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Blazing Saddles (1974)

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In order to ruin a western town, a corrupt politician appoints a black Sheriff, who promptly becomes his most formidable adversary.

Director:

Mel Brooks

Writers:

Mel Brooks (screenplay), Norman Steinberg (screenplay) | 4 more credits »
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Popularity
576 ( 121)
Nominated for 3 Oscars. Another 3 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Cleavon Little ... Bart
Gene Wilder ... Jim
Slim Pickens ... Taggart
Harvey Korman ... Hedley Lamarr
Madeline Kahn ... Lili Von Shtupp
Mel Brooks ... Governor Lepetomane / Indian Chief
Burton Gilliam ... Lyle
Alex Karras ... Mongo
David Huddleston ... Olson Johnson
Liam Dunn ... Rev. Johnson
John Hillerman ... Howard Johnson
George Furth ... Van Johnson
Jack Starrett ... Gabby Johnson (as Claude Ennis Starrett Jr.)
Carol Arthur ... Harriett Johnson
Richard Collier Richard Collier ... Dr. Sam Johnson
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Storyline

The Ultimate Western Spoof. A town where everyone seems to be named Johnson is in the way of the railroad. In order to grab their land, Hedley Lemar (Harvey Korman), a politically connected nasty person, sends in his henchmen to make the town unlivable. After the sheriff is killed, the town demands a new sheriff from the Governor (Mel Brooks). Hedley convinces him to send the town the first Black sheriff (Cleavon Little) in the west. Bart is a sophisticated urbanite who will have some difficulty winning over the townspeople. Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Plot Synopsis

Taglines:

Mel Brooks and the West! Together for the last time! See more »

Genres:

Comedy | Western

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Yiddish | German

Release Date:

7 February 1974 (USA) See more »

Also Known As:

Black Bart See more »

Filming Locations:

Santa Clarita, California, USA See more »

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Box Office

Budget:

$2,600,000 (estimated)

Gross USA:

$119,500,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

(at around 1h 26 mins) A large photo of Edward G. Robinson can be seen hanging on the commissary wall during the pie fight. See more »

Goofs

Since the movie breaks the fourth wall frequently, many crew/equipment visibilities may be deliberate. See more »

Quotes

[first lines]
Lyle: Come on, boys! The way you're lollygaggin' around here with them picks and them shovels, you'd think it was a hundert an' twenty degree. Can't be more than a hundert an' fourteen.
See more »

Crazy Credits

Karl Lukas is credited (as Karl Lucas) in opening credits only. See more »

Alternate Versions

TV prints use an alternate take of a sequence in which Rock Ridge's town priest says a prayer. In the theatrical version, the prayer ends with the line, "...or are we just jerking off?" The TV version substitutes a take (shot from a different angle) in which the prayer ends with, "...or are we just whisting Dixie?" The 2004 DVD release includes this alternate take. See more »

Connections

Referenced in Role Model: Gene Wilder (2008) See more »

Soundtracks

April in Paris
(uncredited)
Music by Vernon Duke
Lyrics by E.Y. Harburg
Performed by Count Basie and His Orchestra
See more »

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User Reviews

 
"Where the white women at?"
6 August 2005 | by the-jerkSee all my reviews

1974 was a very good year for the team of Mel Brooks and Gene Wilder; their "Young Frankenstein" (which came out in 1974) is one of the funniest movies ever made, and "Blazing Saddles" (same year) is almost just behind it. It's a bit overrated (but just a bit); I know a lot of people look on this as the funniest movie of all time, but I can't go THAT far. But it is ONE of the funniest movies of all time, and for two such movies by the same director, with the same star, to come out the same year, to be on that list is quite an achievement.

The residents of Rock Ridge (all named Johnson) need a new sheriff. They get one... Bart, played by Cleavon Little, who happens to be black. It's all planned out by Hedley Lamarr (don't call him Heddy!), an employee of the governor (Mel Brooks), in a plot to run the residents out of town so he can have a railroad run through it. At first, the townsfolk aren't happy about this development, but when Bart endeavors to save them from the evil Lamarr, who's played to slimy perfection by Harvey Korman, they warm up to him. Also thrown into the mix is Wilder as "The Waco Kid", a gunslinger who's lost his knack for shooting, Alex Karras as a huge idiot named Mongo , and Madeline Khan as Lily von Schtupp, a parody of Marlene Dietrich, complete with ridiculous German accent. She stands out heads and shoulders above everybody else in this movie, I think, and her song "I'm Tired" ("I'm not a wabbit! I need some west!") is possibly the funniest song ever to appear in a film. This is no doubt the funniest part Madeline Khan has ever had (and she ALSO appeared in "Young Frankenstein"!). It's also a kick to see a pre-"Magnum PI" John Hillerman as Howard Johnson, with an ice cream shop with a sign that screams "1 Flavor"; and Slim Pickens (Taggart, another bad guy) is always a hoot.

The plot is just an excuse to make fun of westerns, racism, and movie-making in general, as demonstrated in the extremely wacky, fourth-wall breaking finale (Watch for Dom DeLuise in these scenes). None of this is really supposed to make sense or be realistic, it's just supposed to be funny, and for the most part it is. It's one of the crassest and crudest mainstream movies in history, and that's it's strength; it often plays just like a Mad movie parody. One example of this that really sticks out is the famous farting scene, which somehow manages to be one of the funniest scenes in the movie, and probably the funniest fart scene ever. But the focus is on the way blacks were treated in the post-Civil War old west, and the movie is merciless in the way it has its ignorant white characters treat the black characters, throwing the n-word around without abandon and giving them the dirty work (at one point, a character says "We can't afford to lose any horses! Send a couple of n****rs!"). The movie finds its heart in the way the initially racist townspeople of Rock Ridge become fond of their black sheriff.

Its spirit, however, is in the hilarious and crude jokes that are thrown all through. This is one funny movie, and with Mel Brooks, that's what's really important.


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