A fledgling Staten Island journalist witnesses a brutal murder in the neighboring apartment of a French-Canadian model, but the police do not believe that the crime took place. With the help of a private detective, she seeks out the truth.
Brian De Palma
Keith Gordon is a creative young man who films the oddball doings of his family and peers. "The Maestro" appears frequently to give him pointers on his techniques. It's almost a film about ... See full summary »
Harry Valentini and Moe Dickstein are both errand boys for the Mob. When they lose two hundred fifty thousand dollars, they are set up to kill each other. But they run off to Atlantic City, and comedy follows.
A secret US agency behind the unscrupulous Childress gathers children with parapsychologic abilities and trains them to become killers in war situations. To rescue his son, who was officially declared dead after an arranged accident, the ex-CIA agent Peter investigates against Childress.Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
When Peter Sandza's car is chased by the police on the Pier, you can clearly see the head of a crew member on the left of the screen. The camera is moving left to right, and the technician was probably running for the traveling beside the camera. See more »
The boss of an institute for psychic researches of the American government discovers that his own son and a girl are being sought by terrorists who want to use their mind's powers.Narrative conducted in an agile and suffocating way by the veteran De Palma, responsible for equally violent and full of action classic such as "The Untouchables". In this thriller marked by a great dramatic charge, the excellent supporting cast's work ( beginning with Carrie Snodgress,who has the most shocking, unpleasant and courageous scene , and with Charles Durning, who shows talent in a serious part, different from the characters that made his fame:he became well-known for doing partner's roles in some Burt Reynolds' movies, but here he offers a discreet, silent interpretation) sustains the interest for this confused but well developed and touching story. As already demonstrated in his previous works, the violence in De Palma's films is never gratuitous, however it is always true and raw.
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