After a single, career-minded woman is left on her own to give birth to the child of a married man, she finds a new romantic chance in a cab driver. Meanwhile, the point-of-view of the newborn boy is narrated through voice-over.
Nineteen-year-old Brooklyn native Tony Manero lives for Saturday nights at the local disco, where he's king of the club, thanks to his stylish moves on the dance floor. But outside of the club, things don't look so rosy. At home, Tony fights constantly with his father and has to compete with his family's starry-eyed view of his older brother, a priest. Nor can he find satisfaction at his dead-end job at a small paint store. However, things begin to change when he spies Stephanie Mangano in the disco and starts training with her for the club's dance competition. Stephanie dreams of the world beyond Brooklyn, and her plans to move to Manhattan just over the bridge soon change Tony's life forever.Written by
To try and throw off John Travolta's fans, John Badham and his team took to shooting any exterior scenes as early in the morning as possible before people caught on - often at the crack of dawn. They would also generate fake call sheets. The tactics worked well enough that Badham was usually able to get the scenes done before significant crowds had time to gather. See more »
Stephanie's hair is jaw length in some scenes and shoulder length in other scenes. See more »
When the title appears on screen, it is done in the style of a neon sign. The word "Fever" is blinking. See more »
The scene in the car that has Tony's friends talking about the drugs they have and Tony complains about how old Bobby's-8 tracks are is usually cut when the film is shown on network TV. The same goes for the scene that has the stripper in the backround. See more »
Loneliness & elation rolled into a film reflecting its era.
It's funny how people remember a film they are reminiscing about. An example would be "Muriel's Wedding" - a film that is labeled as a comedy. And yet it is one of the saddest & most realistic films about family life that has been made. When you remember the film, its moments of humour are so clever, that they hide the dark undercurrents explored.
The same goes for "Saturday Night Fever" (SNF), a film that showcases disco in its most perfect form. And yet the true theme of the movie is about wanting more out of your life but just existing, until something affects you so much that you decide to start living.
John Travolta's character is so well played against his friends who are, quite simply, cruel no hopers who disrespect the opposite sex & treat them as fifth best against the car they all share to have 'mobile' sex in.
The female character that eventually shifts Travolta's character appears at a time when horrific events really force him to reassess where he is going something that his friends will never be unable to ever do.
It is easy to label a movie a certain way. There are films with similar themes such as 'Good Will Hunting', which is noted for its themes & dialogue rather than being a kitsch memory, and we should remember SNF for the same reasons.
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