Damien the Antichrist, now about to turn thirteen years old, finally learns of his destiny under the guidance of an unholy disciple of Satan. Meanwhile dark forces begin to eliminate all those who suspect the child's true identity.
The true stories that spawned the eerie tale of Damien, a small boy with an angelic face, whose very name still conjures up thoughts of Satan. This documentary shares spine-tingling ... See full summary »
Epidemiologist Dr. Linus, A.P. photojournalist Jack Mann and E.R. nurse Annalisse try to stop a demonic entity that's possessing people from unleashing a biological weapon during the Saint Patrick's Day parade.
A police Lieutenant uncovers more than he bargained for as his investigation of a series of murders, which have all the hallmarks of the deceased Gemini serial killer, leads him to question the patients of a psychiatric ward.
Seven years later, Damien Thorn is about to turn 13 and is just discovering who he really is, and what he is destined to do. Now living with his Aunt, Uncle, and cousin in a wealthy suburb of Chicago, Damien is in line to inherit everything from his family. Can Richard Thorn finish the job that Damien's father (Ambassador Robert Thorn) started?Written by
Mark J. Popp <firstname.lastname@example.org>
Allan Arbus, who plays one of the Thorn Industry employees who gets asphyxiated by fumes at the plant, was also the recurring character Sidney Friedman on MASH when this film was released ( 1978). See more »
When the cadets are outside meeting Sergeant Neff for the first time, there is a closeup of Mark's face. He clearly has 2 pimples on his chin. Moments later, he is shown again and his face is smooth. See more »
That's Damien's father in the back. My old man was on that team, too.
[pointing at picture]
That's him. He was on the line. But Robert Thorn was quarterback. Even back then he was calling the plays for everybody.
[Coming in from Neff's office]
You're next, Damien.
Teddy, don't ever talk about my father again. Do you understand?
Can't you take a joke?
[Giving Teddy a long look]
[Turns to leave]
What was that all about?
Your cousin really thinks he's somebody, doesn't he? My old man tells me the Thorns...
[...] See more »
An abridged 6 second version of the Alfred Newman Fox fanfare is heard See more »
The original version was released uncut with a "Not under 16" rating in German cinemas in 1978, the 1983 VHS release was uncut as well. The 1992 VHS re-release was cut (ca. 3 minutes) due to the fact that in the 1980s the uncut version was put on the index for youth endangering media. Only in 2001 the film was removed from that index and the film was re-released uncut, again with a "Not under 16" rating. See more »
This sequel to THE OMEN is a "fun" film. It continues the story of the anti-Christ Damien into his teenage years and his years in military school. Now adopted into the family of his father's brother, an unsuspecting Damien is unwittingly at the centre of a plot to bring Satan's son to the threshold of power. Everyone around him is at risk as the secret of Damien's birth is under threat of exposure by forces emerging from around the world - and at the root of this threat are the mad depictions painted on an ancient wall that reveal the very face of evil.
Jonathon Scott-Taylor gives a commanding and creepy performance as the ultimate misfit son. Looking particularly significant in his military outfit, Scott-Taylor captures - as much as the script allows him - the torment of self-discovery as the truth of his existence is revealed to him. The script could have demanded more from such a fascinating scenario, and tried to make Damien more of a Miltonic Satanic Hero, but the film chooses to go for as much shock value whenever it can. Mysterious and violent accidents - linked by the ever-present shadow of a raven of death - dominate this movie from beginning to end. The scene involving an ill-fated lady on a deserted country road is one of its most grotesque. As death and destruction mount, Damien goes from self-possessed orphan to self-recognized supreme power in the span of two hours.
William Holden and Lee Grant play Damien's surrogate parents, Richard and Ann Thorn. They are not really allowed to display their incredible talents in this film, but Holden does fine trying to duplicate Peck's memorable performance in the original. Grant does what she can with this supporting role, but has a great moment in the film that proves worthy to wait for. The always wonderful Sylvia Sidney makes a memorable appearance as one of Damien's greatest "thorns" - the troublemaking menace Aunt Marion. And the ending is a bit of a shock if you watch the film closely, particularly if you listen to the exposition early on in the film about "The Whore of Babylon."
Another highlight is Jerry Goldsmith's title score - empowering, commanding and downright evil, the opening score is one of my favorites.
Although not as creepy as the first film, DAMIEN: OMEN II has its moments, and is worth seeing for anyone who likes to have a fun time with all this biblical stuff.
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