A darkness swirls at the center of a world-renowned dance company, one that will engulf the artistic director, an ambitious young dancer, and a grieving psychotherapist. Some will succumb to the nightmare. Others will finally wake up.
Chloë Grace Moretz,
An American expatriate in Rome witnesses an attempted murder. He learns later that it's connected to an ongoing murder spree in the city, and decides to do his own investigation, despite being personally targeted by the killer.
Enrico Maria Salerno
Two siblings and three of their friends en route to visit their grandfather's grave in Texas end up falling victim to a family of cannibalistic psychopaths and must survive the terrors of Leatherface and his family.
A newspaper reporter and a retired, blind journalist try to solve a series of killings connected to a pharmaceutical company's experimental, top-secret research projects and in so doing, both become targets of the killer.
Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
Suzy Bannion travels to Germany to perfect her ballet skills. She arrives at the Tanz dance academy in the pouring rain and is refused admission after another woman is seen fleeing the school. She returns the next morning and this time is let in. She learns that the young woman she saw fleeing the previous evening, Pat Hingle, has been found dead. Strange things soon begin to occur. Suzy becomes ill and is put on a special diet; the school becomes infested with maggots; odd sounds abound; and Daniel, the pianist, is killed by his own dog. A bit of research indicates that the ballet school was once a witches' coven - and as Suzy learns, still is.Written by
Joan Bennett's partner (later husband) David Wilde was a fan of Argento's The Bird with the Crystal Plumage (1970) and it was at his urging that Bennett agreed to appear as Madame Blanc despite her objections to the violence in films at the time. Besides Wilde's admiration was the all-expenses paid trip to Italy. Bennett however immediately regretted having said yes after finding the Italian filmmaking process slow and disorganized. One day, in preparing for a scene in which she had only one line, Bennett reported to the studio, had her hair and makeup done, got into costume, all by 12:30 pm but then it was five hours before the scene was actually shot. The one consolation was getting to know fellow cast member Alida Valli who befriended Bennett and Wilde introducing them to the excellent and little known restaurants. See more »
When Pat is drying off, we see through the window, some washing hanging on the line. Then in an outside shot, we see the same washing, but now arranged differently. See more »
Suzy Banyon decided to perfect her ballet studies in the most famous school of dance in Europe. She chose the celebrated academy of Freiburg. One day, at nine in the morning, she left Kennedy airport, New York, and arrived in Germany at 10:40 p.m. local time...
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There are two versions of the opening titles. In one, the movie's title card is presented in a stylish printed font. In the other version possibly the American print, the letters of the word "Suspiria" are made of weird pink flesh-like organs that pulsate and seem to breathe, sort of a cross between hearts and lungs. These pink formations actually appear on the American one-sheet movie poster. See more »
Having heard such mixed things about "Suspiria," I was actually somewhat pleasantly surprised. My main interest in seeing the movie was because of Joan Bennett and Alida Valli.
The sets are quite marvelous and the opening sequence appropriately gripping. I can't say that I was scared by the film. The maggot sequence was actually pretty funny. One minute they're dropping all over the place and the next there's poor Joan Bennett (I read somewhere that she did the film so she could go abroad) in her best finishing school posture and accent explaining away the problem. Don't get me wrong, but there are some genuinely creepy bits. The scene with Jessica Harper walking down the hall and seeing the old woman and the little boy and then her dance class with the sadistic Alida Valli character was unnerving.
The script needed some work. It is, as others have said, a very dreamlike/nightmarish film, but I need some sort of narrative cohesion in my movies. I also have to agree with the reviewer here who questioned the whole sleep apnea thing.
The acting is . . . uneven. Jessica Harper does fairly well as the young woman who's come to the dancing school and discovers there's much more going on. I'm not sure what to say about Bennett and Valli. I've seen it suggested that their performances were supposed to be like that--why, I don't know--but it would be to their credit if that were the case, because both of them gave much better performances in their careers. Still, glad I saw it and I will probably watch it again.
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