In the midst of trying to legitimize his business dealings in New York City and Italy in 1979, aging Mafia Don Michael Corleone seeks to avow for his sins, while taking his nephew Vincent Mancini under his wing.
When the menace known as the Joker emerges from his mysterious past, he wreaks havoc and chaos on the people of Gotham. The Dark Knight must accept one of the greatest psychological and physical tests of his ability to fight injustice.
The continuing saga of the Corleone crime family tells the story of a young Vito Corleone growing up in Sicily and in 1910s New York; and follows Michael Corleone in the 1950s as he attempts to expand the family business into Las Vegas, Hollywood and Cuba.Written by
Keith Loh <firstname.lastname@example.org>
When little Vito arrives at Ellis Island, he is marked with a circled X. Ellis Island immigrants were marked with this if the inspector believed the person had a mental defect. See more »
During Roth's birthday party, the pattern on his shirt changes. Due to weather difficulties, the two minute scene took over a week to shoot and the original shirt was lost at some point. The production designer attempted to recreate it by drawing an approximation of the pattern onto a plain shirt, but it didn't quite match. See more »
The godfather was born Vito Andolini, in the town of Corleone in Sicily. In 1901 his father was murdered for an insult to the local Mafia chieftain. His older brother Paolo swore revenge and disappeared into the hills, leaving Vito, the only male heir, to stand with his mother at the funeral. He was nine years old.
[gunshots and screams]
[subtitled from Italian]
They've killed the boy! They've killed young Paolo! They've killed your son Paolo!
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Closing credits state that this film is "Based on the Novel "The Godfather" by Mario Puzo." In fact, only the scenes showing the young Vito have any basis in the novel. Everything dealing with Michael Corleone and his family in Las Vegas was created for the film, with the exception of the character Deanna Dunn. See more »
A Potpourri of Vestiges Review: The Godfather of all sequels
The Godfather Part II is a consummation of the saga of the Corleone Crime family. Regarded by many as the best sequel ever, the Godfather Part II is equally brilliant as its precursor and good enough to stand on its own. The movie juxtaposes, the early life of Vito Corleone (from his orphaned childhood to his rise in power in New York), with the life of his son, Michael (after Vito's death to Michael becoming the most powerful Mafia head). Al Pacino picks up from where he left in the first part, consummating Michael's journey to the dark side and in the process, presenting him as the greatest anti-hero, the western cinema ever embodied. The movie gave Pacino his third consecutive Oscar nomination and a perpetual stardom that catapulted him above the ruck, laying the foundations of his illustrious career. Just like in part I, his performance in this movie is absolutely worthy of an Oscar, but the Academy once again robbed him of the glory.
Robert De Niro in his Oscar winning portrayal of Vito Corleone, gives a great performance without uttering a single word in English. The synergy imparted by the brilliance of these two outstanding performers, makes the movie, a treat to watch. Robert Duvall reprises his role of Tom Hagen with a desired degree of subtlety and equanimity, reminding the viewer of Brando's portrayal in Godfather part I. The entire cast is brilliant with special mention of John Cazole as Fredo, Lee Strasberg as Hyman Roth and Michael V.Gazzo as Frankie Pentageli, who are outstanding, to say the least. Cuppola's brilliant and innovative direction gives Puzo's masterful story, an incredible impetus, which is well complemented by Nino Rota's poignant score and Gordon Willis' vivid cinematography. In a nutshell, the movie, though sanguinary and lengthy than its precursor, is an equally brilliant work of cinema, a profound and a deeply engrossing master piece.
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