This post contains major spoilers for "Infinity Pool."
In Ernest Hemingway's 1926 novel "The Sun Also Rises," war veteran Jake Barnes, who has suffered an injury leaving him unable to have sex, tells a friend who's sleeping with his beloved, "You can't get away from yourself by moving from one place to another." In Thomas Wolfe's 1940 novel "You Can't Go Home Again," protagonist George Webber, a novelist, returns to his hometown after writing about it in a successful book. The novel's contents have outraged his old neighbors and family, appalled by what had secretly laid within George's psyche.
In Brandon Cronenberg's latest film, "Infinity Pool," writer James Foster (Alexander Skarsgård) learns about being caught between these two literary extremes in the most disturbing, humiliating, and embarrassing way possible. Now three films into his directing career, "Infinity Pool" further cements Cronenberg's auteurist signature style, his tropes, themes, and aesthetic.
In Ernest Hemingway's 1926 novel "The Sun Also Rises," war veteran Jake Barnes, who has suffered an injury leaving him unable to have sex, tells a friend who's sleeping with his beloved, "You can't get away from yourself by moving from one place to another." In Thomas Wolfe's 1940 novel "You Can't Go Home Again," protagonist George Webber, a novelist, returns to his hometown after writing about it in a successful book. The novel's contents have outraged his old neighbors and family, appalled by what had secretly laid within George's psyche.
In Brandon Cronenberg's latest film, "Infinity Pool," writer James Foster (Alexander Skarsgård) learns about being caught between these two literary extremes in the most disturbing, humiliating, and embarrassing way possible. Now three films into his directing career, "Infinity Pool" further cements Cronenberg's auteurist signature style, his tropes, themes, and aesthetic.
- 1/27/2023
- by Bill Bria
- Slash Film
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