Saturday Night Fever (1977)

Anxious about his future after high school, a 19 year old Italian American from Brooklyn tries to escape the harsh reality of his bleak family life by dominating the dance floor at the local disco.

Director:

John Badham

Writers:

Nik Cohn (story "Tribal Rites of the New Saturday Night"), Norman Wexler (screenplay)

Stars:

John Travolta, Karen Lynn Gorney, Barry Miller

Nominated for 1 Oscar. Another 4 wins & 11 nominations.

Cast

Cast overview, first billed only:
John Travolta	...	Tony Manero
Karen Lynn Gorney	...	Stephanie
Barry Miller	...	Bobby C.
Joseph Cali	...	Joey
Paul Pape	...	Double J.
Donna Pescow	...	Annette
Bruce Ornstein	...	Gus
Julie Bovasso	...	Flo
Martin Shakar	...	Frank Jr.
Sam Coppola	...	Dan Fusco (as Sam J. Coppola)
Nina Hansen	...	Grandmother
Lisa Peluso	...	Linda
Denny Dillon	...	Doreen
Bert Michaels	...	Pete
Robert Costanzo	...	Paint Store Customer (as Robert Costanza)

Storyline

Nineteen-year-old Brooklyn native Tony Manero lives for Saturday nights at the local disco, where he's king of the club, thanks to his stylish moves on the dance floor. But outside of the club, things don't look so rosy. At home, Tony fights constantly with his father and has to compete with his family's starry-eyed view of his older brother, a priest. Nor can he find satisfaction at his dead-end job at a small paint store. However, things begin to change when he spies Stephanie Mangano in the disco and starts training with her for the club's dance competition. Stephanie dreams of the world beyond Brooklyn, and her plans to move to Manhattan just over the bridge soon change Tony's life forever.

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Plot Keywords:

disco | dancing | the bee gees | dance contest | disco music | 

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Taglines:

Where do you go when the record is over...

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Genres:

Drama | Music

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Motion Picture Rating (MPAA)

Rated R for strong language, sexuality/nudity and some drug content

Details

Country:

USA

Language:

English Italian

Release Date:

16 December 1977 (USA)

Also Known As:

Saturday Night

Filming Locations:

94th St. and Fifth Avenue, Bay Ridge, Brooklyn, New York City, New York, USA

Box Office

Budget:

$3,000,000 (estimated)

Opening Weekend USA:

$3,878,099, 18 December 1977, Limited Release

Gross USA:

$94,213,184

Cumulative Worldwide Gross:

$237,113,184

Company Credits

Production Co:

Paramount Pictures,Robert Stigwood Organization (RSO)

Technical Specs

Runtime:

118 min 113 min (PG)

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

John Travolta's sister Ann Travolta appears as the pizza lady, and his mother Helen Travolta appears as the woman for whom he gets the paint.

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Goofs

After their initial dancing practice as Tony and Stephanie are walking down the sidewalk, Stephanie's purse moves from her right shoulder to her left shoulder then right again.

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Quotes

[first lines]
Pizza Girl: Hi ya, Tony. Two or three?
Tony Manero: Two. Two. Give me two. That's good.

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Crazy Credits

When the title appears on screen, it is done in the style of a neon sign. The word "Fever" is blinking.

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Alternate Versions

The following deleted scenes appear on the DVD:

• Tony and Stephanie talking in a car.
• Tony's dad gets his job back.
• A scene where Tony goes to Stephanie's apartment.

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Connections

Referenced in Muchachada nui: Episode #3.5 (2009)

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Soundtracks

If I Can't Have You
Courtesy of RSO Records, Inc., Stigwood Music, Inc. (Unichappell Music, Inc.) BMI and Bros. Gibb, B.V.
Written by Barry Gibb, Robin Gibb and Maurice Gibb
Performed by Yvonne Elliman

User Reviews

Beautifully Defines An Era On The Backdrop Of A Realistic Class Study and Dynamic Music

Although it may seem dated and cheesy to some viewers today Saturday Night Fever remains one of the most underrated examples of '70s pop-culture. It is undoubtedly the quintessential dance flick and remains one of the most entertaining films of all-time. Yet, behind all the music and entertaining aura you are actually viewing a drama studying the American class system and young rebellion. Though at times it is slightly exaggerated, it still manages to capture a vast amount of authenticity and ultimately the sights and sounds of the time.

Saturday Night Fever follows self-proclaimed "dance king" Tony Manero (John Travolta) and his love of dancing and the trials and tribulations of his life in the Bronx. He soon meets an arrogant fellow dancer named Stephanie Mangano (Karen Lynn Gorney). Quickly becoming attracted and influenced by the women he starts questioning the way he lives his life.

The film is not always upbeat and at times can be depressing, particularly the scenes depicting peer-pressure. Although both have their differences, both are very alike and ultimately want to be something "big". There are also the elements of jealously, rivalry, religion, rebellion, respect and racism added into the film. This captures the realism of the time and with more accuracy and honesty than a lot of films. Just take a look at the brief scene where Tony is on the tube, this is an oddly poignant, effecting and compelling scene presenting Tony's confused emotions.

Saturday Night Fever still carries the vibe, rhythm and atmosphere it did back in '77. It remains one of the most influential films for both the film-world and pop-culture. Infamously holding some of the greatest dance sequences ever committed film; you can feel the energy, emotions, time and determination that were spent perfecting the dance scenes to the finest detail. The lighting is perfect at creating the "disco world", the set-piece of the 2001 Disco is one of the film's many iconic highlights.

John Travolta dedicates himself to his dancing and character, fitting the role with a graceful ease. The film goes into depth at studying characters too, it shows how desperate everyone is to fit in and be able to make an impressive image. The fantastic shots on character's feet show the "strut" in their walk, representing their desire to maintain their reputation of being "cool". All the characters want to be something, while a lot of them will never add up to anything due to their working-class backgrounds. There are a fair amount of American social-comments scattered throughout the film and retaining a surprising amount of intelligent value.

The gloriously groovy and funky soundtrack is possibly the film's finest element. The music accompanies the dance sequences with an amazing amount of memorably robust imagery. The use of The Bee Gees' music is wonderful to listen to and also for helping to create an ambiguous atmosphere of love, drugs and sex. The shooting techniques in the disco are magnificent for filming the dance scenes and fit perfectly alongside the other technical elements.

Saturday Night Fever is a far more professional film than one might expect, it has intelligence as well as entertainment, which is something that makes a more than just admirable achievement. It is a truly remarkable triumph and a film that deserves more appreciation than it gets.