IMDb-BEWERTUNG
6,9/10
2697
IHRE BEWERTUNG
Die erst 17-jährige Effi Briest (Hanna Schygulla) wird mit dem deutlich älteren Baron Geert von Innstetten (Wolfgang Schenk) verheiratet.Die erst 17-jährige Effi Briest (Hanna Schygulla) wird mit dem deutlich älteren Baron Geert von Innstetten (Wolfgang Schenk) verheiratet.Die erst 17-jährige Effi Briest (Hanna Schygulla) wird mit dem deutlich älteren Baron Geert von Innstetten (Wolfgang Schenk) verheiratet.
- Auszeichnungen
- 1 Gewinn & 1 Nominierung
Karlheinz Böhm
- Wüllersdorf
- (as Karl-Heinz Böhm)
An Dorthe Braker
- Frau Pasche
- (as Anndorthe Braker)
Hark Bohm
- Apotheker Gieshübler
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe complete title of the film is one of the longest titles (if not the longest) in film history: "Fontane Effi Briest oder viele, die eine Ahnung haben von ihren Möglichkeiten und ihren Bedürfnissen und trotzdem das herrschende System in ihrem Kopf akzeptieren durch ihre Taten und es somit festigen und durchaus bestätigen"
- Zitate
Effi Briest: One's associations are connected not only with one's personal experiences, but also with what one has heard or happens to know.
- SoundtracksHavanaise in E major, Op. 83
Composed by Camille Saint-Saëns
Ausgewählte Rezension
EFFI BRIEST is definitely worth one's time even if evanescent frustration might bob up intermittently due to its unconventional narratology
Theatrical rigidity becomes part and parcel of R.W. Fassbinder's fetchingly monochromatic period drama, an adaptation of Theodor Fontane's novel, EFFI BRIEST, predominantly accompanied by its own author's ur-texts in voiceover, narration or title cards, stars Hanna Schygulla as our titular heroine, a Prussian young girl consents to the marriage proposal of Baron Geert von Instetten (Schenck), a former suitor of her mother Louise (Pempeit), out of a desire for prestige, although she is only 18, and her husband is over twice of her age.
Fassbinder stridently retains its source novel's poetic realism through the film's gorgeous costumes, furnitures and a repressive air of solemnity, a matter-of-factness in probing into Effi and Geert's turbulent and unbalanced marriage, wherein a trophy wife's seemingly perfect life is under constant gaslighting and doctrinaire manipulation from her haughty husband, and Fassbinder counterintuitively keeps a perverse remove from key incidents, totally relies on wording to elucidate thoughts and relentless long takes to consistently test audience's patience, it is a bold move, but on the strength of the picture's uncannily stylish compositions (mirrors and doors are key partitions to transmit the despondent feeling of alienation, detachment, even cruelty)...
continue reading my review on my blog: cinema omnivore, thanks
Fassbinder stridently retains its source novel's poetic realism through the film's gorgeous costumes, furnitures and a repressive air of solemnity, a matter-of-factness in probing into Effi and Geert's turbulent and unbalanced marriage, wherein a trophy wife's seemingly perfect life is under constant gaslighting and doctrinaire manipulation from her haughty husband, and Fassbinder counterintuitively keeps a perverse remove from key incidents, totally relies on wording to elucidate thoughts and relentless long takes to consistently test audience's patience, it is a bold move, but on the strength of the picture's uncannily stylish compositions (mirrors and doors are key partitions to transmit the despondent feeling of alienation, detachment, even cruelty)...
continue reading my review on my blog: cinema omnivore, thanks
hilfreich•31
- lasttimeisaw
- 5. Nov. 2019
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Details
Box Office
- Budget
- 750.000 DM (geschätzt)
- Bruttoertrag in den USA und Kanada
- 8.144 $
- Eröffnungswochenende in den USA und in Kanada
- 11.623 $
- 16. Feb. 2003
- Weltweiter Bruttoertrag
- 8.144 $
- Laufzeit2 Stunden 20 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.37 : 1
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