Francia, 1801. Por un incidente menor, el teniente d'Hubert, menudo y educado, se ve obligado a batirse en duelo con el irracional e impetuoso teniente Feraud. El altercado da lugar a muchís... Leer todoFrancia, 1801. Por un incidente menor, el teniente d'Hubert, menudo y educado, se ve obligado a batirse en duelo con el irracional e impetuoso teniente Feraud. El altercado da lugar a muchísimos duelos que se prolongan durante años.Francia, 1801. Por un incidente menor, el teniente d'Hubert, menudo y educado, se ve obligado a batirse en duelo con el irracional e impetuoso teniente Feraud. El altercado da lugar a muchísimos duelos que se prolongan durante años.
- Nominada a2premios BAFTA
- 2 premios ganados y 4 nominaciones en total
- Dirección
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- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaRidley Scott said that after having directed anywhere from 1,500 to 2,000 television commercials, he realized no one was going to approach him about directing a film, so he'd have to take the lead. Since his funds were limited, he used a public domain source for the story, and commissioned the script for this movie on his own.
- ErroresIn the opening scene, Harvey Keitel's character's sword strikes home in the upper chest (near the heart) of his opponent, then the film cuts to a side view of the opponent depicting the sword as having entered his stomach area.
- Citas
Armand D'Hubert: General Feraud has made occasional attempts to kill me. That does not give him the right to claim my acquaintance.
- Créditos curiososOpening credits prologue: STRASBOURG 1800
- ConexionesFeatured in Duelling Directors: Ridley Scott & Kevin Reynolds (2002)
- Bandas sonorasBist du bei mir
(uncredited)
Music by Gottfried Heinrich Stölzel
from "Notenbüchlein für Anna Magdalena Bach No. 25. BWV 508"
Written by Johann Sebastian Bach (uncredited)
And the immersive world. Scott usually aims for this, and this is from a time he did it well. He takes from Kubrick the idea of natural light that, once the camera locks in, will look and move (and slightly breathe) like a Romantic painting. The era is Napoleon's, and at least the wintry march back from Russian defeat provides opportunity for some astonishing images.
Some words exhaust their meaning, when thrown without care; so it's not enough to call this existentialist. The story is that an army officer bears an inexplicable grudge that spans 20 years and half of Europe.
Everything you need to know is in the last scene, expertly executed. The idea is that something deeply not-logical gnaws and eats at man's soul and sniffs for blood. And that men, this is strictly male, have lived with this aspect of self for so long, we have developed separate not-logical tools that allow us to not only instinctively respond to the call, however reluctantly, and in spite of recognition of how insane it is, but to silently respect and defend it as its own kind of logic (in our case, the concept of honor).
In the last scene, we have two men seeking each the other to eliminate him from existence, as simple as that. It's the oldest game men have played, and the same thrill resurfaces across poker tables and football. It's got to have something of death in it, if it is to matter at all.
And I have a book called Bushido: The Soul of Japan here with me, retrieved from a shelf because the film sparked an interest, that explains how the blade is the samurai's extension of soul and imbued with the same discipline.
The two rivals have fenced for the entire film, but settle on pistols for the deciding duel, and wander about in a forest, two shots each, meaning they will be able to instantly discharge what is in their soul.
Each man in the shot he takes reveals who they are, one of them rash and impertinent, and fires first, they other level-headed and reserved. The subtle context of the scene is that politics do decide war from afar, in our case the slippery (faulty) pair of boots of the aristocratic boot-maker.
Which is, in a third level, a beautiful way of putting the subtle discord strummed by the universe that creates a slippery world and illogical selves of us, dumb chance as fate.
And suffice to say, the film is British, so you will not learn it here, but in spite of the probably British-started legend, the French are historically the best tactical warriors in Europe. There is a reason why nearly every word in the modern lexicon of war is originally French, and that includes honour.
- chaos-rampant
- 30 ago 2012
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- The Duellists
- Locaciones de filmación
- Château de Commarques, Dordogne, Francia(final pistol duel)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 900,000 (estimado)