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Pat Garrett & Billy the Kid (1973)

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Pat Garrett is hired as a lawman on behalf of a group of wealthy New Mexico cattle barons to bring down his old friend Billy the Kid.

Director:

Sam Peckinpah

Writer:

Rudy Wurlitzer
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Nominated for 1 BAFTA Film Award. Another 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
James Coburn ... Pat Garrett
Kris Kristofferson ... Billy The Kid
Richard Jaeckel ... Sheriff Kip McKinney
Katy Jurado ... Mrs. Baker
Chill Wills ... Lemuel
Barry Sullivan ... Chisum
Jason Robards ... Governor Wallace
Bob Dylan ... Alias
R.G. Armstrong ... Ollinger
Luke Askew ... Eno
John Beck ... Poe
Richard Bright ... Holly
Matt Clark ... J.W. Bell
Rita Coolidge ... Maria
Jack Dodson ... Howland
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Storyline

It's 1881 in New Mexico, and the times they are a'changing. Pat Garrett, erstwhile travelling companion of the outlaw Billy the Kid has become a sheriff, tasked by cattle interests with ridding the territory of Billy. After Billy escapes, Pat assembles a posse and chases him through the territory, culminating in a final confrontation at Fort Sumner, but is unaware of the full scope of the cattle interests' plans for the New West. Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Add Synopsis

Taglines:

Best of enemies. Deadliest of friends.


Motion Picture Rating (MPAA)

Rated R for western violence and sexuality/nudity | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

23 May 1973 (USA) See more »

Also Known As:

Pat Garrett and Billy the Kid See more »

Filming Locations:

Durango, Mexico

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Box Office

Budget:

$4,638,783 (estimated)

Gross USA:

$11,000,000, 31 December 1973
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

(1988 restored) | (2005 DVD Special Edition) | (Cut theatrical)

Sound Mix:

Mono

Color:

Color (Metrocolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Cast and crew members came down with influenza. See more »

Goofs

When Cody is lying on a bed, his left arm is over the rifle, with his hand hanging from the bed, and his right hand is leaning on his left shoulder. In the next shot, when Poe touches him, his left hand is holding the rifle and his right hand leaning on the bed. See more »

Quotes

Mr. Horrell: Just got through putting up that new cottonwood door. Used the old one for my son John. He got into a shooting with Olin Carroll. He's buried out yonder there.
Billy: I'm sorry to hear that, Mr. Horrell.
Mr. Horrell: John was a good hand. Couldn't shoot, though.
See more »

Alternate Versions

There have been three different cuts of this film: (1) the 106-minute theatrical release; (2) in 1988, a 122-minute restored version, known as the Turner Preview Version; (3) in 2005, a 115-minute restored version, known as the Special Edition. See more »


Soundtracks

Knockin' on Heaven's Door
Written by Bob Dylan
Performed by Bob Dylan
See more »

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User Reviews

 
Peckinpah's final, haunting eulogy to the West and Westerns
10 March 2005 | by j_beaudineSee all my reviews

Simply put, Sam Peckinpah's "Pat Garrett and Billy the Kid" is one of the last great Westerns ever made. Like most of 'Bloody' Sam's films, "Pat Garrett" was molested and cut by the studio, MGM upon its release. The film would be panned by audiences and critics. It's a shame that Peckinpah never lived to see the longer cut of the film finally released to a wider audience on VHS. It would become a cult hit and is now known as one of the best Westerns and one of Peckinpah's best.

The film depicts the final days of Billy the Kid (Kris Kristofferson) before he was killed by his friend Pat Garrett (James Coburn), the newly appointed sheriff of the territory. Other than the fine performances of Coburn and Kristofferson, the film also features excellent supporting roles from famous Western regulars and members of Peckinpah's stock of actors. The long list of players include Jason Robards, Bob Dylan (also the film's music composer), Slim Pickens, R.G. Armstrong, L.Q. Jones, Katy Jurado, Paul Fix, Chill Wills, Jack Elam, Harry Dean Stanton, Richard Jaeckel, and Dub Taylor. Most of the characters are killed off in the film, violently evoking both the death of the West and Westerns.

Peckinpah's two regular themes are here: the death of the West, and men living past their time and deciding whether or not they should accept change. My favorite scene in the film takes place about halfway through the film. Pat Garrett, isolated and alone, is sitting by his fire near a river bank. He sees a man about his age and his family sailing on a raft down the river. The man is shooting bottles for target practice. Garrett takes a shot at a bottle. The man sees Garrett and shoots back. Garrett then takes cover behind the nearby tree. They both are aiming at each, but just lower their guns are stare at each other. The raft continues to flow down the river. The scene, which was the reason why Peckinpah, Coburn, and almost everyone wanted to take part in the film, has so much meaning to it. 1. It references an earlier scene with Garrett and Sheriff Baker (Slim Pickens). Baker was building a boat so he could drift out of territory because of how awful it has become. Tragicaly, Baker does not get a chance to see this dream. 2. The scene also references the shoot-out between Garrett and Black Harris (L.Q. Jones). Before his death, Harris yells to Garrett "Us old boys shouldn't be doing this to each other." The same thing happens between Garrrett and the man on the raft.

Other than the performances, the film also features some good musical pieces by Dylan. John Coquillon's cinematography is also very beautiful and haunting at the same time. Peckinpah, as always, was able to get period detail down correctly. Rudy Wurlitzer also did a fine job at the screenplay, despite Peckinpah improving most of it himself. Coburn's performance was possibly his best ever. The idea of Garrett having a lot of inner conflict was good. Garrett knew that he had a job to do, but just could not handle the fact it was his friend that he had to kill. Maybe he was the one who put the gun in the outhouse for Billy to use. It was also great to see the myth and actual facts of the last days of this incident played out.

Although this film may have a few faults (some of Dylan's music and a few of his scenes), "Pat Garrett and Billy the Kid" is really worth the time to view now that a DVD will be released on January 10th, 2006. The Two-Disc set will feature two versions of the film. The first one is a 115 min. version editied by Peckinpah biographers Nick Redman and Paul Seydor. The second disc will feature the 122 min. version assembled in 1988. According to both men, there was no final cut to "Pat Garrett." The version that Peckinpah screeded for the MGM heads was just a rough cut. Either way, the DVD will now a new generation of film lovers to be able to view how costly it is when an artist cannot complete his work. Peckinpah and editiors originally had six months to edit, but the idiots from the studio cut it down to two months. I guess the new 115 minute version of the film is closer to Peckinpah's vision because of notes and interviews with the filmmaker's colleagues. No matter which version you will watch, "Pat Garrett and Billy the Kid" is a sad but magnificent Western made by one of the last great storytellers of the Western genre.

Billy: Old Pat...Sheriff Pat Garrett. Sold out to the Sana Fe ring. How does it feel?

Pat: It feels like...that times have changed.

Billy: Times maybe. Not me.


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