Jonathan Harker begets the ire of Count Dracula after he accepts a job at the vampire's castle under false pretenses, forcing his colleague Dr. Van Helsing to destroy the predatory villain when he targets Harker's loved ones.
Count Dracula, a gray-haired vampire who regains his youth by dining on the blood of maidens, is pursued in London and Transylvania by Professor Van Helsing, Jonathan Harker and Quincey Morris after he victimizes them and their loved ones.
When Castle Dracula is exorcised by the Monsignor, it accidentally brings the Count back from the dead. Dracula follows the Monsignor back to his hometown, preying on the holy man's beautiful niece and her friends.
A young man, Paul Carlson, is on a trip and spends the night at Count Dracula's castle. He is murdered. After some time has passed, the young man's brother Simon comes to the small town where all the traces end to look for him.
Roy Ward Baker
Three distinguished English gentlemen accidentally resurrect Count Dracula, killing a disciple of his in process. The Count seeks to avenge his dead servant, by making the trio die in the hands of their own children.
When a ship is wrecked off Whitby, the only survivor, Count Dracula, is discovered lying on the beach by the sickly young Mina Van Helsing, who is visiting her dear friend Lucy Seward. Lucy, her fiancé Jonathan Harker (a solicitor), and her father Dr. Jack Seward (who runs the local asylum) try to make the Count feel welcome to England. The Count quickly takes the life of Mina, and proceeds to romance Lucy, with the intention of making her his greatest bride. Soon after the death of Mina, the Sewards call her father Dr. Abraham Van Helsing to come to their home. As Lucy falls deeper under the spell of the Count, Dr. Van Helsing almost immediately comes to understand that his daughter fell prey to a vampire and discovers the culprit to be none other than the Count himself. Dr. Van Helsing, Dr. Seward, and Harker work together to foil the Count's plans to take Lucy away to his native Transylvania.Written by
Hillary Glendinning (email@example.com)
Frank Langella suffers from an eye condition called nystagmus, which causes one's eyes to move involuntarily. The producers were aware that this might detract from the menace he was able to portray in the role, but cast him anyway, as they trusted in his overall screen presence to make the role work. In many scenes, his eyes are seen to be moving erratically, while in other scenes, he can be observed to be keeping them still, either through force of will, or by focusing on objects in the distance. See more »
After the vampire woman jumps through the window, Annie chases her down the corridor. Approaching the window (from her POV) we can see that the central part of the broken frame is dangling, and swinging from side to side. The view switches to outside the window (looking into the building), and the broken frame is suddenly no longer swinging. See more »
Director John Badham intended to film the movie in black and white but was forced by the studio to shoot in Technicolor. When the movie was re-released on laserdisc in 1991, at the behest of Badham, the lush color was drained from the film. All subsequent home video releases feature the desaturated print. See more »
It is surprising to me that, given the popular and critical praise so many mediocre vampire movies have received( this includes the badly dated Hammer flicks), this movie is often dismissed as minor and forgettable. While it is true that the definitive version is still Coppola's 1992 film, this overlooked gem deserves much more attention and praise than it currently gets.
It was possibly the first vampire movie to play up the romantic and sexual implications of the vampire legend, while at the same time remaining faithful to the underlying idea of Stoker's novel( that is, a fight between good and evil). It is worth pointing out that the film depicts count Dracula as a good looking, seductive and charming aristocrat, rather than an impulsive blood-thirsty creature. He is a broody, lonely character, seeking for a female partner with whom share his everlasting loneliness, something he seems to find in the form of Lucy Seward, an independent and strong-willed Victorian lady.
But the fact that this Dracula has a romantic strain to him does not conceal his ultimately evil nature. He consciously seduces and attacks ill, defenseless Mina just for the excitement of it. When Dr Van Helsing meets her at the graveyard galleries, she is no longer that frail but charming girl, but a deathly-pale,putrid, disgusting figure. That is what Dracula's hobby implies.
Badham does an excellent job. He effectively uses Gothic imagery and low key lightning to create an eerie and slightly surreal atmosphere.But what really stands out in this version is the cast. Everyone fits their role perfectly.Langella plays a seductive count. Olivier,inspired by Cushing's performance in 1958 Dracula, puts in a riveting performance as a frail, tortured Van Helsing, with an emotional stake in the story (pun intended). Kate Nelligan( a fine Canadian supporting actress,also starring in Eye of the Needle) delivers a fresh performance. Even Harker's character , which is usually the main casting weakness when it comes to Dracula movies, is quite well handled here, played by an actor with the right appearance.
There are minor flaws, the most important of them being a lack of screen time devoted to the romance and a muddled color scheme, but this film is nevertheless worth a look, an engaging retelling of the classic horror tale with a poetic, broody edge to it.
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