Keith Gordon is a creative young man who films the oddball doings of his family and peers. "The Maestro" appears frequently to give him pointers on his techniques. It's almost a film about ... See full summary »
Harry Valentini and Moe Dickstein are both errand boys for the Mob. When they lose two hundred fifty thousand dollars, they are set up to kill each other. But they run off to Atlantic City, and comedy follows.
A secret US agency behind the unscrupulous Childress gathers children with parapsychologic abilities and trains them to become killers in war situations. To rescue his son, who was officially declared dead after an arranged accident, the ex-CIA agent Peter investigates against Childress.Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
An ex-government agent (Kirk Douglas) enlists the help of a gifted psychic (Amy Irving) in the search for his equally gifted son (Andrew Stevens), who has been kidnapped by a sinister cartel for nefarious purposes.
Dismissed at the time of its release as a mishmash of themes and genres, Brian De Palma's dazzling thriller encompasses Middle Eastern terrorism, government conspiracies, psychic horror, and a series of Grand Guignol set-pieces, orchestrated with pulp grandeur by a director flexing his creative muscles. Highlighted by John Williams' magnificent score (a genuinely eerie composition, one of the best of his career), the film builds slowly and surely to an explosive climax which closes proceedings on a note of absolute screaming hysteria (celebrated and vilified in equal measure by fans and critics alike!). The supporting cast includes John Cassavetes, Charles Durning and Carrie Snodgress, all of whom add gravitas to the material. Look fast for Daryl Hannah in an early pre-stardom role.
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