Saturday Night Fever (1977)

Anxious about his future after high school, a 19 year old Italian American from Brooklyn tries to escape the harsh reality of his bleak family life by dominating the dance floor at the local disco.

Director:

John Badham

Writers:

Nik Cohn (story "Tribal Rites of the New Saturday Night"), Norman Wexler (screenplay)

Stars:

John Travolta, Karen Lynn Gorney, Barry Miller

Nominated for 1 Oscar. Another 4 wins & 11 nominations.

Cast

Cast overview, first billed only:
John Travolta	...	Tony Manero
Karen Lynn Gorney	...	Stephanie
Barry Miller	...	Bobby C.
Joseph Cali	...	Joey
Paul Pape	...	Double J.
Donna Pescow	...	Annette
Bruce Ornstein	...	Gus
Julie Bovasso	...	Flo
Martin Shakar	...	Frank Jr.
Sam Coppola	...	Dan Fusco (as Sam J. Coppola)
Nina Hansen	...	Grandmother
Lisa Peluso	...	Linda
Denny Dillon	...	Doreen
Bert Michaels	...	Pete
Robert Costanzo	...	Paint Store Customer (as Robert Costanza)

Storyline

Nineteen-year-old Brooklyn native Tony Manero lives for Saturday nights at the local disco, where he's king of the club, thanks to his stylish moves on the dance floor. But outside of the club, things don't look so rosy. At home, Tony fights constantly with his father and has to compete with his family's starry-eyed view of his older brother, a priest. Nor can he find satisfaction at his dead-end job at a small paint store. However, things begin to change when he spies Stephanie Mangano in the disco and starts training with her for the club's dance competition. Stephanie dreams of the world beyond Brooklyn, and her plans to move to Manhattan just over the bridge soon change Tony's life forever.

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Plot Keywords:

intolerance | dancing | homophobia | love | sex | 

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Taglines:

John Travolta. If you're not sure you know him now after Saturday Night Fever, you'll say you always did.

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Genres:

Drama | Music

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Motion Picture Rating (MPAA)

Rated R for strong language, sexuality/nudity and some drug content

Details

Country:

USA

Language:

English Italian

Release Date:

16 December 1977 (USA)

Also Known As:

Saturday Night

Filming Locations:

94th St. and Fifth Avenue, Bay Ridge, Brooklyn, New York City, New York, USA

Box Office

Budget:

$3,000,000 (estimated)

Opening Weekend USA:

$3,878,099, 18 December 1977, Limited Release

Gross USA:

$94,213,184

Cumulative Worldwide Gross:

$237,113,184

Company Credits

Production Co:

Paramount Pictures, Robert Stigwood Organization (RSO)

Technical Specs

Runtime:

118 min 113 min (PG)

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

When John Travolta met John Badham, he was surprised that the director knew so little about New York. The actor took it upon himself to show Badham Manhattan and Brooklyn.

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Goofs

When Tony is first picked up in the Impala, as the boys review their inventory of pills and alcohol, the camera rigging can be easily seen reflected in the passenger window where Tony sits, especially as a lighted "TRAVEL" sign passes by.

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Quotes

[first lines]
Pizza Girl: Hi ya, Tony. Two or three?
Tony Manero: Two. Two. Give me two. That's good.

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Crazy Credits

When the title appears on screen, it is done in the style of a neon sign. The word "Fever" is blinking.

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Alternate Versions

Version being aired on TNT Network (as of Jan 2002) lists K-JEE in the musical credits. Disco Duck is still not played, however, replaced with generic studio music.

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Connections

Referenced in The Kings of Mykonos (2010)

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Soundtracks

Disco Inferno
Written by Leroy Green and Ron Kersey
Courtesy of Atlantic Recording Corporation and Six Strings Music
Performed by The Trammps

User Reviews

Modern, and Misunderstood, Classic

While the movie is more apt to be recalled for its impact on American pop culture, few who watch the movie will ever see beyond the admittedly fantastic dance sequences. As a result, many people might never recognize Saturday Night Fever as perhaps one of the best movies ever made about class struggles among white ethnics.

While his quick study under Denny Terrio for those dance sequences showed a great deal of determination, Travolta's Tony Manero shines in so many other way. The looks of embarrassment and exasperation that his character expresses when confronted with the possibility of working in a Bay Ridge paint store all of his life, or the prejudice and regional chauvinism of his friends, or the behavior of his friends at White Castle or his initial inability to express himself to Stephanie in any way that might impress her, all of these and more contribute to a fully realized character.

While Tony's friends idolize him, the movie never really does, but it does allow empathy for his plight, because even Tony realizes that he is virtually trapped by the current conditions of his existence. While much might be made of the homophobia, racism, and misogyny of the protagonist and his friends, these things are never excused and the movie goes to some lengths to express Tony's own recognition that these are shortcomings in not only his character, but those borne of a provincial mentality which he desperately longs to escape.

Forget those who call this a musical. While the music is an intricate part of the film and setting, Travolta's performance is what sets this film apart.