6.1/10
370
13 user 6 critic

Foolin' Around (1980)

A working-class boy falls for a girl from a wealthy family, and must compete for her with a rich boy who also wants her.

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(as Mike Kane),
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Cast

Cast overview, first billed only:
... Wes
... Susan
... Whitley
... Daggett
... Samantha
... Peddicord
... Clay
Shirley Kane ... Aunt Eunice
... Bronski (as W.H. Macy)
Beth Bosacker ... Rickie
... Blue
Gene LeBell ... Paul
Susan Bishop
Reuben Singer
Thomas V. Mikkelsen
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Storyline

College student Wes agrees to be a test subject in a psychological experiment involving shock treatments. The experiment goes wrong, but he and the cute scientist Susan who performed the experiment hit it off right away. Unfortunately, she's already engaged to a sleazy rich guy called Whitley whom her elitist mother adores. Wes and Susan get some help in dealing with the situation from her down-to-earth rich granddad who suspects Whitley is only with Susan for her money.

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Taglines:

The All-Star Comedy Hit! See more »

Genres:

Comedy | Romance | Sport

Certificate:

PG
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Details

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Release Date:

19 December 1980 (South Korea)  »

Also Known As:

Amor por sorpresa  »

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Did You Know?

Trivia

The picture was filmed entirely in the American state of Minnesota. See more »

Quotes

Daggett - a retired tycoon, Susan's grandfather: [Daggett to Wes] Your dog can be a friend, booze can be your friend, but if you have a girl for a friend you'll end up drunk kissing your dog.
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Connections

Referenced in Midnight Screenings: The Gingerdead Man (2017) See more »

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User Reviews

Hilarious, Old-Time Film With Great Supporting Performances
13 June 2003 | by See all my reviews

This little seen film, which I caught for the first time over twenty years ago, is a wonderful throwback to 1930's screwball comedy in more ways than one. Young hick (Busey) starts college at the University of Minnesota, and falls in love with debutante O'Toole, despite her mother's intentions to marry her to society dolt Calvin. What ensues are a series of pratfalls and slapstick bits that, while not terribly deep, are nonetheless quite funny. More importantly, Busey and O'Toole are so damn likeable, you really do want them to fall in love.

But, like all great 1930s comedies, what makes the film sparkle is not the lead performances (in the 30s, these were usually played by likeable ingenues without much depth), but by the character actors who formed the background for the story. This film is no different in that the film is practically stolen from the leads by three splendid supporting performances -- Cloris Leachman as O'Toole's society-conscious mother, Eddie Albert as O'Toole's crusty grandfather and Busey's boss, and especially Tony Randall as Leachman's butler. Randall's performance deserves special note because his stiff demeanor is beautifully contrasted with his profane and off-color dialogue (the final words we hear from him, behind closed doors, almost made me fall off my chair laughing).

While no masterpiece, this is a wonderful picture to watch if you'd like a brief look at a long lost style of filmmaking.


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