A fledgling Staten Island journalist witnesses a brutal murder in the neighboring apartment of a French-Canadian model, but the police do not believe that the crime took place. With the help of a private detective, she seeks out the truth.
Brian De Palma
Keith Gordon is a creative young man who films the oddball doings of his family and peers. "The Maestro" appears frequently to give him pointers on his techniques. It's almost a film about ... See full summary »
Harry Valentini and Moe Dickstein are both errand boys for the Mob. When they lose two hundred fifty thousand dollars, they are set up to kill each other. But they run off to Atlantic City, and comedy follows.
A secret US agency behind the unscrupulous Childress gathers children with parapsychologic abilities and trains them to become killers in war situations. To rescue his son, who was officially declared dead after an arranged accident, the ex-CIA agent Peter investigates against Childress.Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
Both Carrie Snodgress and Daryl Hannah appear in this film and both had/have relationships with rocker Neil Young. Carrie had a son Zeke from a four year relationship with Young and Hannah and Young married in 2018. See more »
Peter shoots out of the open car window to help Gillian, this causes the crash that Hester ends up involved in. After Gillian's shock it Pan's to Peter, his face shoved against the now closed window, it flattens part of his face then lifts and wrinkles the rest. When he gets out to run to Gillian to shot the guy grabbing her, the car door swings out and you see the window is once again open... See more »
Fortunately, De Palma's hyperbolic, visually compelling, science fiction occult espionage thriller moves so fast that the ludicrous dialog, indifferent performances, and Swiss cheese plot don't spoil the fun. The Fury starts from an interesting premise, but De Palma is clearly more interested in the spectacular set pieces than logic or characterization. The potentially most interesting character Robin is off screen for too long and instead we get low comedy relief with Mother Knuckles and the off duty cops in the Caddilac. Also, Gillian's mother and the students at the Paragon Institute seem to disappear. And where Sissy Spacek was touching as Carrie, Amy Irving and Andrew Stevens as psychic teens who unleash the fury are whiny and callow, and you don't really care about their fates. Though Douglas, Snodgress, Cassavetes and De Palma regular William Finley ( Raymond Dunwoodie) are always interesting, the rest of the cast is pretty bad. And a scene between Irving and Douglas on a bus is embarrassingly bad. Still, The Fury with its telepathic visions, its pulse pounding score by John Willams and Richard H. Kline's elegant deep focus cinematography is superior to junk like The Eyes of Laura Mars. De Palma pulls out all the stops and creates some spectacularly over-the-top scenes. Faults and all, The Fury is more entertaining, and less pretentious and derivative than most of De Palma's more recent efforts to say nothing of Dressed to Kill, Body Double, Obsession, Wise Guys, Carlito's Way, Raising Cain, and The Bonfire of the Vanities.
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