Paper Moon (1973)

During the Great Depression, a con man finds himself saddled with a young girl who may or may not be his daughter, and the two forge an unlikely partnership.

Director:

Peter Bogdanovich

Writers:

Joe David Brown (novel), Alvin Sargent (screenplay)

Stars:

Ryan O'Neal, Tatum O'Neal, Madeline Kahn

Won 1 Oscar. Another 7 wins & 10 nominations.

Cast

Cast overview, first billed only:
Ryan O'Neal	...	Moses Pray
Tatum O'Neal	...	Addie Loggins
Madeline Kahn	...	Trixie Delight
John Hillerman	...	Deputy Hardin / Jess Hardin
P.J. Johnson	...	Imogene
Jessie Lee Fulton	...	Miss Ollie
James N. Harrell	...	The Minister (as Jim Harrell)
Lila Waters	...	The Minister's Wife
Noble Willingham	...	Mr. Robertson
Bob Young	...	Gas Station Attendant
Jack Saunders	...	Station Master
Jody Wilbur	...	Cafe Waitress
Liz Ross	...	The Widow Morgan - Pearl
Yvonne Harrison	...	The Widow Bates - Marie
Ed Reed	...	The Lawman - Bates' Home

Storyline

Set in the midwest of the depression-era, Paper Moon follows Moses Pray and Addie Loggins - one a con artist, the other, the young girl who's the daughter of a woman who's just passed away. The pair meet when 'Mose' stops by the sparsely-attended funeral in Kansas of a woman he once knew (we never see her). In attendance, is the woman's young daughter, Addie, whom Moses agrees to transport to St Joseph, Mo -- for money, of course. Mose - an inveterate hustler, has been working ostensibly as a representative of the Kansas Bible Company - who picks his marks from the obits, and tries to sell - at exorbitant prices - the decedents' spouse the custom bible they'd previously ordered. Wise beyond her years, Addie picks up on Moses' grift, and very quickly, she and Mose become a team. Traveling from town to town, making money in every dishonest way imaginable, and looking for the ultimate score. The colorful characters they meet along the way make the film all the more interesting. One in ...

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Plot Keywords:

great depression | father daughter relationship | whiskey | bible | con artist | 

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Taglines:

These aren't everyday people and this is no ordinary movie.

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Genres:

Comedy | Drama

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Certificate:

PG

Details

Country:

USA

Language:

English

Release Date:

9 May 1973 (USA)

Also Known As:

Luna de papel

Filming Locations:

US-159 Bridge, Rulo, Nebraska, USA

Box Office

Budget:

$2,500,000 (estimated)

Company Credits

Production Co:

The Directors Company, Saticoy Productions, Paramount Pictures

Technical Specs

Runtime:

102 min

Sound Mix:

Mono

Color:

Black and White

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Included among the American Film Institute's 2000 list of the 500 movies nominated for the Top 100 Funniest American Movies.

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Goofs

When Addie says, "Don't knock, use the key!" and sends Mose to Trixie's hotel room, we see a window behind Addie with a lace curtain. However, though this lace curtain, we can see cars that are of late 60's / early 70's style.

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Quotes

[first lines]
The Minister: Judge me, oh Lord, for I have lost in mine integrity. I have trusted also in the Lord, therefore I shall not slide. Examine me, oh Lord, and prove me. Try my reins and my heart, for Thy loving kindness is before mine eyes, and I have walked in Thy truth.

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Crazy Credits

Special thanks to the people in and around Hays, Kansas and St. Joseph, Missouri

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Connections

Referenced in Logan (2017)

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Soundtracks

(It Will Have to Do) Until the Real Thing Comes Along
(1936) (uncredited)
Written by Mann Holiner, Alberta Nichols, Sammy Cahn, Saul Chaplin and L.E. Freeman
Performed by Leo Reisman and His Orchestra
Vocal by Larry Stewart

User Reviews

A terrific film on all levels

Paper Moon has to be one of the finest pieces of American cinema to grace the 70's. Bogdanovich's direction bares a strong resemblance to The Last Picture Show, but overall this film is much more satisfying and enjoyable. The Black and White photography gives the film a nostalgic beauty that perfectly complements the Depression-era it attempts to recreate. Also notable is the charming Jazz-based score, with a wonderful opening title track, reinforcing the film's charm. As good as the story, direction and music are however, the true stars of the film are the O'Neal twosome. Both bring forth their best performances of their careers, and share a chemistry on screen that only a father and daughter could. Ryan O'Neal brings forth a subtle charm as the wise-talking, but inept hustler Moses Pray. Tatum however, even upstages her father with what has to be the best youth performance in history. She is funny and moving when need be, and always charming, eliciting laughs many times based solely on her malleable facial expressions. Her show-stopping five minute shot, no matter how long it took to film, proves just how fully Tatum was able to embody little Addie Pray. The movie is always entertaining, with never a dull spot, with a strong supporting performance by Madeline Kahn to help keep things rolling during the middle. This is a true classic that should be seen by people of all ages, I can't recommend it enough!