When the menace known as the Joker emerges from his mysterious past, he wreaks havoc and chaos on the people of Gotham. The Dark Knight must accept one of the greatest psychological and physical tests of his ability to fight injustice.
The continuing saga of the Corleone crime family tells the story of a young Vito Corleone growing up in Sicily and in 1910s New York; and follows Michael Corleone in the 1950s as he attempts to expand the family business into Las Vegas, Hollywood and Cuba.Written by
Keith Loh <email@example.com>
Robert De Niro spent four months learning to speak the Sicilian dialect in order to play Vito Corleone. Nearly all of the dialogue that his character speaks in the film was in Sicilian. See more »
The aquarium at the Tahoe estate is of a type (without metal frames) that did not exist in the late 1950s - early 1960s. New silicone adhesives made frame-less aquaria possible only a few years before the film was shot. See more »
The godfather was born Vito Andolini, in the town of Corleone in Sicily. In 1901 his father was murdered for an insult to the local Mafia chieftain. His older brother Paolo swore revenge and disappeared into the hills, leaving Vito, the only male heir, to stand with his mother at the funeral. He was nine years old.
[gunshots and screams]
[subtitled from Italian]
They've killed the boy! They've killed young Paolo! They've killed your son Paolo!
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Closing credits state that this film is "Based on the Novel "The Godfather" by Mario Puzo." In fact, only the scenes showing the young Vito have any basis in the novel. Everything dealing with Michael Corleone and his family in Las Vegas was created for the film, with the exception of the character Deanna Dunn. See more »
In the German theatrical version, all Italian dialogs from the young Vito Corleone's scenes were dubbed into German, as well as the English and Spanish dialogs from Michael Corleone's scenes. The original Italian language for this footage has been only restored for the movie's DVD release in 2002. See more »
This isn't quite as powerful as the first Godfather, done two years earlier, but it isn't far behind. It's another magnificently filmed effort, wonderfully acted and a hard film to stop once you've put it in your tape or DVD player.
What makes this a notch below the first Godfather is the absence of Marlon Brando and a little too much disjointedness with flashbacks. Also missing from this film was the volatile James Caan. He was shown in a flashback scene near the end, and that was it.
One thing was just as good if not better than the first film, and that was the cinematography. The browns, blacks, greens and yellows are just great treats for the eyes. I especially love the Italian houses and scenery. Why this was not even nominated for an Academy Award in cinematography is mind-boggling.
The story centers around the brutal vengeance of youngest brother Michael (Al Pacino). It also gives a good demonstration of how the gangster lifestyle may look attractive on the outside but really is an unhappy one despite the wealth.
There are some excellent supporting performances in this film, too. I especially would cite the roles played by Michael Gazzo and Lee Strassburg.
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