During a future ice age, dying humanity occupies its remaining time by playing a board game called "Quintet." For one small group, this obsession is not enough; they play the game with living pieces ... and only the winner survives.
A rich but lonely woman, Frances Austen, one day invites a homeless young man from a nearby park to her apartment and offers to let him live there. However, she has no intention of ever letting him leave again.
May is waiting for her boyfriend in a run-down American motel, when an old flame turns up and threatens to undermine her efforts and drag her back into the life that she was running away from. The situation soon turns complicated.
Harry Dean Stanton
A parody and satire of the U.S. political scene of the time, HealtH is set at a health food convention at a Florida luxury hotel, where a powerful political organization is deciding on a new president.
A fictionalized former President Richard M. Nixon offers a solitary, stream-of-consciousness reflection on his life and political career - and the "true" reasons for the Watergate scandal and his resignation.
Buffalo Bill plans to put on his own Wild West sideshow, and Chief Sitting Bull has agreed to appear in it. However, Sitting Bull has his own hidden agenda, involving the President and General Custer.Written by
Jonathan Broxton <email@example.com>
The film's closing credits declare that the picture was "Filmed entirely on the Stoney Indian Reserve, Alberta, Canada". See more »
Sitting Bull joined Cody's show in 1885. The performing arena shows several Wyoming state flags, but Wyoming wasn't granted statehood until 1890, and that flag wasn't adopted until 1917. See more »
William F. 'Buffalo Bill' Cody:
The difference between a white man and an injun in all situations is that an injun is red. And an injun is red for a very good reason. So we can tell us apart.
See more »
Robert Altman's Absolutely Unique and Heroic Enterprise of Inimitable Lustrel See more »
Interesting, like all Altman films, but not his best.
This movie is certainly worth watching if you're an Altman fan, or a fan of revisionist Westerns. The performances are great (as per usual when Altman is at the helm) and the movie is entertaining enough on its own merits.
The two biggest flaws, though, are these: Compared to most of Altman's films, much of the dialogue in this movie is very "stagy" and theatrical. I suppose it's supposed to be that way because of the questions of "myth" and "legend" that the story concerns itself with, but my impression was that such theatrical-sounding dialogue didn't mesh well with Altman's typically naturalistic style of filming.
The other problem I had is that the whole subject matter -- myth vs. reality, history vs. reality, show business vs. reality, etc. -- isn't really explored with any depth or subtlety. We're constantly being reminded that Buffalo Bill is a man who created his own legend out of lies, and that that is the basis of modern show business to this day, but really, that just didn't strike me as being a particularly insightful observation. This is hardly the first movie to point out that lies are often more "real" (or more attractive) than the truth, and Altman doesn't seem to bring anything new to the table.
Still, it's Altman, which means it's well-made, entertaining and beautiful to look at. I don't think this will ever be considered one of his major works but it's certainly worth a look.
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