Long Weekend (1978)

When a suburban couple go camping for the weekend at a remote beach, they discover that nature isn't in an accommodating mood.

Director:

Colin Eggleston

Writer:

Everett De Roche (original screenplay)

Stars:

John Hargreaves, Briony Behets, Mike McEwen

5 wins.

Cast

Complete credited cast:
John Hargreaves	...	Peter
Briony Behets	...	Marcia
Mike McEwen	...	Truckie
Roy Day	...	Old Fisherman
Michael Aitkens	...	Barman
Sue Kiss von Soly	...	City Girl

Storyline

When a suburban couple go camping for the weekend at a remote beach, they discover that nature isn't in an accommodating mood.

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Plot Keywords:

camping | death | human versus animal | wilderness | man versus nature | 

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Taglines:

a trip that becomes a nightmare... (U.K. Theatrical)

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Genres:

Horror | Mystery | Thriller

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Certificate:

Not Rated

Details

Country:

Australia

Language:

English

Release Date:

29 March 1979 (USA)

Also Known As:

Largo fin de semana

Filming Locations:

Tasmania, Australia

Box Office

Budget:

AUD 270,000 (estimated)

Company Credits

Production Co:

Dugong Films,The Australian Film Commission,Victorian Film

Technical Specs

Runtime:

97 min (original)

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

This movie was a failure at the box-office in Australian. It was also not nominated for any Australian Film Institute (AFI) Awards in a very competitive year. However, the film fared better critically and commercially outside of Australia and won some awards at some film festivals, mainly ones that specialized in the fantasy/science-fiction/horror genres.

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Quotes

Peter: Saw another car down the end of the beach, thought we had the place to ourselves. Look what's shitting you anyway?
Marcia: I told you I've got a splitting...
Peter: No I mean what's really shitting you
Marcia: I'm bored
Peter: Well christ whose bloody faults that get off your arse and do something instead of smoking cigarettes and reading dirty books, amuse yourself
Marcia: I wanted to go to Eildon remember
Peter: Oh alright then take the car and piss off, go on piss off
Marcia: Peter I'm not the type for crapping in the sunshine and yearning ...
[...]

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Crazy Credits

The closing credits appear over a shot of the wilderness vegetation growing around the harpoon impaling Marcia.

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Connections

Featured in Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008)

User Reviews

After continuous abuse, mother nature gets even!

A feuding yuppie couple whose marriage is slowly falling apart set out on a camping trip along a remote Australian coastline to hopefully rekindle their love. While, the husband is all geared up for the adventure with his new equipment, his wife would prefer to be at luxurious hotel. But this trip doesn't all go to plan with their constant friction getting even worst and they seem to take their stress out on the ecosystem. This reckless discard to the environment is soon reversed when nature decides to give a little back to its selfish protagonists.

Now this is want you call a man vs. nature film! And a real merciless one too! This low-budget, under-appreciated (if forgotten) Australian gem is far from your typical excursion into horror with a melodramatic backdrop involving the couples' martial problems, but the way the insightful story folds out you can't deny that this isn't one horrifying exercise when nature finally unleashes its devastating power with such an claustrophobic strangle hold. You might think the idea in this particular sub-genre would be hokey and overall, a campy b-grade animal feature, but here that's not the case because there's nothing cheap about the story and thrills, as it goes for some old fashion spookiness and slow grinding suspense, where we are asked to think about the couples' careless actions towards nature and the environmental message. There's a little bit more going on in the film's material and visuals then you might think and it does play on your mind with it's disorientating atmosphere.

The story slowly delivers in spurts a heavy amount of unbearable suspense and startling images that have a real unnerving effect with its terribly, uncomfortable mood. The nagging couple here are very obnoxious and a long way from likable, but they aren't suppose to be! The anger towards them is justified because they're the villains of this piece and we continuously witness their lack of respect for the surroundings. What nature has in store for them is powerfully effective and we can't help but be drawn into the brooding mystery of how its going to play out.

The picturesque location for the film is simply exquisite with the sprawling beach line and flourishing vegetation and wildlife. The way it can suddenly turn aggressive and change appearance after only being peacefully luminous (such in the weather and environment) makes it incredibly eerie, as you don't know what's up coming next. What caught this development was the hypnotic cinematography (done in anamorphic widescreen) that brought the wildlife off the screen with it's incredibly spacious execution and swift movement in following the couple around and great panning that captures all the small things. It has a semi-documentary feel about it. The foreboding sound effects of the nightlife really do have a strong impact on your senses with the jerky and high-pitch sensation eating away at you with such well placed tension and strange noises that won't let you escape. Also the quiet moments, since the dialogue is rather sparse, builds up the harrowing situation they're faced with. The hauntingly, charged score by Michael Carlos is just like a ticking time bomb waiting to explode with it's imminent dread and the tight editing nicely keeps the film moving until it reaches boiling point in the third act with an ending that shocks.

The screenplay by Everett De Roche (Patrick, Road Games, Harlequin & Razorback) is an intelligent look at the relationship between the carelessness of mankind and the suffering of nature, which it does takes its time in delivering justice. The plot's focus on the couples' marriage, which is on the rocks is an good companion piece with their inconsiderable intrusion on nature where they believe their own problems are more important and think less of their surroundings. The performances are astoundingly, realistic in their interactions by John Hargraves as the arrogantly, destructive Peter (who has a better connection with his dog) and Briony Behets as selfishly, close-minded Marcia. This is one stuck up couple you like to see crash and burn, and nature provides that wish.

'Long Weekend' is an sincere, atmospheric revenge tale with a ironically dour twist. It's a very well made production that maximizes its chilling backdrop, petering tension and stimulating concept to send chills down your spine.