talking about spooks and stuff, I don't believe in any of that.
How can you be so sure?
I don't believe in such things, that's all, and without any philosophical discussion.
Then what do you believe in?
In whatever I can see and touch.
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For its UK cinema release cuts were made to shots of a cat eating a live mouse. The Fox video was cut by 20 secs with the same cinema cut plus an additional edit to a closeup of a cat's head being hit against a chair. The cuts were fully waived for the 2010 Arrow DVD. See more »
Beautiful and chilling follow-up to Argento's classic Suspiria (1977) is an underrated film and one that Argento himself declares to be his 'purest' work!
Music student receives troubling news from his sister and travels to New York, where he discovers sinister evils at work.
Many critics have said that this film lacks sense in the storyline, but it's actually a more coherent story than they would have you think. The story does evoke a dark world of its own, taught with suspense and a touch of the surreal. Naturally, the greatest thing about this film is of course Argento's wonderful style! Agrento again flairs his colorful direction with excellent camera work, lavish uses of color and lighting, unique set pieces, and an atmosphere of sheer terror! Keith Emerson also lends a hand with his dramatic and stunning music score.
The cast is great, attractive leads McCloskey, Miracle, and Giorgi being the best.
For Argento fans, Inferno is everything you could want! It packs all the delightful trademark style we have come to love from this great director. It won't be for all tastes, but genre fans may just find it to be a truly colorful and chilling gem!
**** out of ****
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