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Saturday Night Fever (1977)

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Anxious about his future after high school, a 19-year-old Italian-American from Brooklyn tries to escape the harsh reality of his bleak family life by dominating the dance floor at the local disco.

Director:

John Badham

Writers:

Nik Cohn (story "Tribal Rites of the New Saturday Night"), Norman Wexler (screenplay)
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Popularity
1,173 ( 366)
Nominated for 1 Oscar. Another 4 wins & 11 nominations. See more awards »

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Cast

Cast overview, first billed only:
John Travolta ... Tony Manero
Karen Lynn Gorney ... Stephanie
Barry Miller ... Bobby C.
Joseph Cali ... Joey
Paul Pape ... Double J.
Donna Pescow ... Annette
Bruce Ornstein Bruce Ornstein ... Gus
Julie Bovasso ... Flo
Martin Shakar ... Frank Jr.
Sam Coppola ... Dan Fusco (as Sam J. Coppola)
Nina Hansen ... Grandmother
Lisa Peluso Lisa Peluso ... Linda
Denny Dillon ... Doreen
Bert Michaels ... Pete
Robert Costanzo ... Paint Store Customer (as Robert Costanza)
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Storyline

Nineteen-year-old Brooklyn native Tony Manero lives for Saturday nights at the local disco, where he's king of the club, thanks to his stylish moves on the dance floor. But outside of the club, things don't look so rosy. At home, Tony fights constantly with his father and has to compete with his family's starry-eyed view of his older brother, a priest. Nor can he find satisfaction at his dead-end job at a small paint store. However, things begin to change when he spies Stephanie Mangano in the disco and starts training with her for the club's dance competition. Stephanie dreams of the world beyond Brooklyn, and her plans to move to Manhattan just over the bridge soon change Tony's life forever. Written by alfiehitchie

Plot Summary | Plot Synopsis

Taglines:

For Tony Manero, freedom comes once a week. It comes on Saturday night... it's called Saturday Night Fever. See more »

Genres:

Drama | Music

Motion Picture Rating (MPAA)

Rated R for strong language, sexuality/nudity and some drug content | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Italian

Release Date:

16 December 1977 (USA) See more »

Also Known As:

Saturday Night See more »

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Box Office

Budget:

$3,000,000 (estimated)

Opening Weekend USA:

$3,878,099, 18 December 1977

Gross USA:

$94,213,184

Cumulative Worldwide Gross:

$237,113,184
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (PG)

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Donna Pescow auditioned for the role of Annette six times, three for John G. Avildsen and three for John Badham. When she got the part, at 22, she said it was the first Christmas in years she wouldn't have to work at Bloomingdale's selling ornaments. See more »

Goofs

At the White Castle Burger restaurant Joey jumps on the table and a lady customer with a green hat walks quickly away from the counter. In the next shot, she is back where she started and walks away again. See more »

Quotes

[first lines]
Pizza Girl: Hi ya, Tony. Two or three?
Tony Manero: Two. Two. Give me two. That's good.
See more »

Crazy Credits

When the title appears on screen, it is done in the style of a neon sign. The word "Fever" is blinking. See more »

Alternate Versions

The scene in the car that has Tony's friends talking about the drugs they have and Tony complains about how old Bobby's-8 tracks are is usually cut when the film is shown on network TV. The same goes for the scene that has the stripper in the backround. See more »


Soundtracks

If I Can't Have You
Courtesy of RSO Records, Inc., Stigwood Music, Inc. (Unichappell Music, Inc.) BMI and Bros. Gibb, B.V.
Written by Barry Gibb, Robin Gibb and Maurice Gibb
Performed by Yvonne Elliman
See more »

Frequently Asked Questions

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User Reviews

 
Modern, and Misunderstood, Classic
17 June 2003 | by notarepublicanSee all my reviews

While the movie is more apt to be recalled for its impact on American pop culture, few who watch the movie will ever see beyond the admittedly fantastic dance sequences. As a result, many people might never recognize Saturday Night Fever as perhaps one of the best movies ever made about class struggles among white ethnics.

While his quick study under Denny Terrio for those dance sequences showed a great deal of determination, Travolta's Tony Manero shines in so many other way. The looks of embarrassment and exasperation that his character expresses when confronted with the possibility of working in a Bay Ridge paint store all of his life, or the prejudice and regional chauvinism of his friends, or the behavior of his friends at White Castle or his initial inability to express himself to Stephanie in any way that might impress her, all of these and more contribute to a fully realized character.

While Tony's friends idolize him, the movie never really does, but it does allow empathy for his plight, because even Tony realizes that he is virtually trapped by the current conditions of his existence. While much might be made of the homophobia, racism, and misogyny of the protagonist and his friends, these things are never excused and the movie goes to some lengths to express Tony's own recognition that these are shortcomings in not only his character, but those borne of a provincial mentality which he desperately longs to escape.

Forget those who call this a musical. While the music is an intricate part of the film and setting, Travolta's performance is what sets this film apart.


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