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Paper Moon

  • 1973
  • PG
  • 1h 42m
IMDb RATING
8.1/10
55K
YOUR RATING
POPULARITY
4,457
126
Tatum O'Neal and Ryan O'Neal in Paper Moon (1973)
During the Great Depression, a con man finds himself saddled with a young girl who may or may not be his daughter, and the two forge an unlikely partnership.
Play trailer3:56
2 Videos
99+ Photos
CaperRoad TripComedyCrimeDrama

During the Great Depression, a con man finds himself saddled with a young girl who may or may not be his daughter, and the two forge an unlikely partnership.During the Great Depression, a con man finds himself saddled with a young girl who may or may not be his daughter, and the two forge an unlikely partnership.During the Great Depression, a con man finds himself saddled with a young girl who may or may not be his daughter, and the two forge an unlikely partnership.

  • Director
    • Peter Bogdanovich
  • Writers
    • Joe David Brown
    • Alvin Sargent
  • Stars
    • Ryan O'Neal
    • Tatum O'Neal
    • Madeline Kahn
  • See production info at IMDbPro
  • IMDb RATING
    8.1/10
    55K
    YOUR RATING
    POPULARITY
    4,457
    126
    • Director
      • Peter Bogdanovich
    • Writers
      • Joe David Brown
      • Alvin Sargent
    • Stars
      • Ryan O'Neal
      • Tatum O'Neal
      • Madeline Kahn
    • 195User reviews
    • 70Critic reviews
    • 77Metascore
  • See production info at IMDbPro
    • Won 1 Oscar
      • 9 wins & 10 nominations total

    Videos2

    Trailer
    Trailer 3:56
    Trailer
    Paper Moon: I Ain't Ready
    Clip 1:20
    Paper Moon: I Ain't Ready
    Paper Moon: I Ain't Ready
    Clip 1:20
    Paper Moon: I Ain't Ready

    Photos174

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    + 167
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    Top cast41

    Edit
    Ryan O'Neal
    Ryan O'Neal
    • Moses Pray
    Tatum O'Neal
    Tatum O'Neal
    • Addie Loggins
    Madeline Kahn
    Madeline Kahn
    • Trixie Delight
    John Hillerman
    John Hillerman
    • Deputy Hardin…
    P.J. Johnson
    P.J. Johnson
    • Imogene
    Jessie Lee Fulton
    Jessie Lee Fulton
    • Miss Ollie
    James N. Harrell
    • The Minister
    • (as Jim Harrell)
    Lila Waters
    • The Minister's Wife
    Noble Willingham
    Noble Willingham
    • Mr. Robertson
    Bob Young
    • Gas Station Attendant
    Jack Saunders
    • Station Master
    Jody Wilbur
    • Cafe Waitress
    Liz Ross
    • The Widow Morgan - Pearl
    Yvonne Harrison
    • The Widow Bates - Marie
    Ed Reed
    Ed Reed
    • The Lawman - Bates' Home
    Dorothy Price
    • Ribbon Saleslady
    Eleanor Bogart
    • The Widow Stanley - Elvira
    Dorothy Forster
    • The Widow Huff - Edna
    • Director
      • Peter Bogdanovich
    • Writers
      • Joe David Brown
      • Alvin Sargent
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews195

    8.155K
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    Featured reviews

    10oceantracks

    A Perfect Film

    If Hayes, Kansas, and thereabouts...were the perfect locations for Peter Bogdonavich's classic "Paper Moon," then the film itself is the perfect realization of those real places forever etched in celluloid.

    Few times will you ever see a film so visually wedded to its locale and cinematic style. In a typical film, you might picture the presentation of the movie working in a number of ways, but in "Paper Moon," it will forever seem like it could only have been done this way...on location, in black and white, and photographed like moving Andrew Wyeth shots of Americana.

    Tatum O' Neal is terrific and justifiably won an Oscar for her part, but Ryan is wonderful as well....funny in that exasperated manner that Bud Abbott is, and the quality goes right down to the smallest bit player in the cast.

    A perfect film would have great acting, great visuals and utilization of music, a superb story and lines that have you repeating them for years. Welcome to "Paper Moon." I can't recommend this blend of comedy and drama enough. A modern classic.
    10dtrobb

    Tatum O'Neal

    There are different reasons to watch different movies. Plot, scenery, acting, music score, special effects ...Let's make this as simple as possible.

    The plot is OK. The setting/location/cinematography is OK. I liked Ryan O'Neal in Love Story and What's Up Doc. He's good enough here.

    But, this movie is a 10 for one, and only one, reason. Ten year old Tatum O'Neal is impossible to take your eyes off of the entire movie. I challenge anyone to name a better performance by an actress/actor in a movie than this one by Ms. O'Neal.

    What a joke she won the Oscar for Best Supporting Actress because the Academy didn't think a ten year old should win the Best Actress award.

    She's on screen only about 95% of the time.

    I love what Madeline Kahn says about that. MK says she - MK- should have won Best Supporting Actress. Tatum should have won Best Actress.
    8Xstal

    Eternally Ageless & Perpetually Engaging...

    Unlike many films of the early 1970s, plenty before and after, viewing this doesn't continually remind you of the time of its creation, but instead deposits you into the age of the Great Depression where your mind resides for the duration.

    The development of the relationship between Moses and Addie is near perfect, their capers, scrapes and mischief endearingly conjuring a bond they both desperately need. I didn't expect this to be anything like as engrossing, charming and engaging as it was, perhaps being the father of two daughters with attitude enhanced the experience, but whatever it was left a lasting impression.
    ethor@inreach.com

    PAPER MOON refuses to cry.

    PAPER MOON is one of those films which refuses to age or become dated, because, as director Peter Bogdanovich claims, it was dated when it was released. It has the look and presence of a film from the Golden Thirties with the panache and style that could only come from the Golden Seventies. That extraordinary decade when the Old Hollywood Studio Machine was being rapidly replaced by the rise of the Artist Filmmaker, who were young, eager and just out of film school. A wonderful period of flux when anything could and did happen. A seminal period in filmmaking where new artists were making important new films, which would change Hollywood forever. PAPER MOON is outwardly a period road picture set in the mid 30s, about a traveling man named Moze Pray (Ryan O'Neil) who will play any angle if it means a couple of extra dollars in his pocket. As the story opens he agrees to escort the daughter of a now deceased lover to her Aunt in Missouri. Slick Moze quickly meets his match in the half pint tough little Addie Loggins (Ryan's real life daughter Tatum in her first role). No sentimental tear jerker here, this is a great story which refuses to go down the obvious road of a father reunited with his lost little girl; we aren't even sure it's really his daughter. Little Addie is tough as nails at every turn and a whole lot more savvy than Moze could ever be. At turn after turn she will outsmart and outmaneuver Moze in a way which is a sheer delight to watch. Tatum O'Neil gives an Oscar caliber performance as little Addie, but why she was given a Best Supporting Actress award and not nominated for the Best Actress category, one can only wonder. Madeline Kahn (What's Up Doc, Blazing Saddles), in her second film ever also delivers the goods as Miss Trixie Delight who meets up with the pair and sees her own angle. Everyone is playing some angle in this film and we get to enjoy every minute of it.

    Shot completely on locations in Kansas and Missouri PAPER MOON sparkles with a richness only capable in black and white. Cinematographer Lazlo Kovacs is a great camera artist and never better than PAPER MOON where he uses black and white, deep focus and those great long takes to its best advantage. To the untrained eye it will just appear very sharp, but look closely at each frame and notice that everything is in tack sharp focus from the closest object to far in the distance. This deep focus is very difficult to achieve correctly, especially in the night shots, but Kovacs does it so well it is seamless. Watch for the train station sequence where even the children playing in the background are razor sharp. This is a look that can only be achieved using black and white to its fullest potential. New filmmakers take notice. This is how it's supposed to be done. All this cinematic brilliance would be wasted were it not for the wonderful direction of Bogdanovich. In this his third film, he proves that he is a consummate filmmaker who knows how to move the actors and camera in perfect concert. His craftsmanship of each scene is unmistakable as he brings a fresh and very new approach using Hollywood tricks which are decades old. A lesser director might have used process shots and sets to tell the story, but not Bogdanovich. He shot the entire film in real locations to give it the look and feel of a real thirties road picture. You can almost smell the wide plains and feel the dust as it comes up to slap you in the face. Notice too how he never resorts to sentimentality to move the story along, it is told razor sharp and without tears. This, never more apparent than the final sequence where he pays off the film in grand style.

    There is only one thing about this film which still baffles me. Why in the night time hotel sequence toward the end of the film were electric lights everywhere but inside the hotel lobby, which was lit entirely with kerosine lamps? Was it to give the look and feel of the period, or did the real location use them? Small point, but interesting. If, like myself, the last time you saw PAPER MOON was when it was released in 1973, see it again on DVD and be delighted all over again. The DVD transfer is marvelous and only serves to heighten its visual appeal. If you have only seen PAPER MOON on broadcast TV, do yourself a favor and see the new DVD for a pleasant surprise. Without the obligatory broadcast TV commercials, pan and scan and dialogue cuts this will appear like a new film seen the way it was supposed to be seen. And if you have NEVER seen PAPER MOON and harbor some prejudice against black and white films, please see this film. Any preconceived notions against this format will quickly dissolve as it takes you along for a rich ride with Addie and Moze in the only format it could - glorious black and white.
    9keithmanies

    best father-daughter movie ever made

    Paper Moon is one hell of a movie. I saw this film as a 10 year old in 1973 and loved it then as I do now at 39. Set in Depression era Kansas, it is story of the relationship between Addie, a smart talking 7 year old, and Moses, a bible selling con man who might be her father. The on screen chemistry between Ryan and Tatum O'Neal is fantastic. Madeline Kahn is great as a side show floosey they pick up along the way and she almost steals the show! Filmed in Kansas and Missouri, director Peter Bogdonavich used local people in cameo roles which adds to the authentic feel of the film. Also to the director's credit, this film may be one the best to portray 1930's America. All in all, Paper Moon is full of great characters and a fine story line. On a personal note, I saw this film with my 90 year old grandmother and she laughed throughout the film and said it was one the best films she ever saw. That's not a bad recomendation coming from someone born in 1883!

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Tatum O'Neal was ten years old when she won the Academy Award for Best Supporting Actress for her performance in this movie, making her the youngest person ever to win an Oscar in a competitive category. As of 2023, she still holds this record. She was four years younger than her rival nominee, Linda Blair, in The Exorcist (1973).
    • Goofs
      Fibber McGee's famous "closet gag", so anticipated by Addie while listening to the radio, didn't start until 1940.
    • Quotes

      Addie Loggins: I want my two hundred dollars.

      Moses Pray: I don't have your two hundred dollars no more and you know it.

      Addie Loggins: If you don't give me my two hundred dollars I'm gonna tell a policeman how you got it and he'll make you give it to me because it's mine.

      Moses Pray: But I don't have it!

      Addie Loggins: Then get it!

      Cafe Waitress: [walks over after Moses slams his fist on the table] How we doin', Angel Pie? We gonna have a little dessert when we finish up our hot dog?

      Addie Loggins: I don't know.

      Cafe Waitress: What do you say, Daddy? Why don't we give Precious a little dessert if she eats her dog?

      Moses Pray: Her name ain't Precious.

    • Crazy credits
      Special thanks to the people in and around Hays, Kansas and St. Joseph, Missouri
    • Connections
      Edited into The Clock (2010)
    • Soundtracks
      It's Only a Paper Moon
      (1933) (uncredited)

      Music by Harold Arlen

      Lyrics by E.Y. Harburg and Billy Rose

      Performed by Paul Whiteman and Orchestra

      Vocal by Peggy Healy

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    FAQ24

    • How long is Paper Moon?Powered by Alexa
    • Is "Paper Moon" based on a book?
    • How closely does the movie follow the novel?
    • Why was the title changed from "Addie Pray" to "Paper Moon"?

    Details

    Edit
    • Release date
      • May 9, 1973 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Luna de papel
    • Filming locations
      • Wilson, Kansas, USA(Pray getting Addie's money at Robertson's mill, Hairdresser and General store on Avenue E)
    • Production companies
      • The Directors Company
      • Saticoy Productions
      • Paramount Pictures
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $2,500,000 (estimated)
    • Gross worldwide
      • $591
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 42 minutes
    • Color
      • Black and White
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.85 : 1

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