Claude Bukowski leaves the family ranch in Oklahoma for New York where he is rapidly embraced into the hippie group of youngsters led by Berger, yet he's already been drafted. He soon falls in love with Sheila Franklin, a rich girl but still a rebel inside.
Unable to deal with her parents, Jeannie Tyne runs away from home. Larry and Lyne Tyne search for her, and in the process meet other people whose children ran away. With their children gone... See full summary »
A factory manager in rural Czechoslovakia bargains with the army to send men to the area, to boost the morale of his young female workers, deprived of male company since the local boys have... See full summary »
Director:
Milos Forman
Stars:
Hana Brejchová,
Vladimír Pucholt,
Vladimír Mensík
A young black pianist becomes embroiled in the lives of an upper-class white family set among the racial tensions, infidelity, violence, and other nostalgic events in early 1900s New York City.
Director:
Milos Forman
Stars:
James Cagney,
Elizabeth McGovern,
Howard E. Rollins Jr.
France before 1789: When a widow hears that her lover is to marry her cousin's daughter, she asks the playboy Valmont to take the girl's virginity. But first she bets him, with her body as prize, to seduce a virtuous, young, married woman.
Eight acclaimed filmmakers bring their unique and differing perspectives to the 1972 Summer Olympic Games held in Munich. The segments include Claude Lelouch's take on Olympic losers and ... See full summary »
The life, success and troubles of Wolfgang Amadeus Mozart, as told by Antonio Salieri, the contemporaneous composer who was insanely jealous of Mozart's talent and claimed to have murdered him.
Director:
Milos Forman
Stars:
F. Murray Abraham,
Tom Hulce,
Elizabeth Berridge
This movie, based on the cult Broadway musical of the 60s, tells a story about Claude, a young man from Oklahoma who comes to New York City. There he strikes up a friendship with a group of hippies, led by Berger, and falls in love with Sheila, a girl from a rich family. However, their happiness is short because Claude must go to the Vietnam war.Written by
Dragan Antulov <dragan.antulov@altbbs.fido.hr>
In Spain, a subtitled version played only in Madrid, at the Artistic Metropol, for 2 days. See more »
Goofs
Bukowski would never be sent from Oklahoma to New York City to complete his physical or be processed prior to his entry into the Army. That would be done regionally, and he would have actually gone somewhere much closer to his home. See more »
Quotes
'Aquarius' soloist:
[In song]
When the moon is in the seventh house and Jupiter aligns with Mars, then peace will guide the planet and love will steer the stars. This is the dawning of the age of Aquarius.
See more »
Yes, HAIR came out in the late 70's. But please don't call it a "disco-era" musical; there isn't a single thing in it that would suggest any detraction from its 1968 period. Judge it on its own merit; too often, a movie is compared to its stage roots and is inevitably crucified. As it is, the film plays out like one long, fantasy trip (whether that trip is substance-enhanced or not is your call)- starting with the "Aquarius" sequence and continuing on to the marvelous set pieces for "Manchester England," "Ain't Got No," "I Got Life," and best of all, the "Electric Blues"/"Hare Krishna" fantasy which shows lovers John Savage and Beverly D'Angelo literally flying through their own wedding ceremony. (BTW, the woman singing "Aquarius" in the film's opening is not Melba Moore, but Ren Woods- a wonderful singer-actress seen a lot on TV in the 70's, and star of the Los Angeles production of "The Wiz.") The opening Twyla Tharp corps-de-ballet shot right on the Central Park grounds- with Woods' solo in a dizzying 360 camera pan- is an awesome start to a rock-infested musical. Ms. Moore (who performed in the original Broadway HAIR) appears later in the film singing "3-5-0-0" with Ronnie Dyson in the war protest scene shot in Washington, DC. And there are moments- like the "Walking In Space" basic training sequence or the simple close-up on Cheryl Barnes's torch solo "Easy To Be Hard-" which are just plain astonishing.
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Yes, HAIR came out in the late 70's. But please don't call it a "disco-era" musical; there isn't a single thing in it that would suggest any detraction from its 1968 period. Judge it on its own merit; too often, a movie is compared to its stage roots and is inevitably crucified. As it is, the film plays out like one long, fantasy trip (whether that trip is substance-enhanced or not is your call)- starting with the "Aquarius" sequence and continuing on to the marvelous set pieces for "Manchester England," "Ain't Got No," "I Got Life," and best of all, the "Electric Blues"/"Hare Krishna" fantasy which shows lovers John Savage and Beverly D'Angelo literally flying through their own wedding ceremony. (BTW, the woman singing "Aquarius" in the film's opening is not Melba Moore, but Ren Woods- a wonderful singer-actress seen a lot on TV in the 70's, and star of the Los Angeles production of "The Wiz.") The opening Twyla Tharp corps-de-ballet shot right on the Central Park grounds- with Woods' solo in a dizzying 360 camera pan- is an awesome start to a rock-infested musical. Ms. Moore (who performed in the original Broadway HAIR) appears later in the film singing "3-5-0-0" with Ronnie Dyson in the war protest scene shot in Washington, DC. And there are moments- like the "Walking In Space" basic training sequence or the simple close-up on Cheryl Barnes's torch solo "Easy To Be Hard-" which are just plain astonishing.