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Apocalypse Now (1979)

R | | Drama, War | 15 August 1979 (USA)
Trailer
1:30 | Trailer

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During the Vietnam War, Captain Willard is sent on a dangerous mission into Cambodia to assassinate a renegade Colonel who has set himself up as a god among a local tribe.

Director:

Francis Ford Coppola (as Francis Coppola)

Writers:

John Milius, Francis Ford Coppola (as Francis Coppola) | 1 more credit »
Popularity
300 ( 21)
Top Rated Movies #50 | Won 2 Oscars. Another 18 wins & 31 nominations. See more awards »

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Cast

Cast overview, first billed only:
Marlon Brando ... Colonel Walter E. Kurtz
Martin Sheen ... Captain Benjamin L. Willard
Robert Duvall ... Lieutenant Colonel Bill Kilgore
Frederic Forrest ... Jay 'Chef' Hicks
Sam Bottoms ... Lance B. Johnson
Laurence Fishburne ... Tyrone 'Clean' Miller (as Larry Fishburne)
Albert Hall ... Chief Phillips
Harrison Ford ... Colonel Lucas
Dennis Hopper ... Photojournalist
G.D. Spradlin ... General R. Corman
Jerry Ziesmer ... Jerry, Civilian
Scott Glenn ... Lieutenant Richard M. Colby
Bo Byers Bo Byers ... MP Sergeant #1
James Keane ... Kilgore's Gunner
Kerry Rossall ... Mike from San Diego
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Storyline

It is the height of the war in Vietnam, and U.S. Army Captain Willard is sent by Colonel Lucas and a General to carry out a mission that, officially, 'does not exist - nor will it ever exist'. The mission: To seek out a mysterious Green Beret Colonel, Walter Kurtz, whose army has crossed the border into Cambodia and is conducting hit-and-run missions against the Viet Cong and NVA. The army believes Kurtz has gone completely insane and Willard's job is to eliminate him. Willard, sent up the Nung River on a U.S. Navy patrol boat, discovers that his target is one of the most decorated officers in the U.S. Army. His crew meets up with surfer-type Lt-Colonel Kilgore, head of a U.S Army helicopter cavalry group which eliminates a Viet Cong outpost to provide an entry point into the Nung River. After some hair-raising encounters, in which some of his crew are killed, Willard, Lance and Chef reach Colonel Kurtz's outpost, beyond the Do Lung Bridge. Now, after becoming prisoners of Kurtz, will... Written by Derek O'Cain

Plot Summary | Plot Synopsis

Taglines:

The Horror. . . The Horror. . .

Genres:

Drama | War

Motion Picture Rating (MPAA)

Rated R for disturbing violent images, language, sexual content and some drug use | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

American Zoetrope

Country:

USA

Language:

English | French | Vietnamese

Release Date:

15 August 1979 (USA) See more »

Also Known As:

Apocalypse Now: The Complete Dossier See more »

Filming Locations:

Philippines See more »

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Box Office

Budget:

$31,500,000 (estimated)

Opening Weekend USA:

$118,558, 19 August 1979, Limited Release

Gross USA:

$83,471,511
See more on IMDbPro »

Company Credits

Production Co:

Zoetrope Studios See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (Redux) | (workprint)

Sound Mix:

70 mm 6-Track (70 mm prints)| Dolby Digital (Redux version)| Dolby Stereo (35 mm prints)| DTS (Redux version)

Color:

Color (Technicolor)

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

The poem quoted by The Photojournalist (Dennis Hopper) (the line about "a pair of ragged claws") is from the poem "The Lovesong of J. Alfred Prufrock" by T.S. Eliot. See more »

Goofs

When Bill Kilgore asks about the 6 foot peak, he asks Mike about the point. Earlier, Kilgore introduces Lance Johnson to Johnny from Malibu and Mike from San Diego and Johnny is really the one he asks, not Mike. See more »

Quotes

[first lines]
Willard (voice-over): Saigon... shit; I'm still only in Saigon... Every time I think I'm gonna wake up back in the jungle.
Willard (voice-over): When I was home after my first tour, it was worse.
[grabs at flying insect]
Willard (voice-over): I'd wake up and there'd be nothing. I hardly said a word to my wife, until I said "yes" to a divorce. When I was here, I wanted to be there; when I was there, all I could think of was getting back into the jungle. I'm here a week now... waiting for a mission... getting softer. Every minute I stay in this room...
See more »

Crazy Credits

There are no opening credits in the film. The title can be seen as graffiti in the Kurtz compound late in the film. See more »

Alternate Versions

There are four different treatments of the end credits, all four are available in different VHS, laserdisc, DVD and TV prints of the film......
  • When the film premiered in a limited 70mm format, it had no beginning or end credits, nothing but a one-line Omni Zoetrope copyright notice at the end. Programs were passed out to theatre goers in lieu of any credits (this ending was used for the theatrical cut featured on the 2011 Blu-Ray release).
  • When the film went into its wide release its format was 35mm. This version included end credits rolling over surrealistic explosions and burning jungle, showing the Kurtz compound being destroyed (included as a deleted scene on the 2011 Blu-Ray release, with optional commentary from Coppola).
  • When Coppola heard that people were assuming that the explosions during the end credits of the 35mm version meant that an air strike had been called in on the Kurtz compound (which is not what he wanted audiences to think) he quickly re-edited the 35mm version to have the end credits rolling over a simple black background and a slightly altered musical score.
  • The "Redux" version also has the end credits over a black background but in different screen fonts and including additional "Redux" inserted cast members.
See more »

Connections

Referenced in Big Wolf on Campus: Apocalypse Soon (2000) See more »

Soundtracks

(I Can't Get No) Satisfaction
Written by Mick Jagger and Keith Richards
Performed by The Rolling Stones
Courtesy of ABKCO Records
See more »

Frequently Asked Questions

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User Reviews

 
You love it, or you hate it....
25 June 2001 | by Cinema_HoundSee all my reviews

As I peruse through the hundreds of comments that loyal readers of the IMDB have posted on this film, I find it very interesting how few ,"middle of the road" comments there are. Everyone either loves it, or they hate it. Having seen Apocalypse Now approximately 30 times, and having recently dissected it on DVD (how did we ever live without those magical digital machines?????), I can say without hesitation that I am one of those who have a very special place in my heart for this film. "Why would you like a film that's so confusing?" ask many of my associates. The answer is this: Forget the war, forget the brutality....This is a classic story of society protecting itself from those that refuse to fall in line with the status quo. Brando represents the individual that has his own way of getting the job done. They (Big Brother) sent him out to do the job, he does it too well, without adhering to the accepted "standards" of death and destruction (Am I the only one who's troubled by the fact that we have 'standards' for death and destruction????), so they send the "Conformity Police" out to eliminate the individual. Hmmmmmm....Draw any parallels between this and things you see every day? With the deepest respect to Mr. Coppola, whom I believe is one of the best directors of all time, I think he transcended his original intent of the movie, and probably didn't even realize it until after the movie was released. The subtle sub-text that permeates the entire movie has way too much to it to have been planned and portrayed; instead, it seems to have 'grown' itself, like some wild flower in the middle of a vegetable garden. Again I must reiterate: I think FF Coppola did a bang-up job on this entire production, as did the cast and crew, but the sum of the movie exceeds the individual efforts ten-fold. So if you haven't seen the movie, rent it, watch it, then watch it again, and maybe a few more times, and look for all the generic parallels to everyday life. Only then make a judgment on the quality of the film. Those of you that have seen it, watch it again with the mindset previously described. I think you may just have a whole new appreciation for the film. Or maybe not! No matter whether you love it or hate it, be sure and give credit to Coppola for his masterful story-telling style!


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