Toby, a disillusioned film director, becomes pulled into a world of time-jumping fantasy when a Spanish cobbler believes him to be Sancho Panza. He gradually becomes unable to tell dreams from reality.
José Luis Ferrer,
A hugely talented but socially isolated computer operator is tasked by Management to prove the Zero Theorem: that the universe ends as nothing, rendering life meaningless. But meaning is what he already craves.
After the death of his father the young cooper 'Dennis Cooper' goes to town where he has to pass several adventures. The town and the whole kingdom is threatened by a terrible monster called 'Jabberwocky'. Will Dennis make his fortune? Is anyone brave enough to defeat the monster? A medieval tale with Pythonesque humour.Written by
Gunter Doege <email@example.com>
In some countries, the film was promoted and released as "Monty Python's Jabberwocky," against the wishes of Terry Gilliam. After threats of legal action, the Python reference was removed from all subsequent reissues. See more »
Potatoes originated in the Andes, in South America. They were introduced to Europe in the middle of the 16th century, and were a staple food about 100 years later, well after the feudal era. See more »
It is the middle of the dark ages, ages darker than anyone had ever expected.
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"All characters portrayed in this film are entirely fictitious and bare no resemblance to anyone living or dead, except for one." See more »
A single instance of the use of the word "buggers" had to be removed in order for the film to receive an 'A' (PG) certificate in the UK. Later releases were uncut. See more »
Not one of the great solo-directing debuts of all time, but as a self-consciously stupid (dark) fantasy-comedy, it's mostly inspired
Terry Gilliam, in 1976, did something similar to a member of a rock band going off (while the 'band' not having yet broken up but on hiatus) and recording a solo album with his film adaptation of Lewis Carroll's poem Jabberwocky. However, like a solo effort, one expecting a full-on presentation of how the actual band plays together, might be disappointed. As it is with Jabberwocky, as Gilliam has said of it on the commentary on the DVD, "(Jabberwocky) was a transitional film, from Holy Grail to the other projects." This comes with pros and cons for certain viewers, some with more cons than pros.
The story is expanded upon from the original, surreal battle hymn of sorts from Carroll. The naturally funny Michael Palin stars (in only one role, following the narrative structure instead of the episodes of Python) as a son of a barrel-maker, who has to live on his own, wandering around for food. Meanwhile, a monster of demented, horrible proportions terrifies and slays the citizens, and the King (running his minions in a shamble), gets a tournament to decide who will kill the beast and marry the Princess. These two stories go side by side until the inevitable climax, when the silliness builds up to something very, very bizarre, but fun.
The thing about Jabberwocky is that there are so many jokes going on, visual puns, basic physical gags, trademark 'British' innuendo and irony, and the awesome, brash, curious style of Terry Gilliam (director, co-writer, and bit-player). Sometimes the biggest laughs come from unexpected places, sometimes not. And, unfortunately, a good number of jokes either fall flat or are not exactly laugh-out-loud funny. But one thing that is pulled-off well is a sort of cartoon-like approach to the film as a whole; one could imagine this same material, more or less, being translated to the kind of animation that came in The Hobbit. For its low budget, Gilliam and his cinematographer (who also implied a similar visual look on Holy Grail) make this world seem extremely real, and go for being appropriately stylish with many of the moves. In fact, it's a very serious-looking film, and that it's a comedy is almost an after-thought.
Jabberwocky at times is a mess, some of the story gets un-even in parts, and if you have any real taste in films it holds a facet akin to Monty Python in that it doesn't hold any real value intellectually. But it is also a medieval-fantasy-comedy, and it's also a display of a director testing the waters on his own. However, on some sort of gut level one was really struck by how the film moves, how it goes through its gags to the next best one even when a dud comes by or when Dennis is completely aloof. Even the monster is an inspired feat. And like Gilliam's other films, one may find more comic worth on a repeat viewing. B+
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