Un inspecteur de police s'infiltre dans la sous-culture homosexuelle S&M de New York pour attraper un tueur en série qui s'attaque aux homosexuels.Un inspecteur de police s'infiltre dans la sous-culture homosexuelle S&M de New York pour attraper un tueur en série qui s'attaque aux homosexuels.Un inspecteur de police s'infiltre dans la sous-culture homosexuelle S&M de New York pour attraper un tueur en série qui s'attaque aux homosexuels.
- Récompenses
- 5 nominations
Ed O'Neill
- Det. Schreiber
- (as Edward O'Neil)
Histoire
Le saviez-vous
- AnecdotesTwo of the notorious gay bars featured in the film - Mine Shaft and Eagle's Nest - eventually barred William Friedkin.
- GaffesThe medical examiner discusses the serrations in the wounds of a murder victim but the killer did not use a serrated knife on him.
- Citations
Steve Burns: Hips or lips?
- Crédits fousThe film only opens with the title in large letters, across the screen. It is only at the end where the filmmakers are credited.
- Versions alternativesUK cinema and 1987 video versions were cut by 54 secs by the BBFC. The 1997 Maverick Directors video release was cut by 39 seconds to remove subliminal shots of anal sex during the murder scenes (one of which appears in the film though heavily darkened) and to edit a pan shot of a gay bar interior and shots of a knife being traced over a bound victims body. Although the uncut version was shown by Sky TV the film was resubmitted to the BBFC in 2003 for a FilmFour showing and many cuts were restored apart from a 1 sec edit to remove the subliminal shots. For the initial release on UK DVD in 2008 all the cuts were waived.
- Bandes originalesThree-Day Moon
Performed by Barre Phillips
Commentaire à la une
The 80's had it
What strikes me while watching the film, is that truth to reality is really refreshing. No editing in the world can make up to a camera catching a dark, rainy street as they could back in those days when equipment was not developed. Aristoleles claimed that cruelty should be committed outside the scene, that is, in the background. The imagination of the spectator is far more imaginative than a view of the actual event. Therefore, leaving out is stronger in terms of storytelling than showing. Quite the contrary to contemporary movies, I'd say. The advantage of this story is thus the suspense built up on lack of knowledge. There is no flirting with the audience; you do not know in advance who dunnit. There is no flirting with the audience on the task of staging one of the protagonists as a gay either. This is not the greatest movie, but really worth seeing.
utile•194
- lisa-rolfy
- 3 mars 2018
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Détails
Box-office
- Budget
- 11 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 19 798 718 $US
- Montant brut mondial
- 19 815 314 $US
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What was the official certification given to Cruising - La Chasse (1980) in Japan?
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