7.4/10
43,375
184 user 180 critic

Invasion of the Body Snatchers (1978)

In San Francisco, a group of people discover the human race is being replaced one by one, with clones devoid of emotion.

Director:

Writers:

(screenplay), (novel)
Reviews
Popularity
3,731 ( 1,610)

On Disc

at Amazon

3 wins & 9 nominations. See more awards »

Photos

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Cast

Cast overview, first billed only:
... Matthew Bennell
... Elizabeth Driscoll
... Jack Bellicec
... Nancy Bellicec
... Dr. David Kibner
... Dr. Geoffrey Howell
... Katherine Hendley
... Running Man
... Taxi Driver
... Ted Hendley
Stan Ritchie ... Stan
David Fisher ... Mr. Gianni
Tom Dahlgren ... Detective
Garry Goodrow ... Dr. Boccardo (as Gary Goodrow)
Jerry Walter ... Restaurant Owner
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Storyline

The first remake of the paranoid infiltration classic moves the setting for the invasion from a small town to the city of San Fransisco and starts as Matthew Bennell notices that several of his friends are complaining that their close relatives are in some way different. When questioned later they themselves seem changed as they deny everything or make lame excuses. As the invaders increase in number they become more open and Bennell, who has by now witnessed an attempted "replacement" realises that he and his friends must escape or suffer the same fate. But who can he trust to help him and who has already been snatched? Written by Mark Thompson <mrt@oasis.icl.co.uk>

Plot Summary | Plot Synopsis

Taglines:

Watch out! They get you while you're sleeping! See more »

Genres:

Horror | Sci-Fi

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

MGM

Country:

Language:

|

Release Date:

22 December 1978 (USA)  »

Also Known As:

Die Körperfresser kommen  »

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Box Office

Budget:

$3,500,000 (estimated)

Opening Weekend USA:

$1,298,129, 25 December 1978, Limited Release

Gross USA:

$24,946,533
See more on IMDbPro »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Dolby Stereo)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

This is considered by critics to be one of the best remakes in film history. See more »

Goofs

The ship being loaded with pods was in dry dock, the entire propeller is clearly visible. Ships are not loaded in dry dock. See more »

Quotes

Matthew Bennell: What is that suppose to be?
Chef: It is cervelles en matelote.
Matthew Bennell: In English, what would I be eating if I ate that?
Chef: Ah. Calves' brain in red wine.
Matthew Bennell: Red wine and what else?
Restaurant Owner: Mais, c'est impossible. It's impossible. It's a secret, Mr Bennell
Matthew Bennell: You don't have any secrets from the Department of Health, Henri.
See more »

Connections

Referenced in Night Court: Wedding Bell Blues: Part 1 (1990) See more »

Soundtracks

Amazing Grace
Traditional
Performed by The Royal Scots Dragoon Guards (as the Royal Scots Dragoon Guards)
Courtesy of RCA Limited
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Frequently Asked Questions

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User Reviews

 
Alive and richly done, with some great performances!
9 October 2010 | by See all my reviews

Invasion of the Body Snatcher (1978)

The original 1950s version of this movie is such a favorite of mine, I hesitated to watch this one. But fear not. This is great, too. It's got the same theme, but very richly and creatively rendered, some superb photography, great night stuff, and most importantly, great acting by the key 3 or 4 people.

Director Philip Kaufman works sporadically as director and writer (he hit it big with "Raiders of the Lost Ark") and he clearly has a unique and somewhat fearless vision that remains rooted in Hollywood sensibilities. That is, this is no independent film, yet it's creative.

And it's scary. Between the development of fear over the actual biological invasion, and the old fashioned chase and hide sequences, this is a tense movie. But yet it's convincing, given the realistic, nuanced acting by the main couple, Donald Sutherland (as a Health Department official) and Brooke Adams (as a lab analyst in the same department). Of course, what happens isn't believable at all, somehow, but it's so close to feasible, and in fact so close to what we live with already (some people without feelings, out for themselves, part of a conspiracy, etc.), it isn't hard to pull it off.

Cinematographer Michael Chapman is about as good as it gets in the Hollywood vein, polished and with amazing, varied lighting (he also did "Raging Bull," "The Fugitive," and "Taxi Driver," for starters). So this movie works on every level. The one thing it isn't, of course, is original, but as a remake, we have to take it for how it handles it, 1970s style. Impressive.


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