Ted Kramer's wife leaves him, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
Ted Kramer is a career man for whom his work comes before his family. His wife Joanna cannot take this anymore, so she decides to leave him. Ted is now faced with the tasks of housekeeping and taking care of himself and their young son Billy. When he has learned to adjust his life to these new responsibilities, Joanna resurfaces and wants Billy back. Ted, however, refuses to give him up, so they go to court to fight for the custody of their son.Written by
Leon Wolters <wolters@strw.LeidenUniv.nl>
When Billy wakes Ted the morning after the separation, there is a yellow Trimline phone on the bedside table. Later that morning, when Ted calls home from the office, there is now a beige Princess-style phone sitting on the bed. See more »
Brilliantly acted. Not sure how I feel about the ending, but the whole film certainly leaves a lot to chew on
On the one hand Joanna is a fascinating character-an enigma, full of pain and repressed desires. Yet at the same time I can't help but wonder if the film, by leaving her to the bookends, reduced her to the mere emotional and irrational woman trope, saved at the end by the easily redeemed (it is admittedly a poignant journey through parenthood) formerly absent husband and father. This issue aside, it's certainly clear at least that each and every individual scene is written and acted marvelously.
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