Demon Pond (1979) User Reviews

stunning

[pyamada · 8/10 · 25 March 2002]

This film has shown in the United States as Demon Pond. One part ghost story (with echoes of the Japanese classic, Ugetsu), one part a distinctly Japanese version of a "weird tale", and one part drawn from Japanese fairie tales and children's stories, much of the action is a vehicle for Bando, perhaps the most accomplished actor/female impersonator in Japanese theater and kabuki in the last 30 years. It is virtually impossible to tell that he is a man, playing a female role. More theatrical than scary, the film is still sometimes creepy and very imaginative visually. For those who are interested in Bando, Daniel Schmid made a "documentary" about him, The Hidden Face, which is well worth seeing. In all, this is an excellent example of superior recent Japanese film that has more aspirations to entertain than to be art, but entails both.

A unique and sensual fantasy, definitely worth discovery

[Chesnaye · 7/10 · 22 January 2001]

"Demon Pond" is an wonderfully and stylishy presented allegorical fantasy. Its sudden (conscious) transition to artifice will catch you off guard, and may ruin things for those who are accustomed to more realistic narrative. But those willing to drift into a world of crab-humans, "mud people," and other admittedly Roger Corman-esquire creatures will enjoy this film's lush images. When critics refer to Ang Lee's gravity-defying romance/fantasy "Crouching Tiger, Hidden Dragon" as "the reason we go to the movies," they could very well use "Demon Pond" as another example. Despite its theatrical nature at times, it's full of otherworldly sensual pleasure that you could only get from a film. The mise-en-scene is exquisite, the eerie soundtrack unlike anything you've heard in a movie. The special effects at the end are breathtaking if you've escaped from your seat and managed to float into the world of the film...and don't let the occasionally silly subtitling ruin this two-hour fantasy. On top of it all, there are metaphors and themes to be uncovered everywhere. See this one on 35mm if you can!

Yashagaike still unavailable.

[SUBFUSC38 · 8/10 · 22 January 2005]

YASHAGAIKE (Demon Pond) has been missing from the Home Video Market for far too long (as in forever). How very strange that one of the few examples of Bando Tamasaburo's art, and perhaps his most accessible to the west, is so little known. I first saw this film on the late-lamented "Z Channel" in Los Angeles in the early 1980's and have always wanted to become reacquainted with it. If memory serves, it was such a surprise to see so many genres, visual styles of scenery, costume, lighting and period assembled with such naiveté in one film. Perhaps that is one of the reasons that it is not readily available. Also, my one viewing on television gave the impression of already fading non-technicolor processing. I hope that this is wrong. Yet, anyone who has seen "Das Geschriebene Gesicht" by Daniel Schmid (only available on PAL at the present), or Tamasaburo's collaboration with Yo-Yo-Ma in his Bach series will be anxious to see anything by the great Kabuki onnagata. Perhaps "Natassia" will appear some day.

First Major Japanese Film I Translated

[Constable-Plod · 10/10 · 2 March 2021]

Others here have described the film more than adequately, all I have to add is that of Feb 2021, Shochiku have announced that it will be digitally remastered and re-issued. I hope I get a chance to rework the subtitles!

Back in those days, when videotape wasn't readily available, we sat in a screening room, watched the film, made notes and received an audio tape of the dialogue to work on back at home - using audio cassette player, the original (often uncorrected) Japanese script and a typewriter. As you can imagine, it was difficult, if not impossible to remember all the actions and nuances that must be addressed to make the subtitles work seamlessly, especially since Japanese can be very vague at times, often leaving out the subject, or the object of a sentence, so he/she, or here/there, that/this must often be guessed at. It was always a painful experience to watch the complete subtitled film, surrounded by the producers and usually the director, continually wincing at what must have looked like simple translation errors.

Anyway, I hope you enjoy the remastered masterpiece by often underrated genius of Japanese cinema, Shinoda Masahiro.

One of my favorite films of all time, along with Cocteau's Orphee.

[rebeccachamberlain-33354 · 10/10 · 26 July 2016]

I am on a quest to find American distribution of the Japanese film, Yasha-ga-ike (1979) Demon Pond, by Director, Masahiro Shinoda.

Summary: It is an extraordinary and beautiful cinematic experience. It was artistically, emotionally, and imaginatively powerful. I was drawn into the film, like the main character is drawn into the magical realm of the "Lady of the Lake." It is a transcendent adventure story and romance, that evokes the relationship between humans and the natural world, and everyday life and the life of the imagination. I was transformed by the magic of the film.

I rate it as one of my favorite films of all time, along with Cocteau's Orphee.

I saw the film in the 1980's,in the Toyo Theater (a Japanese Theater) in Seattle. The Toyo Theater no longer exists. I have looked a number of times, but I can't find the film anywhere. I know that it played in Seattle again at an Art Museum in the 1990's, but I wasn't able to see it then.

I would also like to show Yasha-ga-ike to students, and perhaps combine it with Ugitsu, or Orphee.

I would love to see the film again. Does anyone know where or how to find it in America?

a strange fable, in need of rediscovery

[mjneu59 · 8/10 · 13 November 2010]

Myth and superstition hold center stage in Masahiro Shinoda's fantastic tale of a haunted mountain lake in the remote Japanese hinterland, home of the beautiful Dragon Queen and her myriad spirit consorts. While investigating an obscure reference on a pre-war map of the region, a traveling schoolteacher happens upon a nearby village where the inhabitants suffer a terrible drought rather than disturb the underwater demon, whose release is checked by the ritual sounding of a sacred bell. The film moves from magic realism to theatrical stylization and back again as the boundary between the natural and the supernatural slowly narrows and disappears, until the ignorant and bitter villagers finally unleash an apocalypse which has to be seen to be believed. It's an accomplished and often extraordinary blend of mystery, legend, humor and horror, featuring an appropriately odd (but now sadly dated) Moog synthesizer soundtrack by Isao Tomita.

Cinema adaptation of a stage play

[Leofwine_draca · 5/10 · 9 August 2021]

Another adaptation of a famous Japanese play; I previously saw this as a stage version filmed by Takashi Miike. The 1979 is far superior, with a proper cinematic feel and a wealth of special effects work - a lot of it dated, it has to be said - to see it through. It starts off strongly with plenty of eerie atmosphere but then gets bogged down in the next hour with a lot of small talk and conversation that goes nowhere. There are some weird scenes that reminded me of a YOKAI MONSTERS movie and then a classic disaster-style climax which really ramps things up. Overall it's too overlong in the mid section to be truly successful, but fans of Japanese folklore will like it.

For sheer unbridled culture shock there is nothing like Japanese cinema

[staffba3 · 13 March 2003]

For sheer unbridled culture shock there is nothing like Japanese cinema. I have one friend who gave me a series of films about a team of crack Japanese school girls who battle crime with a variety of lethal yo-yos. Another friend dragged me kicking and screaming to the Somerville Theater (back during its brief incarnation as an Art-House) to see Demon Pond, based on a popular play by B. K. Izumi and directed by Masahiro Shinoda. It's the story of a university student who travels to a small town in search of his professor, who left the university without word some years before. The professor is found living with his wife in a small house by a pond outside the village. He had promised a dying man that he would ring a large bell twice a day to prevent the demons from escaping from the pond and destroying the nearby village. The professor doesn't really believe in the demons, or the bell, but the problem with cynicism is that you can never rely upon it in a crunch (cause a true cynic can't really believe in cynicism either), so twice a day he's been ringing the bell, just in case. The townspeople don't believe in demons either, and there is grumbling that all this bell ringing is somehow the cause of the drought which has been plaguing the town for over a year. In the middle of all this controversy appears a pair of crustaceans with their own argument which carries over into the pond, where you meet the court of the Dragon Princess, who is trying to escape the pond to be with her boyfriend who's trapped in another pond. The Dragon Princess and the Professor's wife are played by a man, Tamasaburo Bando (one of Japan's most famous Kabuki players) and many of the scenes are staged in the Kabuki tradition, especially the scene in the pond (which resembles a Kabuki version of Pee-Wee's Playhouse) and an extremely elaborate tea ceremony (which goes on so long I was left thinking that the tea couldn't possibly still be hot.) Eventually the villagers take action, convince the professor to stop ringing the bell by threatening to tie his wife to a cow and send it careening into the pond. Cynicism loses in a spectacular demonstration of the consequences of messing with pond demons. I actually ended up going to see this film a second time, dragging some of my other friends kicking and screaming to the Somerville Theater. After all, the most fun you can have with foreign film is inflicting them on others.

Ahead of its time

[maraldi-67949 · 10/10 · 22 December 2022]

Tamasaburo plays both leading ladies in this fantasy. Two worlds meet in it-the mundane humans on dry land and the crustaceans and dragon under the pond's surface. I remember a crab and a lobster conversing over current events. Most memorable and beautiful is a romantic scene between the lady on dry land and her husband. It's a build up to only a kiss, but the sexual and emotional tensions acted out sticks in your mind.

I viewed this film with a Japanophile at Japantown sometime in the mid eighties. It was available on VHS at Tower records, and watched it several times with uninitiated friends, keeping silent about the gender of Tamasaburo, to see if they would notice. Great memories.

Romantic Yokai

[edwardfuente-72762 · 8/10 · 11 August 2023]

Melancholy is the key word in this perhaps most beautiful yokai movie. The yokai (incarnated spirits of nature) may play second fiddle to a more down-to-earth plot about friendship versus love, but the fantastic atmosphere is there from the start. Handsomely shot outdoors, the valley (and of course, the eponymous pond) remain the main centre of interest, if only visual, as well as its ultimate fate. Plus music by Isao Tomita. Lovely movie. Give it a spin.

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