
The Nun and the Devil (1973)
Le monache di Sant'Arcangelo (original title)Reference View | Change View
- R
- 1h 43min
- Drama, Horror
- 25 Jan 1973 (Italy)
- Movie
Photos and Videos
Cast verified as complete
Anne Heywood | ... |
Mother Giulia
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Luc Merenda | ... |
Alfonso Carafo
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Ornella Muti | ... |
Isabella
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Martine Brochard | ... |
Mother Chiara
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Muriel Catalá | ... |
Agnes
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Claudia Gravy | ... |
Mother Carmela
(as Claudia Gravì)
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Maria Cumani Quasimodo | ... |
Mother Lavinia
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Pier Paolo Capponi | ... |
Don Carlos
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Claudio Gora | ... |
Cardinal d'Arezzo
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Duilio Del Prete | ... |
Pietro
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Luigi Antonio Guerra | ... |
(as Luigi Guerra)
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Gianluigi Chirizzi | ... |
Fernando
(as Gian Luigi Chirizzi)
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Rest of cast listed alphabetically: | |||
Paolo Paoloni | ... |
Isabella's keeper (uncredited)
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Directed by
Domenico Paolella | ... | (as Paolo Dominici) |
Written by
Domenico Paolella | ... | (story) |
Domenico Paolella | ... | (screenplay) & |
Tonino Cervi | ... | (screenplay) |
Domenico Paolella | ... | (dialogue) & |
Tonino Cervi | ... | (dialogue) |
Stendhal | ... | (based on a story by) |
Produced by
Tonino Cervi | ... | producer |
Giovanni Di Clemente | ... | assistant producer |
Agostino Pasti | ... | assistant producer |
Music by
Piero Piccioni |
Cinematography by
Giuseppe Ruzzolini | ... | director of photography |
Editing by
Nino Baragli |
Editorial Department
Elvira Tonini | ... | assistant editor (as Vivi Tonini) |
Enzo Tonini | ... | assistant editor |
Art Direction by
Claudio Cinini |
Set Decoration by
Alfredo D'Angelo |
Costume Design by
Wayne A. Finkelman | ... | (as Wayne Finkelman) |
Makeup Department
Mario Di Salvio | ... | makeup artist |
Paolo Franceschi | ... | hair stylist |
Alfio Meniconi | ... | assistant makeup artist |
Production Management
Anacleto Amadio | ... | production manager |
Second Unit Director or Assistant Director
Tersicore Kolosoff | ... | assistant director (as Tersicore Kolosof) |
Art Department
Giovanni Fratalocchi | ... | settings |
Sound Department
Giancarlo Laurenzi | ... | sound |
Romano Pampaloni | ... | sound |
Camera and Electrical Department
Marcello Mastrogirolamo | ... | assistant camera |
Edmondo Pisani | ... | camera operator |
Costume and Wardrobe Department
Osanna Guardini | ... | wardrobe |
Music Department
Severino Gazzelloni | ... | musician: flute soloist |
Bruno Nicolai | ... | music conductor |
Libero Gaddi | ... | musician: oboe soloist, score (uncredited) |
Additional Crew
Cesare Barbetti | ... | italian voice dubbing: Pier Paolo Capponi (uncredited) |
Franca Dominici | ... | italian voice dubbing: Maria Cumani Quasimodo (uncredited) |
Sergio Graziani | ... | italian voice dubbing: Luc Merenda (uncredited) |
Pino Locchi | ... | italian voice dubbing: Duilio Del Prete (uncredited) |
Rita Savagnone | ... | italian voice dubbing: Anne Heywood (uncredited) |
Massimo Turci | ... | italian voice dubbing: Gianluigi Chirizzi (uncredited) |
Serena Verdirosi | ... | italian voice dubbing: Ornella Muti (uncredited) |
Production Companies
- Imp.Ex.Ci.
- Les Films Jacques Leitienne
- Produzioni Atlas Consorziate (P.A.C.)
- Rewind Film
- Splendida Film
Distributors
- Produzioni Atlas Consorziate (P.A.C.) (1973) (Italy) (theatrical)
- Concorde Film (1974) (Netherlands) (theatrical)
- IMV (West Germany) (VHS)
- Redemption Films (1995) (United Kingdom) (VHS) (dubbed)
- Argent Films (2006) (United Kingdom) (dubbed)
- Exploitation Digital (2009) (United States) (DVD)
- VZ-Handelsgesellschaft (2010) (Germany) (DVD)
- Vitória Filmes (1983) (Portugal) (theatrical)
- MPI Home Video (United States) (VHS) (dubbed)
- Showcase Video (United States) (VHS)
- Trix Videofilmer (1983) (Sweden) (video)
Special Effects
Other Companies
- Cinecittà (interiors)
- Orthophonics Recording Studios (music recording)
- S.E.T. (set decoration)
- Tirelli Costumi (costumes)
- Via Margutta Studios (sound recording and editing)
Storyline
Plot Summary |
Kingdom of Naples, 1577: The Roman Inquisition and the witch hunt are in force and torture is authorized in the trials, while the people live in misery and fear. The handsome Spanish nobleman Don Carlos enjoyed it in the convent of Sant'Arcangelo di Baiano, satisfying his eroticism with Sister Giulia di Mondragone, a powerful ecclesiastic who aspired to the title of abbess of the convent. Having evaluated the power of Don Carlos, Giulia tries to please him, while other sisters, especially Sister Carmela, plot against her as interested in the coveted title of abbess. Giulia offers herself on several occasions to Don Carlos, despite being a lesbian and eager to be alone with her sweetheart: Sister Chiara. Giulia pleases Don Carlos even when he asks her to spend a night of love with the beautiful young Sister Isabella, Giulia's niece, forced against her will to take the monastic vows but, in reality, very much in love with a boy from the country 'origin. Considering that the current abbess, Sister Lavina, appears to be ever closer to death, Giulia and Carmela go wild in a war that will have to determine who, on Lavinia's death, will succeed her in her duties and functions. From pure actions moved by jealousy they pass to poisonings, traps, complaints and false accusations. If Sister Giulia favors Don Carlos, Sister Carmela, even through some protectors and lovers, she reveals a criminal conduct at least equal to that of Giulia. The step towards the scandal is short: deaths, threats and beatings accompanied by the sending of anonymous letters to the high ecclesiastical authorities, immediately open a trial. The vicar Carafa, representative of the Inquisition sent by the Archbishop of Naples, deals with the scandal: the ruthless process in which various sisters are tortured and made to confess. |
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Taglines | In the convent of St. Archangel, there is a struggle for lust & love. See more » |
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Parents Guide | View content advisory » |
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Did You Know?
Trivia | The opening credits state that the movie is 'Based on authentic 16th Century records and a story by STENDHAL'. See more » |
Movie Connections | Featured in The Real Blue Nuns (2006). See more » |
Quotes |
Carafo:
And the Lord pardon us for the pain we have inflicted in the church's name. See more » |