Keith Gordon is a creative young man who films the oddball doings of his family and peers. "The Maestro" appears frequently to give him pointers on his techniques. It's almost a film about ... See full summary »
Harry Valentini and Moe Dickstein are both errand boys for the Mob. When they lose two hundred fifty thousand dollars, they are set up to kill each other. But they run off to Atlantic City, and comedy follows.
A secret US agency behind the unscrupulous Childress gathers children with parapsychologic abilities and trains them to become killers in war situations. To rescue his son, who was officially declared dead after an arranged accident, the ex-CIA agent Peter investigates against Childress.Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
A terrific exercise in the supernatural, delivered with guts and gore from Brian De Palma!
Before "Scanners" there was this wonderful little gore fest from Brian De Palma, who all-ready had done such great Hitchcock-like thrillers as "Sisters" and "Obsession" and of course "Carrie", which in many ways is related to this one, another tale of telekinesis with deadly results. It is also worth noting that David Cronenberg's above-mentioned "Scanners" seem to owe a great deal to this movie.
"The Fury" balances brilliantly between weird and unexpected comedy (like the whole scene where Douglas carjacks two off-duty cops, one played by Dennis Franz!) and imaginative horror that will turn off anyone who hates blood. Great acting from everyone; worth noting the star-making performances of Amy Irving and Andrew Stevens, Douglas who has a field-day, Cassavetes who looks great as the sinister bad-guy and Carrie Snodgress who will touch your heart with her performance as the caring nurse Hester.
The last scene is quite a kick, truly one of the most memorable finales ever shown on screen, and it could very well leave you cheering well into the end credits!
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