Un irlandés sin escrúpulos enamora a una viuda adinerada y adopta la posición aristocrática que ocupaba su marido en la Inglaterra del siglo 18.Un irlandés sin escrúpulos enamora a una viuda adinerada y adopta la posición aristocrática que ocupaba su marido en la Inglaterra del siglo 18.Un irlandés sin escrúpulos enamora a una viuda adinerada y adopta la posición aristocrática que ocupaba su marido en la Inglaterra del siglo 18.
- Ganó 4 premios Óscar
- 17 premios ganados y 14 nominaciones en total
Hardy Krüger
- Capt. Potzdorf
- (as Hardy Kruger)
Diana Körner
- Lischen
- (as Diana Koerner)
André Morell
- Lord Gustavus Adolphus Wendover
- (as Andre Morell)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaProduction was moved from Ireland to England after writer, producer, and director Stanley Kubrick received word that his name was on an I.R.A. hit list for directing a movie featuring English soldiers in Ireland. Consequently, several scenes were dropped.
- ErroresThe narrator states, early on, "About this time, the United Kingdom was in a state of great excitement". The United Kingdom came into being in 1801, when it merged with the Kingdom of Ireland, before which it was known merely as the Kingdom of Great Britain. In fact the Act of Union of 1707, which joined England and Scotland, refers to "the United Kingdom of Great Britain" or "the United Kingdom" throughout the text. "United Kingdom" was in common use at the time of the film.
- Citas
Title card: [End title card] EPILOGUE
Title card: It was in the reign of George III that the aforesaid personages lived and quarreled; good or bad, handsome or ugly, rich or poor they are all equal now
- Versiones alternativasThe 2011 Blu-ray remaster, which also appeared on the digital platforms, plastered the Saul Bass variant of the Warner Bros. Pictures logo with the black and white Warner Bros. Pictures shield.
- ConexionesEdited into Hai-Kubrick (1999)
- Bandas sonorasPiano Trio in E-flat, Op 100 (second movement)
Composed by Franz Schubert
piano: Anthony Goldstone
cello: Moray Welsh
violin: Ralph Holmes
Opinión destacada
Great Paintings Come To Life
Some movies - I wish there were more of them - simply look like a series of great paintings. This film has that look. You could freeze-frame many of the scenes and swear you were looking at a Gainsborough, a Vermeer, a Hogarth or similar work of art by one the great artists of three to five centuries ago. It's just beautiful.
For that, we have Director Stanley Kubrick and Photographer John Alcott to thank. Being a three-hour movie, there are plenty of wonderful shots to admire, too. In addition, the costumes are lavish and authentic and the scoring is notable. It's no accident that Oscars were garnered for art/set direction, cinematography, costume design and scoring. Yeah, if you enjoy classical music, you'll really enjoy the soundtrack, too, under the guidance of conductor Leonard Roseman.
Not to be overlooked is the fine acting and the interesting and underrated story. I say "underrated" because this film, from what I've read, bored a lot of people and and it was a box-office flop. That's too bad because, frankly, I found the story (outside of the first 10--15 minutes) to be fascinating. As I watched, I kept wondering what strange occurrences will happen next to the lead character, "Redmond Barry/Barry Lyndon," played beautifully by Ryan O'Neal. (For most of the movie, he's called "Redmond Barry," so I will refer to him as that.)
Overall, this was a low-key adventure story about the rise-and-fall of a "scoundrel" back in late 18th century Englishman. "Mr. Barry" is an Irishmen living in England who winds up dealing with a number of people: Irish, English, Prussian, French. His dealings with these people are bizarre at times. While he mainly is shown doing what he can to promote himself, for either monetary gain and prestige of a name and power, he's not all bad. There is a compassionate side to him, but it only shows itself in small doses. It makes him all the more interesting to watch, because you don't always know how he's going to react to his circumstances, which change radically every few years.
We witness his rise to prominence and then his fall when his "sins begin to find him out," as the Bible would describe. It's quite a roller coaster ride.
This is an emotional, involving story, and a feast for the eyes and ears. It's quite different, too, certainly not the average fare from Kubrick. I can only hope this comes out on a high-definition disc some day. Admirers of this film need to see this in all its glory.
For that, we have Director Stanley Kubrick and Photographer John Alcott to thank. Being a three-hour movie, there are plenty of wonderful shots to admire, too. In addition, the costumes are lavish and authentic and the scoring is notable. It's no accident that Oscars were garnered for art/set direction, cinematography, costume design and scoring. Yeah, if you enjoy classical music, you'll really enjoy the soundtrack, too, under the guidance of conductor Leonard Roseman.
Not to be overlooked is the fine acting and the interesting and underrated story. I say "underrated" because this film, from what I've read, bored a lot of people and and it was a box-office flop. That's too bad because, frankly, I found the story (outside of the first 10--15 minutes) to be fascinating. As I watched, I kept wondering what strange occurrences will happen next to the lead character, "Redmond Barry/Barry Lyndon," played beautifully by Ryan O'Neal. (For most of the movie, he's called "Redmond Barry," so I will refer to him as that.)
Overall, this was a low-key adventure story about the rise-and-fall of a "scoundrel" back in late 18th century Englishman. "Mr. Barry" is an Irishmen living in England who winds up dealing with a number of people: Irish, English, Prussian, French. His dealings with these people are bizarre at times. While he mainly is shown doing what he can to promote himself, for either monetary gain and prestige of a name and power, he's not all bad. There is a compassionate side to him, but it only shows itself in small doses. It makes him all the more interesting to watch, because you don't always know how he's going to react to his circumstances, which change radically every few years.
We witness his rise to prominence and then his fall when his "sins begin to find him out," as the Bible would describe. It's quite a roller coaster ride.
This is an emotional, involving story, and a feast for the eyes and ears. It's quite different, too, certainly not the average fare from Kubrick. I can only hope this comes out on a high-definition disc some day. Admirers of this film need to see this in all its glory.
útil•16436
- ccthemovieman-1
- 20 abr 2009
Selecciones populares
Inicia sesión para calificar y agregar a lista de videos para obtener recomendaciones personalizadas
Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- También se conoce como
- Баррі Ліндон
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 11,000,000 (estimado)
- Total a nivel mundial
- USD 260,131
- Tiempo de ejecución3 horas 5 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.66 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta
Principales brechas de datos
What is the streaming release date of Barry Lyndon (1975) in Brazil?
Responda