Well paced film, interesting slice of the 70s with a nice gritty film. Pretty much every man in this film, and there are a good number, assaults the main character for sex (some succeed, some don't). They act with impunity and a certain air of entitlement. Exaggerated for the film, but probably not by much.
13 Reviews
A worthy showcase for Monica Gayle.
Hey_Sweden10 January 2018
Warning: Spoilers
An endearing performance by lovely 70s starlet Monica Gayle ("Switchblade Sisters") is the centerpiece of this low budget, exploitative Roger Corman spin on a "Coal Miner's Daughter" type of story. Monica plays Jamie Barker, a teenage girl who leaves home, and hits the road to Nashville, with visions of country music stardom dancing in her head. She finds it to be a very bumpy road, since almost every male in sight is sleazy to one degree or another. Things start to look up when she makes the acquaintance of session musician Kelly (Roger Davis, 'Dark Shadows'), and country star Jeb Hubbard (Glenn Corbett, 'Route 66').
"Nashville Girl" was written & produced by Peer J. Oppenheimer ('Operation C.I.A.'), and directed by one of the under rated filmmakers of the decade, Gus Trikonis ("Moonshine County Express"). It's a not uninteresting walk on the dark side of Nashville; as the story progresses, there's just one constant string of male characters who seem more interested in getting into Jamies' pants rather than helping her career.
It is disheartening to see how often guys will take advantage of our heroine. It's likewise unfortunate to see her have a tough time making money. At one point, despite her misgivings, she takes a job as a masseuse. The good news is that there are some helpful female influences in her life, such as Frisky (Shirley Jo Finney, "The River Niger") and Jebs' wife Fran (Judith Roberts, "Eraserhead"). And there's quite a bit of lovely country music to enjoy. (Gayle doesn't do her own singing, but lip synchs adequately.) Ultimately, it ends on a hopeful note, with Jamie determined to succeed on her own terms.
The solid cast also includes familiar faces like screenwriter / actor Leo Gordon ("The Haunted Palace"), Jesse White ("Harvey"), and Marcie Barkin ("Fade to Black"). Gayle is radiant in the lead, and for those who are interested, she does strip down to her birthday suit for an early bout of skinny dipping.
Entertaining stuff that, at an hour and 32 minutes, doesn't overstay its welcome.
Seven out of 10.
"Nashville Girl" was written & produced by Peer J. Oppenheimer ('Operation C.I.A.'), and directed by one of the under rated filmmakers of the decade, Gus Trikonis ("Moonshine County Express"). It's a not uninteresting walk on the dark side of Nashville; as the story progresses, there's just one constant string of male characters who seem more interested in getting into Jamies' pants rather than helping her career.
It is disheartening to see how often guys will take advantage of our heroine. It's likewise unfortunate to see her have a tough time making money. At one point, despite her misgivings, she takes a job as a masseuse. The good news is that there are some helpful female influences in her life, such as Frisky (Shirley Jo Finney, "The River Niger") and Jebs' wife Fran (Judith Roberts, "Eraserhead"). And there's quite a bit of lovely country music to enjoy. (Gayle doesn't do her own singing, but lip synchs adequately.) Ultimately, it ends on a hopeful note, with Jamie determined to succeed on her own terms.
The solid cast also includes familiar faces like screenwriter / actor Leo Gordon ("The Haunted Palace"), Jesse White ("Harvey"), and Marcie Barkin ("Fade to Black"). Gayle is radiant in the lead, and for those who are interested, she does strip down to her birthday suit for an early bout of skinny dipping.
Entertaining stuff that, at an hour and 32 minutes, doesn't overstay its welcome.
Seven out of 10.
Exploitation city!
BandSAboutMovies4 August 2019
Warning: Spoilers
I discovered this movie thanks to Joe Bob Briggs' How Rednecks Saved Hollywood presentation. The clips he showed were absolutely astounding and there was no way that the actual movie could live up to his speech about the film, right? Nope. This is one sordid piece of scummy moviemaking that does all that and more.
Director Gus Trikonis started his career as a dancer in West Side Story, playing Indio, a member of the Sharks. His directing work for Roger Corman's New World Pictures led to Corman claiming he was one of the best young directors that he had worked with. His films run the gamut of hicksploitation, from The Side Hackers to The Swinging Barmaids, Supercock, The Evil, Moonshine County Express and the movie based on the Johnny Paycheck sung and David Allen Coe written song Take This Job and Shove It. He was also married to Goldie Hawn for awhile.
Monica Gayle (The Stewardesses, Switchblade Sisters) stars as Jamie, the Nashville Girl of the title (the film also played under the titles New Girl In Town and Country Music Daughter in an attempt to convince people it something to do with the Loretta Lynn bio Coal Miner's Daughter). She'll do anything to make it in Nashville after leaving town when she's assaulted by a boyfriend and abused by her father. It doesn't get any better in music city, trust me.
Somehow this movie goes from jailbait in trouble to massage parlor receptionist to women in prison to young girl getting pawed by every man in town in very short order, ending with her under the thrall and ownership of big time country star Jeb (Glenn Corbett of TV's Route 66) and enduring the attentions of Kelly (Roger Davis, TV's Dark Shadows, as well as Ruby and Killer Bees).
Judith Roberts shows up as Jeb's long-suffering wife. She'd go on to star in things like Orange Is the New Black, but we know her best as Mary Shaw in Dead Silence.
Singer Johnny Rodriguez and songwriters Rory Bourke, Gene Dobbins, and John Wills all show up here and contribute music. None of this makes Nashville look like a great city to live in or be a rising female artist. There's more #metoo moments in five minutes of this movie than in pretty much everything Hollywood will release this year. It gets to the point that you honestly worry about Monica Gayle's personal mental health. She might change her name to Melody Mason and get a whole new life story, but she can never escape the past that got her here.
Somehow, there's a novel version of this movie that has even more sex in it. It's written by Gary Friedrich, who co-created Ghost Rider. So there's that.
Director Gus Trikonis started his career as a dancer in West Side Story, playing Indio, a member of the Sharks. His directing work for Roger Corman's New World Pictures led to Corman claiming he was one of the best young directors that he had worked with. His films run the gamut of hicksploitation, from The Side Hackers to The Swinging Barmaids, Supercock, The Evil, Moonshine County Express and the movie based on the Johnny Paycheck sung and David Allen Coe written song Take This Job and Shove It. He was also married to Goldie Hawn for awhile.
Monica Gayle (The Stewardesses, Switchblade Sisters) stars as Jamie, the Nashville Girl of the title (the film also played under the titles New Girl In Town and Country Music Daughter in an attempt to convince people it something to do with the Loretta Lynn bio Coal Miner's Daughter). She'll do anything to make it in Nashville after leaving town when she's assaulted by a boyfriend and abused by her father. It doesn't get any better in music city, trust me.
Somehow this movie goes from jailbait in trouble to massage parlor receptionist to women in prison to young girl getting pawed by every man in town in very short order, ending with her under the thrall and ownership of big time country star Jeb (Glenn Corbett of TV's Route 66) and enduring the attentions of Kelly (Roger Davis, TV's Dark Shadows, as well as Ruby and Killer Bees).
Judith Roberts shows up as Jeb's long-suffering wife. She'd go on to star in things like Orange Is the New Black, but we know her best as Mary Shaw in Dead Silence.
Singer Johnny Rodriguez and songwriters Rory Bourke, Gene Dobbins, and John Wills all show up here and contribute music. None of this makes Nashville look like a great city to live in or be a rising female artist. There's more #metoo moments in five minutes of this movie than in pretty much everything Hollywood will release this year. It gets to the point that you honestly worry about Monica Gayle's personal mental health. She might change her name to Melody Mason and get a whole new life story, but she can never escape the past that got her here.
Somehow, there's a novel version of this movie that has even more sex in it. It's written by Gary Friedrich, who co-created Ghost Rider. So there's that.
"Coal Miner's Daughter", but with sex
Maza21 February 1999
Monica Gale is Jamie, a 16 years old girl who travels to Nashville to try her luck in the country music business. Sadly, Jamie is really beautiful, and every man in the city is trying to get laid with her. She is confused, and sometimes she agrees. She goes to prison for a while (in a sexploitation way). Later, she knows a country music star who supports her, but he falls in love of her, and everything spoils. In one scene, this guy rapes her, meanwhile Jamie sister is listening the attack by phone. Musical, sort of "Coal Miner's Daughter" kind of movie, but with several nudes of thin, delicate, absolutely irresistible Gale. Quentin Tarantino showed it in the Third Annual Quentin Tarantino Festival in Austin, Tx.
Not the schlock people say it is.
wednesdaynightchurch26 July 2023
I was expecting just a straight exploitation movie. And while there are moments that feel that way this picture is so much more. The performances are all top notch here with an especially great performance by Glenn Corbett. This movie has a good story about a girl trying to make it in the country music industry. It's sad to think that Nashville is as bad as this movie portrays but the director did spend an extensive time there researching for this movie. There is also a lot of great country music in this movie if you are a fan of the genre. There are some really unpleasant moments and themes but if your down for the ride a great story with great performances. Highly recommend it.
Drive-in entry makes no pretensions to art...
moonspinner5524 September 2017
New World's "Nashville Girl" begins with a hayseed young miss skinny-dipping in the lake and never strays from this path. In the lead, honey-mellowed Monica Gayle is an easy screen presence as a determined, talented country music songwriter with aspirations to work in Nashville, but the movie isn't interested in being a rags-to-riches story. Jailbait Gayle is continually ogled, pawed at, stripped and molested, while most of the men on her journey (and one lesbian, natch) are horny old-timers with one thing on their minds. Director Gus Trikonis and writer Peer J. Oppenheimer aren't smut peddlers, exactly--there's an outline of a story--and Oppenheimer provides salty hard luck travails for our heroine. Still, it's a jaded B-movie with one foot in the gutter: not entirely sleazy, but not at all inspiring. *1/2 from ****
A well acted, gritty adventure set in the 1970s Country Music scene...
timnewman10220 April 2007
An abused teen escapes her rednecked family and allows country music entertainer Jeb Hubbard to make her swoon when he sings "Hold On Tight" at a fundraiser for the Tennessee Memorial Hospital, his favorite charity. Thoroughly swept from her feet, Jamie allows the singer's cohorts to reinvent her as a rising music star from Wheeling, West Virginia, complete with new name. But could her name eventually surpass Jeb's? Will her past (depicted earlier in the movie) come back to haunt her? "Today You'll Do Better (Than You Did Yesterday)" Jamie sings of her life... but not before paying her dues, and then some. This vastly underrated and underproduced film is well directed, believably acted and is awash in rich, singable tunes befitting a much larger production. This is one of those rare pieces that sticks with you for life (including many of its songs), somehow, through its movie magic -- magic made because it simply works, despite its feeble budget and production woes. Monica Gayle is fantastic and extremely memorable. "Nashville Girl" should have been the dawn of her career, not the twilight. Footnote: Most know of "Nashville Girl" thanks to a Showtime Network executive who was a fan of the picture and insisted on running it ad nauseam during the early nineteen-eighties. I had to vote this movie a 10 on IMDb simply because it stuck with me for all these years... so it actually earned its own "10".
The adorable Monica Gayle shines as a low-rent Loretta Lynn in this choice chunk of 70's Southern-fried drive-in sleaze
Woodyanders13 July 2006
Warning: Spoilers
You know you're in for a four-star 70's drive-in sleazy treat when barely two minutes into the picture the luscious and adorable Monica Gayle, a lovely sprite actress who appeared in trashy films for such B-movie luminaries as Jack Hill, Harry Novak, Gary Graver and Larry Buchanan, peels her clothes off to go skinny-dipping while the opening credits are still rolling. Of course, some vile, scummy degenerate hillbilly dude comes along and savagely rapes poor Monica, thus giving her a credible excuse to run away from home with acoustic guitar in tow and go to Nashville to make it as an honest-to-goodness country music star. The ever perky and appealing Gayle, as naive, but feisty and determined Loretta Lynn-like 16-year-old Kentucky hick chick Jamie Barker, receives a ride into town from gruff trucker Leo Gordon and promptly learns that the only way to really make it in Nashville is by making love with the right powerful music biz people. Pretty soon Jamie is gladly hopping in the sack with every lecherous older man who's got the hots for her. Alas, Jamie runs low on cash and is forced to work at a seedy massage parlor as a receptionist. And, wouldn't you know it, Jamie gets arrested and has to do hard time at a prison work farm where one of the predatory lesbian guards sexually assaults her in the shower! Fortunately, Jamie gets paroled and befriends nice guy session musician Kelly (amiably played by "Flash and the Firecat" 's Roger Davis), who introduces her to country music superstar Jeb Hubbard (burly Glen Corbett), an overbearing jerk of a control freak with a fatal weakness for young girls. Hubbard makes Jamie his protégé, renames her Melody Mason, and turns her into the major league star she always dreamed of being. But this overnight fame and fortune comes at a terrible price, with Jamie becoming increasingly lonely, cynical, arrogant and disillusioned as her innocence gets irrevocably shattered.
Boy, talk about a wildly colorful and eventful never-a-dull-minute busy narrative! Better still, along with the abundant Gayle nudity, Gus Trikonis' brisk, get-right-to-the-point efficient direction, several astounding scenes featuring Gayle singing both in the recording studio and on stage with a (dubbed?) strong, brassy contralto voice, a standard rags-to-riches story that becomes more delightfully lurid and melodramatic as the movie progresses forward (in fact, this entire picture plays like a tightly streamlined $1.98 discount version of "Coal Miner's Daughter"), a cameo appearance by mid-level country-and-western singer Johnny Rodriguez as himself, and a funny performance by late, great character actor Jesse White as a greedy dirtbag music publisher, this fabulous grindhouse gem even comes complete with a sincere cautionary morale: Country music superstardom ain't exactly what it's cracked up to be. Now, that's precisely what prime 70's exploitation cinema is all about: sex, bare skin, scuzzy plot twists and, most importantly, a redeeming pertinent social message, too!
Boy, talk about a wildly colorful and eventful never-a-dull-minute busy narrative! Better still, along with the abundant Gayle nudity, Gus Trikonis' brisk, get-right-to-the-point efficient direction, several astounding scenes featuring Gayle singing both in the recording studio and on stage with a (dubbed?) strong, brassy contralto voice, a standard rags-to-riches story that becomes more delightfully lurid and melodramatic as the movie progresses forward (in fact, this entire picture plays like a tightly streamlined $1.98 discount version of "Coal Miner's Daughter"), a cameo appearance by mid-level country-and-western singer Johnny Rodriguez as himself, and a funny performance by late, great character actor Jesse White as a greedy dirtbag music publisher, this fabulous grindhouse gem even comes complete with a sincere cautionary morale: Country music superstardom ain't exactly what it's cracked up to be. Now, that's precisely what prime 70's exploitation cinema is all about: sex, bare skin, scuzzy plot twists and, most importantly, a redeeming pertinent social message, too!
One of the best B-movies of 70's
lepfan5 April 2021
Warning: Spoilers
I've been on a tear for months now finding these 70's B-movies like Truck Stop Women, Sixpack Annie, Texas Dynamite Chase, to name a few. This one here has to be my favorite one so far. The star of the movie Jamie played by Monica Gayle is what makes this movie. You really feel for this character and what this young girl is going through. What makes it kind of creepy is how the real life actress Monica Gayle vanished from Hollywood not too long after this movie was made, similar to how the character she plays here cut ties at the end of the movie with the Country Music scene to never be seen again.
The "In's and Out's" of the Country Music Business
ElijahCSkuggs17 June 2008
So I hear Nashville Girl is a flick that all exploitation fans should enjoy. Well, after watching NG, I'd agree and disagree.
First the story, which revolves around young and innocent lovely deciding to run away from home and shoot for her dreams of becoming a country singer. It's a story-idea we've all watched before, from movie's about athletes reaching their goals to an actor hitting it big on the big screen. But with Nashville Girl this movie shows the oh-so real and seedy parts of the bizz. Which were all the reasons why this film is considered an exploit film. Sure it has some sleazy scenes, but nothing is graphic to the point of a double-take. That is where I disagree, the film barely felt like an exploitation classic. It felt like just a solid, well-made film. Obviously there are levels of exploitation when it comes down to an exploit flick, and I guess this is just one that measures a little low on the Sick Scale.
Nashville Girl overall though is a really good flick. With average to great acting by almost all involved the movie's emotional issues feel much more realistic. And with it's realistic approach, solid writing, and great soundtrack, the movie delivers far more than it fails to. If you're into exploit films and you're watching this for some heavy sleaze or violence, you may be slightly let-down. But don't dismay, Nashville Girl is a really good movie and one of the best "hicksploitation" flicks out there.
First the story, which revolves around young and innocent lovely deciding to run away from home and shoot for her dreams of becoming a country singer. It's a story-idea we've all watched before, from movie's about athletes reaching their goals to an actor hitting it big on the big screen. But with Nashville Girl this movie shows the oh-so real and seedy parts of the bizz. Which were all the reasons why this film is considered an exploit film. Sure it has some sleazy scenes, but nothing is graphic to the point of a double-take. That is where I disagree, the film barely felt like an exploitation classic. It felt like just a solid, well-made film. Obviously there are levels of exploitation when it comes down to an exploit flick, and I guess this is just one that measures a little low on the Sick Scale.
Nashville Girl overall though is a really good flick. With average to great acting by almost all involved the movie's emotional issues feel much more realistic. And with it's realistic approach, solid writing, and great soundtrack, the movie delivers far more than it fails to. If you're into exploit films and you're watching this for some heavy sleaze or violence, you may be slightly let-down. But don't dismay, Nashville Girl is a really good movie and one of the best "hicksploitation" flicks out there.
Fantastic seventies flick!
The_Void25 August 2008
Nashville Girl falls somewhere between an exploitation flick and a drama, but I'm not surprised that this is often considered an exploitation classic; as there are more than enough exploitative elements and the drama itself is interesting also. The film takes place in the Deep South and primarily focuses on the country music industry, although lots of other things come into play too. The main reason this film is so good is because of the way the narrative works; so many things happen in this film and it really doesn't become boring even for a minute, which is definitely much to its credit. The main character is Jamie Barker; a young country girl living in a no good town. She's out skinny dipping one day and attracts some unwanted attention from a no good hick type who proceeds to go ahead and rape her. The young girl is upset and confused and after an argument with her parents, decides to go to Nashville in order to find fame and fortune. So she sets off hitch hiking and gets a lift with two truckers before eventually reaching Nashville and finding that the way to the top is not always paved with gold.
Monica Gayle takes the lead role and does excellently with it. She really convinces as the naive young girl at the film's centre and her likable persona is a real credit to the film. There's really nothing wrong with her performance and I'm surprised the actress didn't go on to make more films. Gus Trikonis (who would go on to direct the low budget horror The Evil a couple of years later) directs this film well; creating just enough of a sleazy atmosphere to please exploitation fans. The way that Nashville is portrayed is gritty and sleazy and while there's not much actual sleaze in the film, the atmosphere is a benefit to it. I can't say I'm a fan of this sort of music; but the songs featured are catchy enough and well sang. I don't know if Monica Gayle did her own singing; I'd like to think so, but she probably didn't. Anyway, this film is engrossing for its entire ninety minute runtime and it all boils down to a satisfying conclusion. Overall, Nashville Girl is an excellent little film that could do to be better known. Fans of seventies thrillers will want to check this little flick out!
Monica Gayle takes the lead role and does excellently with it. She really convinces as the naive young girl at the film's centre and her likable persona is a real credit to the film. There's really nothing wrong with her performance and I'm surprised the actress didn't go on to make more films. Gus Trikonis (who would go on to direct the low budget horror The Evil a couple of years later) directs this film well; creating just enough of a sleazy atmosphere to please exploitation fans. The way that Nashville is portrayed is gritty and sleazy and while there's not much actual sleaze in the film, the atmosphere is a benefit to it. I can't say I'm a fan of this sort of music; but the songs featured are catchy enough and well sang. I don't know if Monica Gayle did her own singing; I'd like to think so, but she probably didn't. Anyway, this film is engrossing for its entire ninety minute runtime and it all boils down to a satisfying conclusion. Overall, Nashville Girl is an excellent little film that could do to be better known. Fans of seventies thrillers will want to check this little flick out!
Gus Trikonis and Monica Gayle
lazarillo11 September 2011
This movie teams up two underrated talents from the 1970's. The first is director Gus Trikonis (the former Mr. Goldie Hawn) who directed big-screen exploitation flicks like "Swinging Barmaids" and "The Student Body", underrated horror fare like "The Evil", and superior made-for-TV movies like "The Darker Side of Terror". The second is actress Monica Gayle, a breath-taking natural beauty who spent a good portion of all her movies modeling her luscious birthday suit, and as a result perhaps was never really given her due as an actress. With the possible exception of "Strawberries Need Rain", this is her best film.
Gayle plays "Jamie", a sixteen-year-old runaway, who comes to Nashville to try to make it as a songwriter. Her character is not unlike the actress herself in that while she is actually genuinely talented, none of the loutish male agents and producers she interviews with seem to notice because they are all too busy trying to dip their wicks in her. One washed-up country music celebrity finally does take advantage of her MUSICAL talents, but he too eventually becomes possessed by her irresistible, nubile charms and for awhile this kind of turns into a low-budget, country-music version of "A Star is Born".
This is not exactly a feminist film. "Jamie" is forcibly raped twice, taken advantage of my every man she meets, and at one point even ends up in a juvenile detention center after she's caught in a massage parlor bust (while a client is giving HER a massage). And, of course, in the camp she falls prey to the stereotypical lesbian guard. Despite all the exploitative elements though, Trikonis crafts a fairly realistic movie that does really show the seedy side of Nashville. It's not "Coal Miner's Daughter", but it's not exactly trying to be either. It's also not Robert Altman's "Nashville", but I found it a lot more fun to watch. And I actually thought it was quite a bit BETTER than the 70's version of "A Star Is Born" (with the insufferable Barbra Streisand). The country music songs are quite good (although unlike Sissy Spacek, Karen Black, and a lot of the actresses in the aforementioned movies, Gayle's singing was quite obviously dubbed). I hadn't heard a lot of the songs before, but there is a good cover of the Bob Will's classic "Faded love". I'd definitely recommend this one.
Gayle plays "Jamie", a sixteen-year-old runaway, who comes to Nashville to try to make it as a songwriter. Her character is not unlike the actress herself in that while she is actually genuinely talented, none of the loutish male agents and producers she interviews with seem to notice because they are all too busy trying to dip their wicks in her. One washed-up country music celebrity finally does take advantage of her MUSICAL talents, but he too eventually becomes possessed by her irresistible, nubile charms and for awhile this kind of turns into a low-budget, country-music version of "A Star is Born".
This is not exactly a feminist film. "Jamie" is forcibly raped twice, taken advantage of my every man she meets, and at one point even ends up in a juvenile detention center after she's caught in a massage parlor bust (while a client is giving HER a massage). And, of course, in the camp she falls prey to the stereotypical lesbian guard. Despite all the exploitative elements though, Trikonis crafts a fairly realistic movie that does really show the seedy side of Nashville. It's not "Coal Miner's Daughter", but it's not exactly trying to be either. It's also not Robert Altman's "Nashville", but I found it a lot more fun to watch. And I actually thought it was quite a bit BETTER than the 70's version of "A Star Is Born" (with the insufferable Barbra Streisand). The country music songs are quite good (although unlike Sissy Spacek, Karen Black, and a lot of the actresses in the aforementioned movies, Gayle's singing was quite obviously dubbed). I hadn't heard a lot of the songs before, but there is a good cover of the Bob Will's classic "Faded love". I'd definitely recommend this one.
Touching film about a music hopeful's dashed attempts.
TopBrim17 March 2018
This is a good show about a hopeful, musically-inclined girl whose gifted talents are underestimated in the competitive entertainment world. The main actress Monica Gayle plays a country music fan who is attractive, intelligent, although somewhat naive, and intent on becoming a country music star herself. It seems almost to have an underlying theme of irony caused by cruelty toward the character played by Monica Gayle with its amount of hidden sex exploitation, but I respected and loved that she never feels demoralized all through the movie in her role and she stays persistently determined. The movie never gave the impression in my opinion of being stuck with a commonplace, routine kind of plot but instead it inspired viewers by Jamie's adventures. This film contains some fine country music made for the show and one song that actually was sang by Johnny Rodriquez in a guest appearance. The DVD of this film has a clearly defined quality that is easy on the eyes and a smooth flowing story which kept me rooting for the girl known as Jamie Barker and on the edge of my seat all the way to the end of the film. The movie is a worthy to watch show even just to witness actress Monica Gayle's high-spirited acting and beauty in the movie. Truthfully though, I didn't understand the ending. Fans of country music and mature audiences can really stay tuned to this fine performance!!
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