Linda Hamilton has made a career out of playing strong female protagonists, especially as Sarah Connor in The Terminator and Terminator: Dark Fate. What other roles has she played?
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Title: All That Jazz (1979)
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| Cast overview, first billed only: | |||
| Roy Scheider | ... | Joe Gideon | |
| Jessica Lange | ... | Angelique | |
| Leland Palmer | ... | Audrey Paris | |
| Ann Reinking | ... | Kate Jagger | |
| Cliff Gorman | ... | Davis Newman | |
| Ben Vereen | ... | O'Connor Flood | |
 |
Erzsebet Foldi | ... | Michelle |
| Michael Tolan | ... | Dr. Ballinger | |
| Max Wright | ... | Joshua Penn | |
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William LeMassena | ... | Jonesy Hecht |
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Irene Kane | ... | Leslie Perry (as Chris Chase) |
| Deborah Geffner | ... | Victoria | |
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Kathryn Doby | ... | Kathryn |
| Anthony Holland | ... | Paul Dann | |
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Robert Hitt | ... | Ted Christopher |
Joe Gideon is a Broadway director, choreographer and filmmaker, he in the process of casting the chorus and staging the dance numbers for his latest Broadway show, starring his ex-wife Audrey Paris in what is largely a vanity project for her in playing a role several years younger than her real age, and editing a film he directed on the life of stand-up comic Davis Newman. Joe's professional and personal lives are intertwined, he a chronic philanderer, having slept with and had relationships with a series of dancers in his shows, Victoria Porter, who he hired for the current show despite she not being the best dancer, in the former category, and Kate Jagger, his current girlfriend, in the latter category. That philandering has led to relationship problems, with Audrey during their marriage, and potentially now with Kate who wants a committed relationship with Joe largely in not wanting the alternative of entering the dating world again. Joe also lives a hard and fast life, he chain ... Written by Huggo
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Bob Fosse's autobiographical look at the hectic life of a Broadway director/choreographer rehearsing a new show in New York City while concurrently editing his latest movie. Roy Scheider fabulously stands in for Fosse; as Joe Gideon, pill-popping, womanizing, self-destructive genius on the verge of collapse, it is Scheider's shining moment as an actor. Fosse paints himself as suspicious, paranoid, driven, indifferent, exhausted and horny. It's more than most of us want to know about the man, who seems intent on showing us what a creep he is...but a talented creep! The film doesn't particularly look good (it's a gray movie), though it has amazing musical flourishes and the self-styled bombast is actually rather amusing once you get the idea. Jessica Lange is beautiful in an early role as the Angel of Death (imagine Fosse explaining that role to her!), and Scheider's performance is really something to see (only occasionally does the camera catch him not knowing what to do). Fosse tries hard not to be pretentious, he keeps things playful and perky, and his ironic ending is bitterly funny. The film is alive and ticking--but that's not Fosse's heart, it's a time bomb. *** from ****