Nineteen-year-old Brooklyn native Tony Manero lives for Saturday nights at the local disco, where he's king of the club, thanks to his stylish moves on the dance floor. But outside of the club, things don't look so rosy. At home, Tony fights constantly with his father and has to compete with his family's starry-eyed view of his older brother, a priest. Nor can he find satisfaction at his dead-end job at a small paint store. However, things begin to change when he spies Stephanie Mangano in the disco and starts training with her for the club's dance competition. Stephanie dreams of the world beyond Brooklyn, and her plans to move to Manhattan just over the bridge soon change Tony's life forever.Written by
John Travolta had worked hard on the "You Should Be Dancing" sequence and threatened to quit the film when the studio suggested it should be shot in close-up instead of full-body. See more »
When Bobby asks Frank (the former priest) about getting a papal dispensation for an abortion, the camera angle changes so that the side of Bobby's face is shown and all of Frank's can be seen. Frank answers Bobby and then Bobby says "Well maybe you can, maybe you could do it for me." At this point, Bobby's mouth is clearly not moving except once, which indicates that his retort was dubbed in over a one word retort. See more »
When the title appears on screen, it is done in the style of a neon sign. The word "Fever" is blinking. See more »
For the PG version some of the language replacement goes as follows: 1. Near the beginning when Tony and his boss are shutting up shop, his boss says to him to 'save his money, build a future', and Toni's response being 'oh fuck the future'. The PG version replaces it as 'to hell with the future'. The entire sequence plays out with the word 'hell' instead of 'fuck' when they talk, it seems like it's an entirely different take shot especially for this version. But also it's a lot darker, you can't see as much compared to the uncut version as if they've maybe darken it so their mouths aren't obvious which may suggest they re-dubbed it but using the same take. 2. When Tony and Annette walk down the stairs to the dance studio and Tony asks if she's 'a nice girl or a c**t?' but the PG version changes it to 'a nice girl or a pig?' 3. When the guys jump off the bridge and Annette runs to the side to look over she yells at them 'you fucker's', the PG version changes it to 'you fakers'. 4. The scene after Tony and Stephanie win the dance contest and Tony doesn't believe they should have won seems to be a different take in the PG version as a boom can briefly be seen at the top of the frame, plus the swearing is replaced, but in the uncut version the boom can't be seen. See more »
Who doesn't remember that song?¿? ah ah ah stayin' alive stayin' alive. Yeah! this movie was a classic!.If we are here to compare it with such movies as The Godfather,Apocalypse Now or Gone with the wind,of course most of the people or cinema critics will think this movie as a joke.But it isn't.Saturday Night Fever was considered in 1977 for liberal or funky people an icon movie such as Rebel Without A Cause was for young people in the 1950's.Today it can even be considered a cult movie.Of course that's only my opinion,but i can tell u i'm also a fan of The Godfather.John Badham made a great job directing this movie.He didn't made only a serious discomusic movie about,but also a movie where problems of young people were having on those days.John Travolta made the lead character of one of those young guys.With his ups and downs during the whole movie Travolta expresses a guy who have urges on being "someone" in this world,and yeah,he did a great job.So good that he was even nominated that year for Best Lead Actor.Need to say more...
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